die volte, mit einer hand auszuführen \n "die kartenschule von carl willmann"
- aeltere methode \n unknown \n to make the pass - fourth method \n unknown
1895
die zauberwelt
Unknown
die volte, mit den fingerspitzen einer hand auszuführen \n "die kartenschule von carl willmann"
- aeltere methode \n unknown \n to make the pass - sixth method \n unknown \n die halbe volte oder "das teilen des spieles" \n unknown
1895
die zauberwelt
Unknown
Die Volte, mit den Fingerspitzen einer Hand auszuführen
falsches mischen \n tabled cuts in multiple packets that retain cyclical order, methods for up to five packets \n unknown \n das falsche mischen \n unknown
1896
der moderne kartenkünstler
Unknown
Falsches Mischen
tabled cuts in multiple packets that retain cyclical order, methods for up to five packets
das falsche mischen \n tabled cuts in multiple packets that retain cyclical order, methods for up to five packets \n unknown \n falsches mischen \n unknown \n das falsche mischen \n unknown
1896
der zauberspiegel
Unknown
Das falsche Mischen
tabled cuts in multiple packets that retain cyclical order, methods for up to five packets
die concert- oder kunst-volte \n one-handed flourish pass, rubber-banded halves to make it easier \n friedrich w. conradi-horster
1897
der zauberspiegel Friedrich W. Conradi-Horster
Die Concert- oder Kunst-Volte
one-handed flourish pass, rubber-banded halves to make it easier
to ascertain the top cards while riffling and reserve them at bottom \n see elegant title, tabled double cut \n s. w. erdnase \n erdnase aces \n harry riser \n undercut transfer \n johnny thompson \n to ascertain the top cards while riffling and reserve them at bottom \n steve forte
1902
the expert at the card table S. W. Erdnase
To Ascertain the Top Cards while Riffling and Reserve them at Bottom
one-handed fancy true cut \n tabled \n unknown \n the dave price false cut \n dave price \n a triple fancy table cut \n ross bertram \n one-handed genuine "cut" \n unknown \n a triple fancy table cut \n msgr. vincent foy \n a simple fancy one hand table cut \n msgr. vincent foy \n erdnase system of blind riffles and cuts \n steve forte
1902
the expert at the card table
Unknown
the erdnase shift. one hand \n \n s. w. erdnase \n single-handed slip-cut \n felix farrell \n the erdnase one hand shift \n s. w. erdnase \n covering erdnase \n charlie miller \n johnny's glimpse \n johnny thompson \n shifts \n steve forte
1902
the expert at the card table S. W. Erdnase
iv. to retain the bottom stock \n \n s. w. erdnase \n handling of false cuts and blinds \n edward marlo \n s. w. erdnase \n to retain the bottom stock \n s. w. erdnase \n to retain bottom stock without breaking stride \n shane cobalt \n erdnase false strips \n steve forte \n erdnase system of blind riffles and cuts \n steve forte
1902
the expert at the card table S. W. Erdnase
v. to retain bottom stock. riffle ii and cut iv \n combination riffle and cuts \n s. w. erdnase \n erdnase system of blind riffles and cuts \n steve forte
1902
the expert at the card table S. W. Erdnase
fancy blind cuts - i. to retain the complete stock \n \n unknown \n a flourish cut (false) after erdnase's fancy blind cut n° 1 \n vanni bossi \n erdnase system of blind riffles and cuts \n steve forte \n more options \n steve forte
1902
the expert at the card table
Unknown
Fancy Blind Cuts - I. To Retain the Complete Stock
ii. to retain the complete stock \n \n s. w. erdnase \n cutting up \n tom gagnon \n erdnase system of blind riffles and cuts \n steve forte \n more options \n steve forte
1902
the expert at the card table S. W. Erdnase
ii. to retain the complete stock \n \n unknown \n to retain the complete stock \n s. w. erdnase \n erdnase system of blind riffles and cuts \n steve forte
1902
the expert at the card table
Unknown
iii. to retain the top stock \n running cut with break \n unknown \n combinación del corte múltiple a un mano con el corte para retener el paquete superior de erdnase \n juan villarejo \n top stock control \n s. w. erdnase \n to retain the top stock \n s. w. erdnase \n to retain top stock without breaking stride \n shane cobalt \n erdnase false strips \n steve forte \n erdnase system of blind riffles and cuts \n steve forte
1902
the expert at the card table
Unknown
blind cuts - i. to retain bottom stock. top losing one card \n \n unknown \n erdnase system of blind riffles and cuts \n steve forte
1902
the expert at the card table
Unknown
Blind Cuts - I. To Retain Bottom Stock. Top Losing One Card
the downs' hinge shift \n actually apparently just a cut, also as slip cut with left thumb and with rubber banded deck \n t. nelson downs
1920
ten new sleight of hand card tricks T. Nelson Downs
The Downs' Hinge Shift
actually apparently just a cut, also as slip cut with left thumb and with rubber banded deck
double cut handling \n in-the-hands with side jog \n charles t. jordan \n the jordan double cut \n karl fulves \n charles t. jordan
1921
the four full hands Charles T. Jordan
production of chosen card by riffling pack from one hand to the other \n selection is at place where spectator stops, springing cards from one hand to the other \n jack merlin \n spring flourish production \n jack merlin
1927/28
merlin's master miracles Jack Merlin
Production of Chosen Card by Riffling Pack from One Hand to the Other
selection is at place where spectator stops, springing cards from one hand to the other
marlo's running cut \n in-the-hands swing cut running cut, also as top stock control \n edward marlo \n running false cut \n ken simmons \n the false triple spinning center cut \n gerry griffin
1942
deck deception Edward Marlo
Marlo's Running Cut
in-the-hands swing cut running cut, also as top stock control
the dave price false cut \n \n dave price \n one-handed fancy true cut \n unknown \n price-gagnon false cut \n tom gagnon
1943
tricks and sleights Dave Price
false cuts \n - false cut no.1 (on the table three packets)
- false cut no. 2 (on the table, five packets) \n jean hugard
1945
hugard's magic monthly — volumes i, ii, iii and iv Jean Hugard
demonstration build of the four aces using the buckley double cuts \n cutting system to stack cards \n arthur h. buckley
1946
card control Arthur H. Buckley
Demonstration Build of the Four Aces using the Buckley Double Cuts
one handed slip cut \n \n dai vernon \n devilish digit cut \n richard kaufman \n throw cut \n dai vernon \n the top-block slip cut \n harry riser
1946
stars of magic Dai Vernon
one hand center cut \n \n neal elias \n the one hand center cut \n neal elias \n one hand center cut \n neal elias \n the joe berg one-hand shuffle \n joe berg
1946
at the table tricks Neal Elias
bottom up \n - method i (tabled transfer cut from bottom card to top)
- method ii (hindu shuffle to bring bottom card to top) \n j. b. bobo
1947
watch this one! J. B. Bobo
Bottom Up
Method I (tabled transfer cut from bottom card to top)
Method II (Hindu shuffle to bring bottom card to top)
cut up \n method to cut bottom card to top, cards on the table, small trick, where several cards come back to the top as a gambling demo \n bruce elliott
1948
the phoenix 151-200 Bruce Elliott
Cut Up
method to cut bottom card to top, cards on the table, small trick, where several cards come back to the top as a gambling demo
the chinese cut \n cutting procedure with perpendicular configuration \n bill simon \n in-the-hands chinese cut \n bill simon \n tyler wilson
1949
controlled miracles Bill Simon
The Chinese Cut
cutting procedure with perpendicular configuration
a lesson in magic \n selection is produced with variation of leipzigs twirl cut \n bruce elliott \n a lesson in magic \n bruce elliott
1953
the phoenix 251 — 300 Bruce Elliott
A Lesson in Magic
selection is produced with variation of Leipzigs twirl Cut
one hand throw cut \n one handed slip cut from left hand to table \n edward marlo \n one-hand slip cut \n unknown \n one hand throw cut \n edward marlo \n one-hand throw cut \n edward marlo
1953
the cardician Edward Marlo
a lesson in magic \n selection is produced with variation of leipzigs twirl cut \n bruce elliott \n a lesson in magic \n bruce elliott
1956
the best in magic Bruce Elliott
A Lesson in Magic
selection is produced with variation of Leipzigs twirl Cut
handling of false cuts and blinds \n \n edward marlo \n s. w. erdnase \n iv. to retain the bottom stock \n s. w. erdnase
1959
riffle shuffle systems Edward Marlo, S. W. Erdnase
ose's cut \n triple cut to table \n jay ose \n false cutting and shuffling \n ken de courcy \n jay ose \n spectator's ose false cut \n paul harris \n jay ose \n nacar's holdout sequence \n dr. alpen nacar
1962
close-up card magic Jay Ose
uses for marlo's bottom slip cut \n three techniques for bottom slip cut \n edward marlo \n marlo technique for the top and bottom slip cut \n edward marlo
1964
the patented shuffle Edward Marlo
marlo's double slip cut \n top and bottom \n edward marlo \n marlo technique for the top and bottom slip cut \n edward marlo
1964
the patented shuffle Edward Marlo
reverse double undercut \n \n bob haskell \n edward marlo \n reverse double undercut as production \n edward marlo \n peter duffie \n robin robertson
1968
expert card conjuring Bob Haskell, Edward Marlo
the master key \n master move bottom slip cut \n james g. thompson jr. \n "magic to delight" (thompson jr.)
1968
the pallbearers review vol. 1-4 James G. Thompson Jr.
the marlo slip cuts \n for some credit information on some of the cuts, see page 19
i. the first slip cut (in the hands)
ii. the variation (block slip cut)
iii. strictly on the table
iv. slip cut no. 2 (table)
v. slip cut no. 3 (table, see also tyler wilson reference)
vi. shuffler's slip cut (tabled)
vii. retaining slip cut (top card retained, deck cut underneath) \n edward marlo \n more slip cuts \n edward marlo \n slip cut handling \n tyler wilson
1968
expert card conjuring Edward Marlo
The Marlo Slip Cuts
for some credit information on some of the cuts, see page 19
I. The First Slip Cut (in the hands)
II. The Variation (block slip cut)
III. Strictly on the Table
IV. Slip Cut No. 2 (table)
V. Slip Cut No. 3 (table, see also Tyler Wilson reference)
VI. Shuffler's Slip Cut (tabled)
VII. Retaining Slip Cut (top card retained, deck cut underneath)
one-cut, double-control \n center slip cut, see notes on page 165 \n edward marlo \n one-cut, double-control \n edward marlo \n martin a. nash \n one-cut, double-control \n edward marlo
1969
hierophant Edward Marlo
cut to transpose \n cutting sequence that exchanges to card with card in center without altering the rest of the deck \n edward marlo
1970
advanced fingertip control Edward Marlo
Cut to Transpose
cutting sequence that exchanges to card with card in center without altering the rest of the deck
the flip flop flourish \n fff, false cut combining swivel cut, charlier cut and flip-over pass/cut \n roger smith
1970
the fff control system Roger Smith
marlo bottom slip cut \n using pad of left first finger and friction, a bit similar to halo cut \n edward marlo
1970
advanced fingertip control Edward Marlo
Marlo Bottom Slip Cut
using pad of left first finger and friction, a bit similar to HaLo cut
block slip cut \n \n bill simon \n calculated cut \n ben christopher \n block slip cover up cut \n edward marlo \n the tabled block slip cut \n edward marlo
1970
advanced fingertip control Bill Simon
the center cut \n center block pass false cut, credit information, as key placement for peeked at card \n harvey rosenthal \n crazy eddie \n karl fulves \n the center cut \n harvey rosenthal
1971
epilogue Harvey Rosenthal
The Center Cut
center block pass false cut, credit information, as key placement for peeked at card
educated fingers \n one-handed cut and production of selection \n joseph k. schmidt \n jerry andrus "educated thumb"
1971
the compleat magick - volume 1 Joseph K. Schmidt
marnase false cut \n also as slip cut \n edward marlo \n s. w. erdnase \n winnipeg false cut \n mel stover \n the raised marnase false cut \n edward marlo \n combi-null cuts \n edward marlo \n marnase false cut \n edward marlo \n table-cut (poker) \n steve forte
1971
kabbala — volume 1 Edward Marlo, S. W. Erdnase
the non-slip cut - basic technique \n spectator removes block from center, a card is held back there \n karl fulves
1971
the book of numbers Karl Fulves
The Non-Slip Cut - Basic Technique
spectator removes block from center, a card is held back there
calculated cut \n to place selection at desired position, see also p. 486 \n ben christopher \n block slip cut \n bill simon \n two placement cuts \n larry jennings \n sum spell \n karl fulves \n calculated cut \n karl fulves \n re-calculated cut \n peter duffie \n robin robertson
1972
the pallbearers review vol. 5-8 Ben Christopher
Calculated Cut
to place selection at desired position, see also p. 486
two placement cuts \n - the first cut
- the second cut \n larry jennings \n calculated cut \n ben christopher
1972
the pallbearers review vol. 5-8 Larry Jennings
card flourishes \n two moves schmidt saw used by gis
- pistol grip deal (flourish deal)
- downtown cut (one handed on table) \n joseph k. schmidt
1972
the compleat magick - volume 1 Joseph K. Schmidt
winnipeg false cut \n one simple cut \n mel stover \n marnase false cut \n edward marlo \n s. w. erdnase \n the one, two, three winnipeg cut \n mel stover \n neil see \n the tabled winnipeg cut \n wesley james
1972
million dollar card secrets Mel Stover
bottom slip cut \n in context of remember and forget routine
- summary of the bottom slip cut \n larry jennings \n the jennings bottom slip cut \n larry jennings \n (c) cut to lock \n karl fulves \n larry jennings
1972
the pallbearers review vol. 5-8 Larry Jennings
spring flourish production \n selection is at place where spectator stops, springing cards from one hand to the other \n jack merlin \n production of chosen card by riffling pack from one hand to the other \n jack merlin
1972
the living end Jack Merlin
Spring Flourish Production
selection is at place where spectator stops, springing cards from one hand to the other
double play \n 6-card packet is cut and the cards distribute in an impossible way for an apparent straight cut \n karl fulves
1973
epilogue Karl Fulves
Double Play
6-card packet is cut and the cards distribute in an impossible way for an apparent straight cut
shuttle cut \n transposing two cards at any position during cutting action, two methods with open and secret cutting \n karl fulves \n center to center \n karl fulves \n cards and numbers \n karl fulves
1973
notes from underground Karl Fulves
Shuttle Cut
transposing two cards at any position during cutting action, two methods with open and secret cutting
f.t. cut \n \n frank thompson \n the trinary cut \n david acer \n the thompson breather \n harry levine \n thompson false cut variation \n frank thompson \n doug conn \n f. t. cut \n steve beam \n frank thompson \n positioning swing-cuts \n steve forte
1973
super subtle card miracles Frank Thompson
swing slip cut \n slip cut in the action of a swing cut \n jerry k. hartman \n "marlo slip cut" (the gen) \n swing slip cut \n jerry k. hartman
1973
means & ends Jerry K. Hartman
additional zarrow technique \n - preliminary cut to set deck
- one-shuffle technique \n herb zarrow
1975
riffle shuffle technique — part one Herb Zarrow
z-notes \n several notes, including
- triple cut zarrow
- to cull cards to face or top of pack (positions initially known) \n roy walton
1975
riffle shuffle technique — part one Roy Walton
Z-Notes
several notes, including
Triple Cut Zarrow
To Cull Cards To Face Or Top Of Pack (positions initially known)
the jennings bottom slip cut \n transposing top and bottom card during double cut \n larry jennings \n bottom slip cut \n larry jennings
1975
methods with cards — part 3 Larry Jennings
the if cover up control #1 \n key card placed in break in originally lower half of if peek, faro brings it next to selection \n roger smith \n cover up cut \n edward marlo \n incomplete faro - multiple peeks \n edward marlo
1975
the faro sorcery trilogy — number 1 Roger Smith
The IF Cover Up Control #1
key card placed in break in originally lower half of IF peek, faro brings it next to selection
the if cover up control #4 \n with a block instead of single key card, using a block version of cover up cut \n roger smith
1975
the faro sorcery trilogy — number 1 Roger Smith
The IF Cover Up Control #4
with a block instead of single key card, using a block version of cover up cut
triple cut control \n from hindu shuffle position with perpendicular packets
- as top stock control
- as bottom stock control
- as full deck control \n unknown
1975
new and novel knowledge
Unknown
Triple Cut Control
from hindu shuffle position with perpendicular packets
the "bordello" false cut \n tabled, looks like a packet from the center was cut to the top, with a false single strip action \n ray kuhn
1975
new and novel knowledge Ray Kuhn
The "Bordello" False Cut
tabled, looks like a packet from the center was cut to the top, with a false single strip action
covered slip cut \n for riffle force, possible with stranger card \n karl fulves \n second card from the top slip pass \n dr. jacob daley \n from ken beale \n ken beale
1975
methods with cards — part 1 Karl Fulves
the triple cut \n three sections of the deck spin and flip through the air and a selection flies out
- the flying card
- experimental notes for the expert (the double flying card, the multiple flying card, the flying card variations, experimental variations)
- author's own use for the triple cut \n t. g. murphy \n air born \n dan buck \n dave buck
1976
the triple cut T. G. Murphy
The Triple Cut
three sections of the deck spin and flip through the air and a selection flies out
The Flying Card
Experimental Notes for the Expert (The Double Flying Card, The Multiple Flying Card, The Flying Card Variations, Experimental Variations)
the tabled block slip cut \n tabled, from two peeked at cards \n edward marlo \n block slip cut \n bill simon
1976
marlo's magazine volume 1 Edward Marlo
double cut break handling \n double cutting with jog, then deck turned over and break retained \n dai vernon \n double cut break handling \n dai vernon \n band o'notes [d] \n dai vernon
1977
the pallbearers review vol. 9-10 Dai Vernon
Double Cut Break Handling
double cutting with jog, then deck turned over and break retained