one hand control\naces are lost with charlier cuts and found using one hand only, two crimps\nedward marlo\none hand control\nedward marlo\nimpressionistic ace controls\njustin higham\nrichard vollmer\nchristian gambin
1945
the phoenix 51-100 Edward Marlo
One Hand Control
Aces are lost with charlier cuts and found using one hand only, two crimps
cut control\nsequences to control peeked at cards with in the hands cuts
a. cut control to the top
b. bottom or top cut control
c. double peek cut control to top
d. double peek cut control to bottom
e. alternate cut control
f. triple peek cut control
g. triple peek cut control no. 2\nedward marlo
1952
control systems Edward Marlo
Cut Control
sequences to control peeked at cards with in the hands cuts
A. Cut Control to the Top
B. Bottom or Top Cut Control
C. Double Peek Cut Control to Top
D. Double Peek Cut Control to Bottom
E. Alternate Cut Control
F. Triple Peek Cut Control
G. Triple Peek Cut Control No. 2
marlo's step control\nmultiple cuts to table sequences to control peeked-at cards<br/>a. to control one or more cards to the top<br/>b. to control one or more cards to bottom<br/>c. double peek control - top and bottom<br/>d. double peek to bottom<br/>e. double peek to top<br/>f. triple peek to bottom<br/>g. triple peek to the top\nedward marlo
1952
control systems Edward Marlo
Marlo's Step Control
multiple cuts to table sequences to control peeked-at cards A. To Control One Or More Cards To The Top B. To Control One Or More Cards To Bottom C. Double Peek Control - Top and Bottom D. Double Peek to Bottom E. Double Peek To Top F. Triple Peek to Bottom G. Triple Peek To The Top
one hand control\naces are lost with charlier cuts and found using one hand only, two crimps\nedward marlo\none hand control\nedward marlo
1953
the cardician Edward Marlo
One Hand Control
Aces are lost with charlier cuts and found using one hand only, two crimps
a-d multiple control\nversatile control to control multiple selections to top, bottom or designated positions from top/bottom, gives various applications for the control\njerry k. hartman
1973
means & ends Jerry K. Hartman
A-D Multiple Control
Versatile control to control multiple selections to top, bottom or designated positions from top/bottom, gives various applications for the control
a mixed bag\nvarious card and coin idaes
- partial stack and zarrow shuffle
- double riffle control
- middle deal (false)
- palm conscious (gag)
- transpo plus (coin transposition)
- ladies in waiting (four queens reverse in the deck)\ntrevor lewis
1976
pabular Trevor Lewis
A Mixed Bag
various card and coin idaes
partial stack and zarrow shuffle
double Riffle Control
Middle Deal (false)
Palm Conscious (gag)
Transpo Plus (coin transposition)
Ladies In Waiting (four queens reverse in the deck)
c-s control\nto place the cards together at a known position with cuts, originally from control systems\nedward marlo
1983
marlo without tears Edward Marlo
C-S Control
to place the cards together at a known position with cuts, originally from Control Systems
further applications\n1. the procontrol multiple card control
2. procontrol variations (glen brown)
3. the procontrol force
4. the new break method
5. the flourish drop cut\ngary ouellet
1986
procontrol Gary Ouellet
Further Applications
1. The ProControl Multiple Card Control
2. ProControl Variations (Glen Brown)
3. The ProControl Force
4. The New Break Method
5. The Flourish Drop Cut
four-card control\nusing crimp\neric mead\nthe all backs\ndai vernon\nfour-card control\neric mead\nlosing the aces\neric mead
2006
tangled web Eric Mead
peep control\ncard peeked at and then cut into center, spectator pushes it in\nchad nelson\nthe double cut\ndai vernon\nroberto giobbi
2010
strolling controls Chad Nelson
Peep Control
card peeked at and then cut into center, spectator pushes it in
royal impossibility\nroyal flush cards lost and found again, losing by cutting them into the deck with crimp and cuts\nharry lorayne\n"cyclic aces" (david britland, april 2011 genii)
2011
special effects Harry Lorayne
Royal Impossibility
Royal Flush cards lost and found again, losing by cutting them into the deck with crimp and cuts
tabled control sequence\nusing crimp, see also p. 150\ndarwin ortiz\ndavid britland\n"vernon's aces ride again" (david britland, cardopolis blog, april 2005, see also sorcerer issue 2)
2012
lessons in card mastery Darwin Ortiz, David Britland
Tabled Control Sequence
using crimp, see also p. 150
Inspired by
"Vernon's Aces Ride Again" (David Britland, Cardopolis Blog, April 2005, see also Sorcerer Issue 2)
illogical four ace control variant\nfour aces lost by assembling four tabled packets and the aces, they end up on top, bluff\njustin higham\n"illogical ace-control" (justin higham, non-automatic card tricks, 2012)
2019
the neat review Justin Higham
Illogical Four Ace Control Variant
four Aces lost by assembling four tabled packets and the Aces, they end up on top, bluff
impressionistic ace controls\nfour aces cut into deck one by one, end up together on top
- method one (vollmer & marlo, tabled, two crimps)
- method two (higham, tabled, two crimps)
- method three (gambin, tabled, two crimps)
- method four to eleven (higham, some tabled, some with hands & tabled, one, two or no crimps, some with overhand shuffles)\njustin higham\nrichard vollmer\nchristian gambin\n"vernon's aces ride again" (david britland, cardopolis blog, april 2005)\none hand control\nedward marlo
2019
the neat review Justin Higham, Richard Vollmer, Christian Gambin
Impressionistic Ace Controls
four Aces cut into deck one by one, end up together on top
Method One (Vollmer & Marlo, tabled, two crimps)
Method Two (Higham, tabled, two crimps)
Method Three (Gambin, tabled, two crimps)
Method Four to Eleven (Higham, some tabled, some with hands & tabled, one, two or no crimps, some with overhand shuffles)