one hand control \n aces are lost with charlier cuts and found using one hand only, two crimps \n edward marlo \n one hand control \n edward marlo \n impressionistic ace controls \n justin higham \n richard vollmer \n christian gambin
1945
the phoenix 51-100 Edward Marlo
One Hand Control
Aces are lost with charlier cuts and found using one hand only, two crimps
cut control \n sequences to control peeked at cards with in the hands cuts
a. cut control to the top
b. bottom or top cut control
c. double peek cut control to top
d. double peek cut control to bottom
e. alternate cut control
f. triple peek cut control
g. triple peek cut control no. 2 \n edward marlo
1952
control systems Edward Marlo
Cut Control
sequences to control peeked at cards with in the hands cuts
A. Cut Control to the Top
B. Bottom or Top Cut Control
C. Double Peek Cut Control to Top
D. Double Peek Cut Control to Bottom
E. Alternate Cut Control
F. Triple Peek Cut Control
G. Triple Peek Cut Control No. 2
marlo's step control \n multiple cuts to table sequences to control peeked-at cards<br/>a. to control one or more cards to the top<br/>b. to control one or more cards to bottom<br/>c. double peek control - top and bottom<br/>d. double peek to bottom<br/>e. double peek to top<br/>f. triple peek to bottom<br/>g. triple peek to the top \n edward marlo
1952
control systems Edward Marlo
Marlo's Step Control
multiple cuts to table sequences to control peeked-at cards A. To Control One Or More Cards To The Top B. To Control One Or More Cards To Bottom C. Double Peek Control - Top and Bottom D. Double Peek to Bottom E. Double Peek To Top F. Triple Peek to Bottom G. Triple Peek To The Top
one hand control \n aces are lost with charlier cuts and found using one hand only, two crimps \n edward marlo \n one hand control \n edward marlo
1953
the cardician Edward Marlo
One Hand Control
Aces are lost with charlier cuts and found using one hand only, two crimps
a-d multiple control \n versatile control to control multiple selections to top, bottom or designated positions from top/bottom, gives various applications for the control \n jerry k. hartman
1973
means & ends Jerry K. Hartman
A-D Multiple Control
Versatile control to control multiple selections to top, bottom or designated positions from top/bottom, gives various applications for the control
a mixed bag \n various card and coin idaes
- partial stack and zarrow shuffle
- double riffle control
- middle deal (false)
- palm conscious (gag)
- transpo plus (coin transposition)
- ladies in waiting (four queens reverse in the deck) \n trevor lewis
1976
pabular Trevor Lewis
A Mixed Bag
various card and coin idaes
partial stack and zarrow shuffle
double Riffle Control
Middle Deal (false)
Palm Conscious (gag)
Transpo Plus (coin transposition)
Ladies In Waiting (four queens reverse in the deck)
c-s control \n to place the cards together at a known position with cuts, originally from control systems \n edward marlo
1983
marlo without tears Edward Marlo
C-S Control
to place the cards together at a known position with cuts, originally from Control Systems
further applications \n 1. the procontrol multiple card control
2. procontrol variations (glen brown)
3. the procontrol force
4. the new break method
5. the flourish drop cut \n gary ouellet
1986
procontrol Gary Ouellet
Further Applications
1. The ProControl Multiple Card Control
2. ProControl Variations (Glen Brown)
3. The ProControl Force
4. The New Break Method
5. The Flourish Drop Cut
methods of controlling & palming. two \n bluff shift ("riffle force"), three handlings \n guy hollingworth
1999
drawing room deceptions Guy Hollingworth
three card control and revelation \n crimped key \n jerry mentzer \n five card control and revelation \n jerry mentzer
2000
card file two Jerry Mentzer
el corte escalera \n tabled cut to form a jog, two control four aces in two positions of the deck \n luis h. trueba
2003
magia y dramagia Luis H. Trueba
El Corte Escalera
tabled cut to form a jog, two control four Aces in two positions of the deck
four-card control \n using crimp \n eric mead \n the all backs \n dai vernon \n four-card control \n eric mead \n losing the aces \n eric mead
2006
tangled web Eric Mead
peep control \n card peeked at and then cut into center, spectator pushes it in \n chad nelson \n the double cut \n dai vernon \n roberto giobbi
2010
strolling controls Chad Nelson
Peep Control
card peeked at and then cut into center, spectator pushes it in
royal impossibility \n royal flush cards lost and found again, losing by cutting them into the deck with crimp and cuts \n harry lorayne \n "cyclic aces" (david britland, april 2011 genii)
2011
special effects Harry Lorayne
Royal Impossibility
Royal Flush cards lost and found again, losing by cutting them into the deck with crimp and cuts
tabled control sequence \n using crimp, see also p. 150 \n darwin ortiz \n david britland \n "vernon's aces ride again" (david britland, cardopolis blog, april 2005, see also sorcerer issue 2)
2012
lessons in card mastery Darwin Ortiz, David Britland
Tabled Control Sequence
using crimp, see also p. 150
Inspired by
"Vernon's Aces Ride Again" (David Britland, Cardopolis Blog, April 2005, see also Sorcerer Issue 2)
illogical four ace control variant \n four aces lost by assembling four tabled packets and the aces, they end up on top, bluff \n justin higham \n "illogical ace-control" (justin higham, non-automatic card tricks, 2012)
2019
the neat review Justin Higham
Illogical Four Ace Control Variant
four Aces lost by assembling four tabled packets and the Aces, they end up on top, bluff
impressionistic ace controls \n four aces cut into deck one by one, end up together on top
- method one (vollmer & marlo, tabled, two crimps)
- method two (higham, tabled, two crimps)
- method three (gambin, tabled, two crimps)
- method four to eleven (higham, some tabled, some with hands & tabled, one, two or no crimps, some with overhand shuffles) \n justin higham \n richard vollmer \n christian gambin \n "vernon's aces ride again" (david britland, cardopolis blog, april 2005) \n one hand control \n edward marlo
2019
the neat review Justin Higham, Richard Vollmer, Christian Gambin
Impressionistic Ace Controls
four Aces cut into deck one by one, end up together on top
Method One (Vollmer & Marlo, tabled, two crimps)
Method Two (Higham, tabled, two crimps)
Method Three (Gambin, tabled, two crimps)
Method Four to Eleven (Higham, some tabled, some with hands & tabled, one, two or no crimps, some with overhand shuffles)