how to tell one what card he seeth in the bottome, when the same card is shuffled into the stocke \n card peeked, kept under control with jog shuffle and then "forced" (given) to spectator and divined \n unknown \n how to tell what card he sees on the bottom, when the same card is shuffled into the stock. \n unknown
1584
the discoverie of witchcraft
Unknown
How to tell one what card he seeth in the bottome, when the same card is shuffled into the stocke
card peeked, kept under control with jog shuffle and then "forced" (given) to spectator and divined
classic force \n with out (dropping some cards and starting again) \n unknown \n how to make one draw the same or any card you like \n unknown
1584
the discoverie of witchcraft
Unknown
divination du montant d'argent expliqué \n divination of an amount of money contained in the purse of a spectator from p. 29 explained \n unknown
1786
testament de jérôme sharp
Unknown
Divination du montant d'argent expliqué
Divination of an amount of money contained in the purse of a spectator from p. 29 explained
das forcieren \n no. 15, fan with force card more exposed, rushing spectator, dropping cards as out \n h. f. c. suhr
1895
der kartenkünstler H. F. C. Suhr
Das Forcieren
No. 15, fan with force card more exposed, rushing spectator, dropping cards as out
das forcieren der karten oder die gezwungene wahl \n introduction comments to classic force \n friedrich w. conradi-horster \n das forcieren der karten \n friedrich w. conradi-horster
1895
der zauberspiegel Friedrich W. Conradi-Horster
das forcieren der karten \n continuation of description, forcing deck as alternative \n friedrich w. conradi-horster \n das forcieren der karten oder die gezwungene wahl \n friedrich w. conradi-horster
1895
der zauberspiegel Friedrich W. Conradi-Horster
Das Forcieren der Karten
continuation of description, forcing deck as alternative
das forcieren einer karte mit einer hand \n "die kartenschule von carl willmann"
one-handed, force card more exposed \n unknown
1896
die zauberwelt
Unknown
Das Forcieren einer Karte mit einer Hand
"Die Kartenschule von Carl Willmann"
one-handed, force card more exposed
das forcieren mehrerer karten \n "die kartenschule von carl willmann"
forcing multiple cards one after the other \n unknown
1896
die zauberwelt
Unknown
Das Forcieren mehrerer Karten
"Die Kartenschule von Carl Willmann"
forcing multiple cards one after the other
das forcieren der karten \n "die kartenschule von carl willmann"
on the classic force \n carl willmann \n das forcieren der karten \n carl willmann
1896
die zauberwelt Carl Willmann
Das Forcieren der Karten
"Die Kartenschule von Carl Willmann"
on the classic force
das forcieren der karten \n "die kartenschule von carl willmann"
continuation of explanation, importance of wording (take a card vs. choose a card) \n carl willmann \n das forcieren der karten \n carl willmann
1896
die zauberwelt Carl Willmann
Das Forcieren der Karten
"Die Kartenschule von Carl Willmann"
continuation of explanation, importance of wording (take a card vs. choose a card)
das wiederholte forcieren ein und derselben karte \n "die kartenschule von carl willmann"
forcing the same cards to multiple spectators, general card application \n unknown
1896
die zauberwelt
Unknown
Das wiederholte Forcieren ein und derselben Karte
"Die Kartenschule von Carl Willmann"
forcing the same cards to multiple spectators, general card application
new thought card sleights \n - first method (fanning before the spectator's eyes)
- second method (face-up classic force behind back)
- third method (springing from hand to hand) \n william e. robinson \n methods for determining a card thought of \n unknown
1897
new era card tricks William E. Robinson
New Thought Card Sleights
First Method (fanning before the spectator's eyes)
ein erhöhter erfolg des forcierens \n "die kartenschule von carl willmann"
out for classic force, getting it down to one of two cards, weird \n c. vogel \n carl willmann
1898
die zauberwelt C. Vogel, Carl Willmann
Ein erhöhter Erfolg des Forcierens
"Die Kartenschule von Carl Willmann"
out for classic force, getting it down to one of two cards, weird
das forcieren \n with tips and outs (having multiple cards chosen and forgetting the wrong one, dropping deck) \n unknown
1899
jedermann zauberkünstler!
Unknown
Das Forcieren
with tips and outs (having multiple cards chosen and forgetting the wrong one, dropping deck)
die aufdrängliche karte \n "ernst erhard", card rises out of cased deck, slit in case, as out for missed classic force \n ernst ehrhardt
1904
die zauberwelt Ernst Ehrhardt
Die aufdrängliche Karte
"Ernst Erhard", card rises out of cased deck, slit in case, as out for missed classic force
on forcing \n on the classic force, using shuffle instead of pass to centralize card \n graham adams \n forcing \n unknown
1931
mr. s. w. erdnase — "his book" Graham Adams
On Forcing
on the classic force, using shuffle instead of pass to centralize card
eliminating the pass for forcing \n setting the card in center
- the "strip" cut
- "sighting"
- shuffling to the centre
- by means of the "in-jog"
- pack cut by spectator
- the "continental" cut \n unknown
1933
farelli's card magic - part one
Unknown
some "imperfections" \n - closing the fan
- suggesting liberty of choice
- aggressiveness
- exposing on the stage \n victor farelli
1933
farelli's card magic - part one Victor Farelli
for ready reference, several methods of forcing cards \n from annemann's 202 methods of forcing
classic force with subtlety \n unknown
1937
encyclopedia of card tricks
Unknown
For ready Reference, Several Methods of Forcing Cards
from Annemann's 202 Methods of Forcing
classic force with subtlety
resume \n with other break controls, after peeks and as get ready for the classic force \n jean hugard \n frederick braue
1946
the invisible pass Jean Hugard, Frederick Braue
Resume
with other break controls, after peeks and as get ready for the classic force
how to make one draw the same or any card you like \n richard kaufman's transcription of reginald scot's card section \n unknown \n classic force \n unknown
1979
cardmagic
Unknown
how to make one draw the same or any card you like
Richard Kaufman's transcription of Reginald Scot's card section
the classic force \n - technique, handling and structure
- the psychological management of the spectators
- the inner game of the performer
- how to practice the classic force \n unknown
1995
card college - volume 1
Unknown
outs \n for the classic force
direct methods:
- the "whoops!" method
- a direct exchange of the x-card for the two of spades
indirect methods:
- the crisscross force
another trick
final observations \n roberto giobbi
1995
card college — volume 1 Roberto Giobbi
Outs
for the classic force
Direct Methods:
The "Whoops!" Method
A Direct Exchange of the X-Card for the Two of Spades
selection foretold \n selection matches in value the prediction-three-of-a-kind, face-up classic force with out \n william goodwin
1997
the ancient empty street William Goodwin
Selection Foretold
selection matches in value the prediction-three-of-a-kind, face-up classic force with out
how to "force" a card \n no. 2, also mention of doing it one-handed and in tabled spread with card more exposed \n ellis stanyon
1999
ellis stanyon's best card tricks Ellis Stanyon
How to "Force" a Card
No. 2, also mention of doing it one-handed and in tabled spread with card more exposed
forcing a card with one hand \n no. 4, a bit more exposed, remembering more cards for safety, subtlety of having an indifferent card even more exposed and avoiding that one \n ellis stanyon
1999
ellis stanyon's best card tricks Ellis Stanyon
Forcing a Card with One Hand
No. 4, a bit more exposed, remembering more cards for safety, subtlety of having an indifferent card even more exposed and avoiding that one
forcing a card with the "charlier pass" - left hand \n no. 10, top card cut to center and one-handed fan with top card more exposed \n ellis stanyon
1999
ellis stanyon's best card tricks Ellis Stanyon
Forcing a Card with the "Charlier Pass" - Left Hand
No. 10, top card cut to center and one-handed fan with top card more exposed
the analysis \n spectator selects three cards and then decides on one, it happens to be the same card as other spectator has chosen before \n chan canasta
2000
chan canasta — a remarkable man Chan Canasta
The Analysis
spectator selects three cards and then decides on one, it happens to be the same card as other spectator has chosen before
how do you do it? \n spectator remembers bottom four cards of shuffled deck, second spectator selects same cards \n chan canasta
2000
chan canasta — a remarkable man Chan Canasta
How Do You Do It?
spectator remembers bottom four cards of shuffled deck, second spectator selects same cards
psychological riffle force and classic force combination \n two spectators select the same card \n chan canasta
2000
chan canasta — a remarkable man Chan Canasta
Psychological Riffle Force and Classic Force Combination
demonstration of forcing \n several spectators select a card from a different pack, the are all the same \n chan canasta
2000
chan canasta — a remarkable man Chan Canasta
Demonstration of Forcing
several spectators select a card from a different pack, the are all the same
classic force light \n more or less giving force card to spectator
- original form
- the failsafe classic force
- notes on the classic force \n roberto giobbi
2016
standup card magic Roberto Giobbi
forzaje esp \n three methods to force an esp card \n joaquín navajas \n miguel gómez \n camilo vázquez
2019
monedas personales y más Joaquín Navajas, Miguel Gómez, Camilo Vázquez
mind the gap \n fair version of gap principle with borrowed deck, chosen card is reversed in other deck \n ryan schlutz
2020
false anchors Ryan Schlutz
Mind the GAP
fair version of GAP principle with borrowed deck, chosen card is reversed in other deck