to our readers \n about this magazine, "only perhaps two of them would consider themselves professional magicians - derren and justin" \n alexander hansford
2019
Alexander Hansford
|
To Our Readers
|
1 - London 2019
|
2019
|
11
|
|
about the contributors \n mini bios and contact information for all eight contributors, paavan buddhdev, rory aadams, alexander hansford, justin higham, andrew frost, kez dearmer, stephen long, derren brown \n alexander hansford
2019
Alexander Hansford
|
About the Contributors
|
1 - London 2019
|
2019
|
13
|
|
kez dearmer \n intro \n alexander hansford
2019
Alexander Hansford
|
Kez Dearmer
|
1 - London 2019
|
2019
|
22
|
|
the divining brush \n translating a magic explanation into a pseudo textbook explanation of painting using the example of the erdnase effect \n kez dearmer \n the divining rod \n s. w. erdnase
2019
Kez Dearmer
|
The Divining Brush
|
Related to
|
1 - London 2019
|
2019
|
24
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some notes on card handling and painting \n \n kez dearmer
2019
Kez Dearmer
|
Some notes on card handling and painting
|
1 - London 2019
|
2019
|
30
|
|
justin higham \n intro \n alexander hansford
2019
Alexander Hansford
|
Justin Higham
|
1 - London 2019
|
2019
|
38
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impressionistic ace controls \n four aces cut into deck one by one, end up together on top
- method one (vollmer & marlo, tabled, two crimps)
- method two (higham, tabled, two crimps)
- method three (gambin, tabled, two crimps)
- method four to eleven (higham, some tabled, some with hands & tabled, one, two or no crimps, some with overhand shuffles) \n justin higham \n richard vollmer \n christian gambin \n one hand control \n edward marlo \n vernon's aces ride again \n david britland \n impressionistic ace controls - part 2 \n justin higham \n impressionistic ace control - method nine, version two \n justin higham
2019
Justin Higham, Richard Vollmer, Christian Gambin
|
Impressionistic Ace Controls
|
Inspired byRelated toVariations
|
1 - London 2019
|
2019
|
40
|
|
illogical four ace control variant \n four aces lost by assembling four tabled packets and the aces, they end up on top, bluff \n justin higham \n "illogical ace-control" (justin higham, non-automatic card tricks, 2012)
2019
Justin Higham
|
Illogical Four Ace Control Variant
|
Inspired by- "Illogical Ace-Control" (Justin Higham, Non-Automatic Card Tricks, 2012)
|
1 - London 2019
|
2019
|
52
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|
rory adams \n intro \n alexander hansford
2019
Alexander Hansford
|
Rory Adams
|
1 - London 2019
|
2019
|
66
|
|
bet big - on deciding to decide \n essay on decision making in magic \n rory adams
2019
Rory Adams
|
Bet Big - On deciding to decide
|
1 - London 2019
|
2019
|
68
|
|
alexander hansford \n intro \n alexander hansford
2019
Alexander Hansford
|
Alexander Hansford
|
1 - London 2019
|
2019
|
80
|
|
oil and water \n deck shown mixed, spectator gives it one riffle shuffle, deck shown separated into red and black \n alexander hansford
2019
Alexander Hansford
|
Oil and Water
|
1 - London 2019
|
2019
|
82
|
|
spectator's color riffle shuffle \n \n unknown
2019
|
Spectator's Color Riffle Shuffle
|
1 - London 2019
|
2019
|
83
|
|
count cull \n while counting off a certain number of cards \n alexander hansford
2019
Alexander Hansford
|
Count Cull
|
1 - London 2019
|
2019
|
86
|
|
paavan buddhdev \n intro \n alexander hansford
2019
Alexander Hansford
|
Paavan Buddhdev
|
1 - London 2019
|
2019
|
92
|
|
<strike>magic is not an artform</strike> \n essay on art and magic \n paavan buddhdev
2019
Paavan Buddhdev
|
Magic is not an Artform
|
1 - London 2019
|
2019
|
94
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master in freesolo \n on the documentary "free solo" (2018) and how it applies to magic \n alexander hansford
2019
Alexander Hansford
|
Master in Freesolo
|
1 - London 2019
|
2019
|
106
|
|
andrew frost \n intro \n alexander hansford
2019
Alexander Hansford
|
Andrew Frost
|
1 - London 2019
|
2019
|
110
|
|
tabled false cut \n straight false cut from the hands to the table \n andrew frost \n tabled false cut variant \n alexander hansford \n as a false cut \n shane cobalt
2019
Andrew Frost
|
Tabled False Cut
|
Related toVariations
|
1 - London 2019
|
2019
|
112
|
|
tabled false cut variant \n triple cut variation \n alexander hansford \n tabled false cut \n andrew frost
2019
Alexander Hansford
|
Tabled False Cut Variant
|
Inspired by
|
1 - London 2019
|
2019
|
118
|
|
the session convention \n on vanishinginc.'s session convention with many photographs \n alexander hansford
2019
Alexander Hansford
|
The Session Convention
|
1 - London 2019
|
2019
|
126
|
|
stephen long \n intro \n alexander hansford
2019
Alexander Hansford
|
Stephen Long
|
1 - London 2019
|
2019
|
150
|
|
inspiration schminspiration \n "notes on creativity" \n stephen long
2019
Stephen Long
|
Inspiration Schminspiration
|
1 - London 2019
|
2019
|
152
|
|
derren brown \n alexander hansford interviews derren brown \n derren brown \n alexander hansford
2019
Derren Brown, Alexander Hansford
|
Derren Brown
|
1 - London 2019
|
2019
|
162
|
|
to close \n \n unknown
2019
|
To Close
|
1 - London 2019
|
2019
|
188
|
|
to our readers \n \n alexander hansford
2019
Alexander Hansford
|
To Our Readers
|
2 - New York City 2019
|
2019
|
11
|
|
about the contributors \n mini bios and contact information for all eight contributors, eric hu, vera tobin, tatanka tan, tony chang, Éireann leverett, ricky smith, benjamin pratt, asi wind \n alexander hansford
2019
Alexander Hansford
|
About the Contributors
|
2 - New York City 2019
|
2019
|
13
|
|
vera tobin \n intro \n alexander hansford
2019
Alexander Hansford
|
Vera Tobin
|
2 - New York City 2019
|
2019
|
20
|
|
elements of surprise \n \n vera tobin \n "elements of surprise: our mental limits and the satisfactions of plot" (harvard university press, 2018)
2019
Vera Tobin
|
Elements of Surprise
|
Also published here- "Elements of Surprise: Our Mental Limits and the Satisfactions of Plot" (Harvard University Press, 2018)
|
2 - New York City 2019
|
2019
|
22
|
|
eric hu \n intro \n alexander hansford
2019
Alexander Hansford
|
Eric Hu
|
2 - New York City 2019
|
2019
|
40
|
|
what do we want to say with our magic? \n on having (pipe) dreams in magic, examples: someone guesses a stranger's name and hometown, connecting with a far-away friend via paper plane with message \n eric hu
2019
Eric Hu
|
What Do We Want To Say With Our Magic?
|
2 - New York City 2019
|
2019
|
42
|
|
frame change transposition \n chosen card placed in performer's back pocket, it transposes with ace of spades \n eric hu
2019
Eric Hu
|
Frame Change Transposition
|
2 - New York City 2019
|
2019
|
52
|
|
spread double to top \n double turned over from center of spread to top of deck \n eric hu
2019
Eric Hu
|
Spread Double to Top
|
2 - New York City 2019
|
2019
|
53
|
|
frame change \n change of isolated card as it is passed through the hands of performer and spectator \n eric hu \n ballerina change \n rich aviles
2019
Eric Hu
|
Frame Change
|
Inspired by
|
2 - New York City 2019
|
2019
|
54
|
|
Éireann leverett \n intro \n alexander hansford
2019
Alexander Hansford
|
Éireann Leverett
|
2 - New York City 2019
|
2019
|
66
|
|
cyber security, risk and card tricks \n "Éireann leverett discusses the overlap between magic and hacking"
as an interview \n Éireann leverett \n alexander hansford
2019
Éireann Leverett, Alexander Hansford
|
Cyber Security, Risk and Card Tricks
|
2 - New York City 2019
|
2019
|
69
|
|
neat hand insurance \n gag advertisement \n alexander hansford
2019
Alexander Hansford
|
Neat Hand Insurance
|
2 - New York City 2019
|
2019
|
82
|
|
tatanka tan \n intro \n alexander hansford
2019
Alexander Hansford
|
Tatanka Tan
|
2 - New York City 2019
|
2019
|
84
|
|
tabled control \n kind of a tabled top change \n tatanka tan
2019
Tatanka Tan
|
Tabled Control
|
2 - New York City 2019
|
2019
|
88
|
|
ricky smith / benjamin pratt \n intro \n alexander hansford
2019
Alexander Hansford
|
Ricky Smith / Benjamin Pratt
|
2 - New York City 2019
|
2019
|
104
|
|
as was \n - conjuring arts research center
- the little church around the corner
- tannen's
- ace hotel
- the building trick or in memoriam: manhattan parallax
- as is \n ricky smith
2019
Ricky Smith
|
As Was
|
2 - New York City 2019
|
2019
|
107
|
|
an explanation of a palm is detailed \n \n ricky smith \n regarding the shift. one \n guy hollingworth
2019
Ricky Smith
|
An Explanation of a Palm is Detailed
|
Inspired by
|
2 - New York City 2019
|
2019
|
116
|
|
conversation between tatanka tan and eric hu \n more about pipe dreams \n tatanka tan \n eric hu
2019
Tatanka Tan, Eric Hu
|
Conversation between Tatanka Tan and Eric Hu
|
2 - New York City 2019
|
2019
|
144
|
|
tony chang \n intro \n alexander hansford
2019
Alexander Hansford
|
Tony Chang
|
2 - New York City 2019
|
2019
|
150
|
|
midlife-crises of a move monkey \n interview, title given by tony in nyc \n tony chang \n alexander hansford
2019
Tony Chang, Alexander Hansford
|
Midlife-Crises of a Move Monkey
|
2 - New York City 2019
|
2019
|
152
|
|
reversal \n refinement of mechanical reverse \n tony chang \n mechanical reverse \n ken krenzel
2019
Tony Chang
|
Reversal
|
Inspired by
|
2 - New York City 2019
|
2019
|
166
|
|
asi wind \n intro \n alexander hansford
2019
Alexander Hansford
|
Asi Wind
|
2 - New York City 2019
|
2019
|
178
|
|
time, art and magic - in conversation with asi wind \n \n asi wind \n alexander hansford
2019
Asi Wind, Alexander Hansford
|
Time, Art and Magic - In Conversation with Asi Wind
|
2 - New York City 2019
|
2019
|
181
|
|
to close \n \n alexander hansford
2019
Alexander Hansford
|
To Close
|
2 - New York City 2019
|
2019
|
205
|
|
to our readers \n \n alexander hansford
2020
Alexander Hansford
|
To Our Readers
|
3 - Tokyo 2020
|
2020
|
11
|
|
about the contributors \n mini bios and contact information for all eight contributors, tomoya horiki, shimpei katsuragawa, kyohei tatsukawa, hide yamamoto, takuma suzu, the impossible co., akira fuji, cyril takayama \n alexander hansford
2020
Alexander Hansford
|
About the Contributors
|
3 - Tokyo 2020
|
2020
|
13
|
|
akira fuji \n intro \n alexander hansford
2020
Alexander Hansford
|
Akira Fuji
|
3 - Tokyo 2020
|
2020
|
22
|
|
thoughts on misdirection \n \n akira fujii
2020
Akira Fujii
|
Thoughts on Misdirection
|
3 - Tokyo 2020
|
2020
|
24
|
|
sidewinder steal - basic technique \n center steal of selection into right-hand lateral palm variation, as top half is replaced onto tabled half \n akira fujii \n sidewinder steal - dealt packet steal \n akira fujii \n sidewinder steal - advanced technique \n akira fujii
2020
Akira Fujii
|
Sidewinder Steal - Basic Technique
|
Variations
|
3 - Tokyo 2020
|
2020
|
28
|
|
sidewinder steal - dealt packet steal \n selection made during deal onto table \n akira fujii \n sidewinder steal - basic technique \n akira fujii
2020
Akira Fujii
|
Sidewinder Steal - Dealt Packet Steal
|
Inspired by
|
3 - Tokyo 2020
|
2020
|
32
|
|
sidewinder steal - advanced technique \n incorporating one-handed glide \n akira fujii \n sidewinder steal - basic technique \n akira fujii
2020
Akira Fujii
|
Sidewinder Steal - Advanced Technique
|
Inspired by
|
3 - Tokyo 2020
|
2020
|
36
|
|
la campanella \n on shimpei katsuragawa \n alexander hansford
2020
Alexander Hansford
|
La Campanella
|
3 - Tokyo 2020
|
2020
|
44
|
|
underload \n four cards placed on table, coin appears under each \n tomoya horiki \n coins and cards \n glenn harrison \n underload (アンダーロード) \n tomoya horiki
2020
Tomoya Horiki
|
Underload
|
Inspired byAlso published here
|
3 - Tokyo 2020
|
2020
|
60
|
|
the impossible co. \n founded by ponta the smith, takeshi taniguchi, ben daggers \n alexander hansford \n ponta the smith \n takeshi taniguchi \n ben daggers
2020
Alexander Hansford, Ponta the Smith, Takeshi Taniguchi, Ben Daggers
|
The Impossible Co.
|
3 - Tokyo 2020
|
2020
|
90
|
|
the tudinal-longi shift \n - as a cover pass
- as a multiple shift \n kyohei tatsukawa \n the longitudinal shift \n s. w. erdnase
2020
Kyohei Tatsukawa
|
The Tudinal-Longi Shift
|
Inspired by
|
3 - Tokyo 2020
|
2020
|
120
|
|
cyril takayama \n \n alexander hansford \n cyril takayama
2020
Alexander Hansford, Cyril Takayama
|
Cyril Takayama
|
3 - Tokyo 2020
|
2020
|
152
|
|
takuma suzu \n \n alexander hansford \n takuma suzu
2020
Alexander Hansford, Takuma Suzu
|
Takuma Suzu
|
3 - Tokyo 2020
|
2020
|
174
|
|
hide yamamoto - halfmoon bar \n "the best close up show we have ever seen" \n alexander hansford \n hide yamamoto
2020
Alexander Hansford, Hide Yamamoto
|
Hide Yamamoto - Halfmoon Bar
|
3 - Tokyo 2020
|
2020
|
192
|
|
editor's note \n \n will houstoun
2022
Will Houstoun
|
Editor's Note
|
4 - Everywhere & Nowhere 2022
|
2022
|
12
|
|
helder guimarães: an interview \n \n helder guimarães \n will houstoun
2022
Helder Guimarães, Will Houstoun
|
Helder Guimarães: An Interview
|
4 - Everywhere & Nowhere 2022
|
2022
|
21
|
|
illisam \n "a version of 3-fly using playing cards" \n dennis kim
2022
Dennis Kim
|
Illisam
|
4 - Everywhere & Nowhere 2022
|
2022
|
44
|
|
top palm \n classic palm variation, no text, unclear \n dai vernon
2022
Dai Vernon
|
Top Palm
|
4 - Everywhere & Nowhere 2022
|
2022
|
78
|
|
understating magic \n \n pierric
2022
Pierric
|
Understating Magic
|
4 - Everywhere & Nowhere 2022
|
2022
|
84
|
|
notes from chapter one \n as a preview to his upcoming book \n shawn desouza-coelho
2022
Shawn DeSouza-Coelho
|
Notes From Chapter One
|
4 - Everywhere & Nowhere 2022
|
2022
|
98
|
|
a video chat card trick \n card placed in card case, it turns out to be named card \n will houstoun
2022
Will Houstoun
|
A Video Chat Card Trick
|
4 - Everywhere & Nowhere 2022
|
2022
|
104
|
|
the background: a photo essay and interview \n \n liu bolin
2022
Liu Bolin
|
The Background: A Photo Essay and interview
|
4 - Everywhere & Nowhere 2022
|
2022
|
118
|
|
jeeves the butler \n "an essay and story-deck effect" \n guy hollingworth
2022
Guy Hollingworth
|
Jeeves the Butler
|
4 - Everywhere & Nowhere 2022
|
2022
|
142
|
|
a stones throw: the penultimate definition \n defining "magic" \n robert gill
2022
Robert Gill
|
A Stones Throw: The Penultimate Definition
|
4 - Everywhere & Nowhere 2022
|
2022
|
162
|
|
intro letter \n \n alexander hansford
2023
Alexander Hansford
|
Intro Letter
|
5 - Paris 2022
|
2023
|
10
|
|
saint-germain street shows, improvisation and a dedication to magic \n \n bébel
2023
Bébel
|
Saint-Germain Street Shows, Improvisation and A Dedication to Magic
|
5 - Paris 2022
|
2023
|
80
|
|
a triumph routine \n deck shuffled face-up/face-down, aces produced using a number from one to six called out by a spectator, described with photos and french text \n mael adler
2023
Mael Adler
|
A Triumph Routine
|
5 - Paris 2022
|
2023
|
96
|
|
theatre & faith \n \n father alex \n alexander hansford
2023
Father Alex, Alexander Hansford
|
Theatre & Faith
|
5 - Paris 2022
|
2023
|
108
|
|
a top stock false running cut \n take on the "erdnase top stock retention running tabled cut"
- additional ladder version \n father alex \n pick-up strip (top slug) \n steve forte
2023
Father Alex
|
A Top Stock False Running Cut
|
Related to
|
5 - Paris 2022
|
2023
|
142
|
|
additional notes on tabled cutting \n \n bradley hodgins
2023
Bradley Hodgins
|
Additional Notes on Tabled Cutting
|
5 - Paris 2022
|
2023
|
164
|
|
a performative ace hold out \n aces are placed in pocket, case, reversed in deck and on top of deck, they change into kings where they are, then aces are found in pocket, case, reversed in deck and kings fuse into final ace \n manu jo
2023
Manu Jo
|
A Performative Ace Hold Out
|
5 - Paris 2022
|
2023
|
166
|
|
shaking card from case \n \n bébel
2023
Bébel
|
Shaking Card from Case
|
5 - Paris 2022
|
2023
|
179
|
|
the diversion of reality within reality or "new magic" \n \n arthur chavaudret \n alexander hansford \n kez dearmer
2023
Arthur Chavaudret, Alexander Hansford, Kez Dearmer
|
The Diversion of Reality Within Reality or "New Magic"
|
5 - Paris 2022
|
2023
|
190
|
|
a four ace production \n deck cut into two piles with one hand on table and aces show up face up on both piles and on the table \n yoann fontyn
2023
Yoann Fontyn
|
A Four Ace Production
|
5 - Paris 2022
|
2023
|
210
|
|
a hofzinser twisting routine \n aces placed aside, king chosen and lost, an ace turns over that matches suit of selection, aces change to kings \n yoann fontyn
2023
Yoann Fontyn
|
A Hofzinser Twisting Routine
|
5 - Paris 2022
|
2023
|
228
|
|
end-for-end multiple turnover \n with one half in right-hand end grip \n unknown
2023
|
End-for-End Multiple Turnover
|
5 - Paris 2022
|
2023
|
233
|
|
fake center insertion \n back of left hand to spectators, card really placed on top \n unknown
2023
|
Fake Center Insertion
|
5 - Paris 2022
|
2023
|
237
|
|
twirl change turnover \n as secret packet turnover \n unknown
2023
|
Twirl Change Turnover
|
5 - Paris 2022
|
2023
|
241
|
|
push-through change \n card pushed though lengthwise packet changes \n yoann fontyn
2023
Yoann Fontyn
|
Push-Through Change
|
5 - Paris 2022
|
2023
|
247
|
|
a psychological classification of forcing techniques \n - why create a psychologically-base classification of forcing?
- the classification
-- outcome forces
--- perceptual errors
--- memory errors
--- reasoning errors
-- decision forces
--- psychological biases
---- priming
---- stereotypical behaviours
---- saliency
--- reactance
--- restriction
- a comment on suggestion / misinformation (extract from chapter 5 - memory illusions) \n alice pailhès
2023
Alice Pailhès
|
A Psychological Classification of Forcing Techniques
|
5 - Paris 2022
|
2023
|
256
|
|