conveyance of cards and dice \n mentioning card tricks and principles without details
- divided cards
- advantage dice by cutting off a strip
- "nipping" (punch?), corner crimp, dots \n hocus pocus junior
1634
the art of legerdemain discovered Hocus Pocus Junior
Conveyance of Cards and Dice
mentioning card tricks and principles without details
the pack being divided into two heaps on the table and a card taken from each heap and placed in the other: to discover such cards \n two methods (odd/even or bridge) \n unknown
1889
tricks with cards
Unknown
The Pack being divided into two Heaps on the Table and a Card taken from each Heap and placed in the other: to discover such Cards
die verschwundene karte \n card selected and returned out of hands, yet it disappears from deck \n friedrich w. conradi-horster
1896
der moderne kartenkünstler Friedrich W. Conradi-Horster
Die verschwundene Karte
card selected and returned out of hands, yet it disappears from deck
die geheimnisvollen würfel \n - two dice thrown and sum counted to repeatedly until deck is divided in two halves, they're separated in red and black
- red and black separation by performer without dice but crimp or punch instead \n unknown
1896
der moderne kartenkünstler
Unknown
Die geheimnisvollen Würfel
two dice thrown and sum counted to repeatedly until deck is divided in two halves, they're separated in red and black
red and black separation by performer without dice but crimp or punch instead
to indicate the location for the cut - i. this is located by the crimp \n bridge crimp, for use after overhand shuffle \n unknown \n the inverted crimp \n graham adams \n to indicate the location for the cut \n steve forte
1902
the expert at the card table
Unknown
To Indicate the Location for the Cut - I. This is located by the Crimp
iii. this is located by the crimp \n bridge crimp, for use after riffle shuffle \n unknown \n to indicate the location for the cut \n steve forte
1902
the expert at the card table
Unknown
crimping for the cut \n using crimp in a game, player cuts to crimp \n s. w. erdnase \n the player without an ally \n steve forte
1902
the expert at the card table S. W. Erdnase
the royal finders \n selection ends up between the two black kings \n jack merlin \n the royal finders \n jack merlin
1927/28
merlin's master manipulations Jack Merlin
crimp for a table spread \n crimping the selection while pushing the cards towards the spectator to be shuffled \n jack merlin
1927/28
merlin's master miracles Jack Merlin
Crimp for a Table Spread
crimping the selection while pushing the cards towards the spectator to be shuffled
the inverted crimp \n cards bridged in other direction, see also photographs starting on p. 51 \n graham adams \n to indicate the location for the cut - i. this is located by the crimp \n unknown
1931
mr. s. w. erdnase — "his book" Graham Adams
The Inverted Crimp
cards bridged in other direction, see also photographs starting on p. 51
for the table "spread" force. \n setting up \n victor farelli \n the table "spread" \n l'homme masqué
1933
farelli's card magic — part two Victor Farelli
tower bridge \n "a new bridge effect", number of cut of cards is divined by value of another selection \n louis lam
1935
would you believe it? Louis Lam
Tower Bridge
"A New Bridge Effect", number of cut of cards is divined by value of another selection
sensitive soul \n deck separates at selection when kicked on floor, crimp instead of salt \n blois houghton \n sensitive soul \n blois houghton
1938
the jinx 1-50 Blois Houghton
Sensitive Soul
deck separates at selection when kicked on floor, crimp instead of salt
18 - the quarter-bridge. \n way to bridge the deck so spectator will cut within bank of cards. \n unknown
1940
"outs" precautions and challenges
Unknown
18 - The quarter-bridge.
Way to bridge the deck so spectator will cut within bank of cards.
to shuffle or not to shuffle \n thoughts on controls & delays, two methods for delaying control \n jean hugard
1941
more card manipulations Jean Hugard
To Shuffle or Not To Shuffle
thoughts on controls & delays, two methods for delaying control
are you sure? - a quick trick with a novel finish \n four jacks are cut to, then one jack transforms into selection \n paul morris \n are you sure? \n paul morris
1943
hugard's magic monthly — volumes i, ii, iii and iv Paul Morris
Are You Sure? - A Quick Trick with a Novel Finish
four Jacks are cut to, then one Jack transforms into selection
buckley´s method of secretly placing a bridge \n springing the cards two times from hand to hand \n arthur h. buckley
1946
card control Arthur H. Buckley
restoring the cut (my pet method) \n includes setting bridge during riffle shuffle, reads like a classic pass \n arthur h. buckley
1946
card control Arthur H. Buckley
Restoring the Cut (My Pet Method)
includes setting bridge during riffle shuffle, reads like a classic pass
the convexed aces \n experiment no. 6 - cards are lost and found, aces are bridged \n joe berg \n convex control \n woody aragón
1946
card control Joe Berg
The Convexed Aces
Experiment No. 6 - cards are lost and found, aces are bridged
through the beat of the pulse \n selection is lost and deck divided into two piles, performer knows in which pile card is and also exact position \n eddie joseph
1949 ca.
15 exciting minutes with a borrowed deck Eddie Joseph
Through the Beat of the Pulse
selection is lost and deck divided into two piles, performer knows in which pile card is and also exact position
jokerneurosis \n rainbow deck of jokers, four cards transform into aces, then the faces into a normal deck \n bert fenn
1950
the phoenix 201 — 250 Bert Fenn
Jokerneurosis
rainbow deck of jokers, four cards transform into aces, then the faces into a normal deck
the expert cuts \n performer cuts straight to selection, bottom card crimp à la gambler's peek \n eddie joseph
1950
eddie's dumbfounders with cards Eddie Joseph
The Expert Cuts
performer cuts straight to selection, bottom card crimp à la gambler's peek
merlin shuffle \n without credit, to bridge the deck \n jack merlin \n the jack merlin riffle shuffle \n jack merlin
1955
phantini's lost book of mental secrets Jack Merlin
mexican joe's crimp \n making a one-way deck \n mexican joe \n the "double crimp" \n unknown \n "marlo handles mexican joe" \n edward marlo
1960
more inner secrets of card magic Mexican Joe
lateral afterthoughts \n - crimping
- transfer to tenkai or rear palm
- different anchor fingers \n james steranko
1960
steranko on cards James Steranko
the crimp - d.f.c. \n bridge where spectator stops, two methods \n edward marlo \n double crimp d.f.c. \n edward marlo \n delayed control after the peek \n vanni bossi
1970
advanced fingertip control Edward Marlo
sensitive soul \n deck separates at selection when kicked on floor, crimp instead of salt \n blois houghton \n sensitive soul \n blois houghton
1972
the living end Blois Houghton
Sensitive Soul
deck separates at selection when kicked on floor, crimp instead of salt
an infinity of footnotes \n application of the stevens control with crimps (1), edge marks (2), stabbing (3), as a cull (7), and more \n karl fulves
1975
riffle shuffle technique - part two Karl Fulves
An Infinity Of Footnotes
application of the Stevens Control with crimps (1), edge marks (2), stabbing (3), as a cull (7), and more
the two black aces \n black aces on top and bottom are placed in center and come back to initial position \n francis carlyle \n pump room phantasy \n bert allerton \n henry christ's pressure trick \n henry christ \n francis carlyle
1975
the magic of francis carlyle Francis Carlyle
The Two Black Aces
black aces on top and bottom are placed in center and come back to initial position
divining the total of three bottom cards \n performer divines total number of bottom cards of three piles \n nick trost
1976
subtle card magic: part two Nick Trost
Divining the Total of Three Bottom Cards
Performer divines total number of bottom cards of three piles
zweimal \n two apparently different cards are selected and found by spelling the name, sucker element \n christian scherer
1978
eine handvoll kartenkunststücke Christian Scherer
Zweimal
two apparently different cards are selected and found by spelling the name, sucker element
out of control control "how it appears" \n one handed peek, instantly given out for shuffling, using one handed center crimp \n edward marlo
1979
marlo's magazine volume 3 Edward Marlo
Out of Control Control "How It Appears"
one handed peek, instantly given out for shuffling, using one handed center crimp
the non-sandwich jack trick \n two jacks places into the deck, number is called and performer cuts deck into two piles, both jacks are found at named number \n steve beam
1979
magic — the vanishing art Steve Beam
The Non-Sandwich Jack Trick
two Jacks places into the deck, number is called and performer cuts deck into two piles, both Jacks are found at named number
talk about your nice locations \n values of two cut to cards are added and total leads to selection \n steve beam
1980
card tricks from mount olympus Steve Beam
Talk About Your Nice Locations
values of two cut to cards are added and total leads to selection
trionic \n three phases
- card is seen and reversed in the deck, card is revealed
- card is unseen and reversed in the deck, card is revealed
- prediction of a selected card \n thomas alan waters
1981
mind, myth & magick Thomas Alan Waters
Trionic
three phases
card is seen and reversed in the deck, card is revealed
card is unseen and reversed in the deck, card is revealed
pandemonium \n - growing deck gag (higham)
- trouser pocket as servante (higham)
- card revelation gag with two spectators selecting the same card (tucker)
- five coins travel from hand to hand and then change into one coin (tucker)
- cutting the aces, bilis/ marlo variation idea (monmoine) \n justin higham \n stephen tucker \n pascal monmoine
1983
spell-binder Justin Higham, Stephen Tucker, Pascal Monmoine
Pandemonium
growing Deck gag (Higham)
trouser pocket as servante (Higham)
card revelation gag with two spectators selecting the same card (Tucker)
five coins travel from hand to hand and then change into one coin (Tucker)
Cutting the Aces, Bilis/ Marlo variation idea (Monmoine)
crimp control \n seven methods to control selection with crimped deck, also key card handlings \n edward marlo
1984
marlo's magazine volume 5 Edward Marlo
Crimp Control
seven methods to control selection with crimped deck, also key card handlings
getting on with this world \n two-pile deal, seated or stand-up \n steve draun \n mum, oct. 1978 \n out of this world revisited \n steve draun \n worldly things \n steve draun
1984
at the table Steve Draun
refined ace cutting \n from "lost shuffle manuscript", using crimps or raised surfaces \n edward marlo \n the crimp cull \n edward marlo
1984
marlo's magazine volume 5 Edward Marlo
Refined Ace Cutting
from "Lost Shuffle Manuscript", using crimps or raised surfaces
crimp conjuring \n spectator shuffles, magician locates aces two times, then stacks them, similar to snap crimp \n edward marlo
1984
marlo's magazine volume 5 Edward Marlo
Crimp Conjuring
spectator shuffles, magician locates Aces two times, then stacks them, similar to snap crimp
sneaking in mexican joe \n putting crimp in cards while performing packet estimation effect \n edward marlo
1984
marlo's magazine volume 5 Edward Marlo
Sneaking In Mexican Joe
putting crimp in cards while performing packet estimation effect
(c) ever ready black routine with mexican joe \n applying mexican joe crimp \n edward marlo \n ever ready-black routine \n edward marlo
1984
marlo's magazine volume 5 Edward Marlo
braue crimp control \n featuring "enlarging a break", also with short card (see following item) \n frederick braue \n enlarging a break \n unknown
1985
the fred braue notebooks Frederick Braue
Braue Crimp Control
featuring "enlarging a break", also with short card (see following item)
braue crimp \n technique for inner left corner, starts with bottom buckle \n frederick braue \n crimping a card \n frederick braue
1985
the fred braue notebooks Frederick Braue
Braue Crimp
technique for inner left corner, starts with bottom buckle
crimping a card \n technique for inner left corner, starts with bottom buckle \n frederick braue \n braue crimp \n frederick braue
1985
the fred braue notebooks Frederick Braue
Crimping a Card
technique for inner left corner, starts with bottom buckle
slipping the cut \n three methods to beat the cut
- setting a bridged card
- gesture pass
- leaving-cards-behind pass \n unknown
1985
the fred braue notebooks
Unknown
aces for airheads \n off-beat cutting the aces, four random cards on top, when position of packets are changed, aces appear on top of the packets \n john riggs
1986
the trapdoor — volume one John Riggs
Aces for Airheads
off-beat cutting the aces, four random cards on top, when position of packets are changed, aces appear on top of the packets
"marlo handles mexican joe" \n one-way deck, putting it in and handling the work \n edward marlo \n the new tops, jan. 1967 \n mexican joe's crimp \n mexican joe
1988
m.i.n.t. — volume i Edward Marlo
mexican with a memory \n card moved from one half to another is located, apparently cards in one half remembered, using mexican joe crimp \n edward marlo \n a card is found once more \n theodore annemann
1988
m.i.n.t. — volume i Edward Marlo
Mexican with a Memory
card moved from one half to another is located, apparently cards in one half remembered, using Mexican Joe Crimp
open crimp \n putting in the crimp for the routine, added to later printing than 1989 (no year given) \n michael weber
1989
out of this hemisphere Michael Weber
Open Crimp
putting in the crimp for the routine, added to later printing than 1989 (no year given)
delayed control after the peek \n bridging top part after fingertip peek, method to obtain break at bridge after table spread delay \n vanni bossi \n the crimp - d.f.c. \n edward marlo
1992
escorial 1992 — the marlo year Vanni Bossi
Delayed Control after the Peek
bridging top part after fingertip peek, method to obtain break at bridge after table spread delay
breathless \n performer cuts to the aces, then kings and suits are produced as a climax \n thomas baxter
1992
the trapdoor — volume two Thomas Baxter
Breathless
performer cuts to the Aces, then Kings and suits are produced as a climax
putting in the work \n also in front of an audience apparently removing a bent \n bob king \n putting in the work \n bob king
1992
the breather Bob King
Putting In The Work
also in front of an audience apparently removing a bent
putting in the work \n also in front of an audience apparently removing a bent \n bob king \n putting in the work \n bob king
1993
the breather 2 Bob King
Putting in the Work
also in front of an audience apparently removing a bent
the breather crimp \n some information, chapter "breather crimp mysteries"
- how to crimp the card
- basic handling (cutting to the crimp) \n jerry mentzer
1993
card file Jerry Mentzer
The Breather Crimp
some information, chapter "Breather Crimp Mysteries"
method seven: cull-crimp \n deck face-up in dealing position, left thumb riffles, desired cards corner crimped down \n roger crosthwaite
1994
roger's thesaurus Roger Crosthwaite
Method Seven: Cull-Crimp
deck face-up in dealing position, left thumb riffles, desired cards corner crimped down
method eight: cull-crimp \n deck face-up in dealing position, left thumb riffles, desired cards corner crimped up \n roger crosthwaite
1994
roger's thesaurus Roger Crosthwaite
Method Eight: Cull-Crimp
deck face-up in dealing position, left thumb riffles, desired cards corner crimped up
gilbreath aces \n four aces lost in deck, spectator deals through deck and locates aces \n nick trost \n an ace opener described by oscar weigle jr. (the dragon, june 1939), credited to steve belchou
1997
the card magic of nick trost Nick Trost
Gilbreath Aces
Four Aces lost in deck, spectator deals through deck and locates Aces
Inspired by
an Ace opener described by Oscar Weigle Jr. (The Dragon, June 1939), credited to Steve Belchou