the turn over card control \n half over break is turned over into the other hand, repeated with second half \n r. m. jamison
1944
hugard's magic monthly — volumes i, ii, iii and iv R. M. Jamison
The Turn Over Card Control
half over break is turned over into the other hand, repeated with second half
marlo's step control \n multiple cuts to table sequences to control peeked-at cards<br/>a. to control one or more cards to the top<br/>b. to control one or more cards to bottom<br/>c. double peek control - top and bottom<br/>d. double peek to bottom<br/>e. double peek to top<br/>f. triple peek to bottom<br/>g. triple peek to the top \n edward marlo
1952
control systems Edward Marlo
Marlo's Step Control
multiple cuts to table sequences to control peeked-at cards A. To Control One Or More Cards To The Top B. To Control One Or More Cards To Bottom C. Double Peek Control - Top and Bottom D. Double Peek to Bottom E. Double Peek To Top F. Triple Peek to Bottom G. Triple Peek To The Top
cut control \n sequences to control peeked at cards with in the hands cuts
a. cut control to the top
b. bottom or top cut control
c. double peek cut control to top
d. double peek cut control to bottom
e. alternate cut control
f. triple peek cut control
g. triple peek cut control no. 2 \n edward marlo
1952
control systems Edward Marlo
Cut Control
sequences to control peeked at cards with in the hands cuts
A. Cut Control to the Top
B. Bottom or Top Cut Control
C. Double Peek Cut Control to Top
D. Double Peek Cut Control to Bottom
E. Alternate Cut Control
F. Triple Peek Cut Control
G. Triple Peek Cut Control No. 2
as a control \n to apparently cut top card into center yet retain it under control, using tabled tenkai palm \n edward marlo
1957
the tabled palm Edward Marlo
As a Control
to apparently cut top card into center yet retain it under control, using tabled Tenkai Palm
placement control \n crimp, basically tabled version of vernon's placement \n edward marlo \n key card placement \n dai vernon
1971
kabbala — volume 1 Edward Marlo
Placement Control
crimp, basically tabled version of Vernon's Placement
calculated cut \n to place selection at desired position, see also p. 486 \n ben christopher \n block slip cut \n bill simon \n two placement cuts \n larry jennings \n sum spell \n karl fulves \n calculated cut \n karl fulves \n re-calculated cut \n peter duffie \n robin robertson
1972
the pallbearers review vol. 5-8 Ben Christopher
Calculated Cut
to place selection at desired position, see also p. 486
spot'n'scoop control \n sighting card in face-up ribbon spread and moving it to top by cut afterwards \n philip t. goldstein
1974
card tricks for people who don't do card tricks Philip T. Goldstein
Spot'n'Scoop Control
sighting card in face-up ribbon spread and moving it to top by cut afterwards
another way to do the same, having yourself indeed never seen the card. \n richard kaufman's transcription of reginald scot's card section \n unknown \n an other waie to doo the same, having your selfe indeed never seene the card \n unknown
1979
cardmagic
Unknown
Another way to do the same, having yourself indeed never seen the card.
Richard Kaufman's transcription of Reginald Scot's card section
the one handed cut \n charlier cut to cut to reversed card as control \n charlier \n father cyprian
1980
the elegant card magic of father cyprian Charlier, Father Cyprian
running card plus control \n card reversed and controlled during running cut sequence \n ken simmons \n running reverse \n ken simmons
1981
cards — with a different touch Ken Simmons
Running Card Plus Control
card reversed and controlled during running cut sequence
the lorayne control \n to second from bottom \n harry lorayne \n bruce elliott \n the elliott control \n bruce elliott
1982
best of friends Harry Lorayne, Bruce Elliott
the real, honest-to-god bluff cut \n cards end up on bottom, one-cut double cut \n edward marlo \n the bluff cut \n edward marlo \n scheinabheben \n roberto giobbi
1983
marlo without tears Edward Marlo
flipflop control \n cut deeper principle to control card during displaying sequence \n frederick braue \n flip-flop force \n frederick braue
1985
the fred braue notebooks Frederick Braue
Flipflop Control
cut deeper principle to control card during displaying sequence
the rolling control \n variation of cut deeper force, "flip-flop force" \n brother john hamman \n flip-flop force \n brother john hamman \n the rolling control variation \n alex gutierrez \n brother john hamman \n the rolling control \n brother john hamman
1989
the secrets of brother john hamman Brother John Hamman
リプレイスメントコントロール \n (replacement control) keep card on top of deck after cutting the deck onto the table \n dai vernon
1993
larry jennings's card technique Dai Vernon
リプレイスメントコントロール
(Replacement Control) Keep card on top of deck after cutting the deck onto the table
a cut below \n single card control, to the bottom \n steve pressley \n bye-pass operation \n steve beam \n a cut below \n steve pressley \n control center \n steve beam
1993
semi-automatic card tricks Steve Pressley
erdnase method c \n "technical roots" \n roger crosthwaite \n methods for determining a card thought of \n unknown
1994
roger's thesaurus Roger Crosthwaite
the logical control \n patter that explains why apparently no control is possible, to a specific location in the deck \n daryl martinez
1998
card college — volume 3 Daryl Martinez
The Logical Control
patter that explains why apparently no control is possible, to a specific location in the deck
the koornwinder card control \n key card with glue dots, reprinted from 1972, how to cut to it and how to control a selection with it \n dick koornwinder \n koornwinder kard kontrol \n dick koornwinder
1998
the koornwinder kar & the koornwinder card control Dick Koornwinder
The Koornwinder Card Control
key card with glue dots, reprinted from 1972, how to cut to it and how to control a selection with it
the "stanyon" cut pass \n no. 5, doing an open cut after holding the break during riffling with some delay \n ellis stanyon \n supplementary note \n karl fulves
1999
ellis stanyon's best card tricks Ellis Stanyon
The "Stanyon" Cut Pass
No. 5, doing an open cut after holding the break during riffling with some delay
peek & cut control \n peek, then fan with step and cut \n neal elias \n a truly fan-cy cut \n bob taylor \n peek! \n warren wiersbe
2000
gambling notes Neal Elias
optically controlled \n illogical cut control, showing that card is not on top and bottom, with convincing control addition and pocket finale \n harry lorayne \n an optical control \n alain choquette \n optically controlled \n harry lorayne
2001
personal collection Harry Lorayne
Optically Controlled
illogical cut control, showing that card is not on top and bottom, with Convincing Control addition and pocket finale
rollovers \n "a theme and twelve variations", on the bold rollover force
- theme
- variation 1: avoiding the flash
- variation 2: doing without the preliminary peek
- variation 3: the multiple rollover
- variation 4: rollback
- variation 5: the slipped rollover
- variation 6: with a face-up marker
- variation 7: with the face-up deck
- variation 8: the two-spectator force
- variation 9: the two-in-one force
- variation 10: the locator
- variation 11: the transverse locator
- variation 12: the rollover control \n jack avis \n lewis jones
2002
ahead of the pack Jack Avis, Lewis Jones
Rollovers
"a theme and twelve variations", on the bold rollover force
crouching vernon, hidden hamman \n selection and control are in one sequence, looks fair, with variations "notes on c.v.h.h. control" and "with card f.u.", see also next item \n jerry sadowitz
2004
cut controls Jerry Sadowitz
Crouching Vernon, Hidden Hamman
selection and control are in one sequence, looks fair, with variations "Notes on C.V.H.H. Control" and "With Card F.U.", see also next item
positional c.v.h.h. control \n variation of previous item "crouching vernon, hidden hamman" to control to a specific position \n jerry sadowitz
2004
cut controls Jerry Sadowitz
Positional C.V.H.H. Control
variation of previous item "Crouching Vernon, Hidden Hamman" to control to a specific position
the charlier control \n insert card into charlier position, tilt-esque \n michel huot \n steve duperre
2004
random acts of magic Michel Huot, Steve Duperre
re-calculated cut \n chapter 10, to place selection at desired position
- triple cut
- in the hands triple cut
- quad cut
- quad cut #2
- quad cut #3 \n peter duffie \n robin robertson \n calculated cut \n ben christopher
2004
diamonds from coal Peter Duffie, Robin Robertson
Re-Calculated Cut
Chapter 10, to place selection at desired position
packet shuffle pass \n packets cut between the hands, the roll back and forth \n vernon winiecke \n the "pass" by throwing the pack from the left to the right hand \n h. j. tattersall
2005
latter day secrets Vernon Winiecke
Packet Shuffle Pass
packets cut between the hands, the roll back and forth
double-duty balducci \n cut-deeper-force variation (vertical display), can be used as force and control \n robin robertson
2007
best of friends — volume iii Robin Robertson
Double-Duty Balducci
cut-deeper-force variation (vertical display), can be used as force and control
hamman flip-flop force and control \n variation of the cut-deeper force, also "rolling control" \n brother john hamman
2008
subtle card creations — volume 1 Brother John Hamman
Hamman Flip-Flop Force and Control
variation of the Cut-Deeper Force, also "Rolling Control"
squeeze control \n as yves cabernet, card is squeezed in the deck and break is formed \n yves carbonnier
2010
semi-automatic card tricks — volume 8 Yves Carbonnier
Squeeze Control
as Yves Cabernet, card is squeezed in the deck and break is formed
the hopless hop \n top card shown and side-jogged, cut into center, secret slip cut, incorporating side-jog idea by jack carpenter, two methods \n harry lorayne \n lorayne's invisible pass routine \n harry lorayne
2011
special effects Harry Lorayne
The Hopless Hop
top card shown and side-jogged, cut into center, secret slip cut, incorporating side-jog idea by Jack Carpenter, two methods
control center \n control to the top of the deck \n steve beam \n a cut below \n steve pressley \n control center \n steve beam
2015
semi-automatic card tricks — volume 9 Steve Beam
control a \n sidejogging a card during square up to obtain microbreak, sidejog finesse provided by will houstoun, cut card to the top of the deck \n bill simon \n will houstoun \n alexander hansford \n the simon card control \n bill simon
2016
sprezzatura Bill Simon, Will Houstoun, Alexander Hansford
Control A
Sidejogging a card during square up to obtain microbreak, sidejog finesse provided by Will Houstoun, cut card to the top of the deck
a lie detector routine \n featuring a fair control sequence where the spectator cuts to a card and buries his pile \n joseph barry
2017
operandi Joseph Barry
A Lie Detector Routine
featuring a fair control sequence where the spectator cuts to a card and buries his pile
pass substitute \n naming random card and cutting to it while secretly controlling selection \n johnny thompson
2018
the magic of johnny thompson Johnny Thompson
Pass Substitute
naming random card and cutting to it while secretly controlling selection
optically controlled \n llogical cut control, showing that card is not on top and bottom, with convincing control addition and pocket finale \n harry lorayne \n optically controlled \n harry lorayne
2018
and finally! Harry Lorayne
Optically Controlled
llogical cut control, showing that card is not on top and bottom, with Convincing Control addition and pocket finale
last minute card control \n spectator cuts off a pile, shuffles, remembers a card and loses it, hopefully step is retained \n nathan colwell \n guesstimation \n patrick page
2020
elixir Nathan Colwell
Last Minute Card Control
spectator cuts off a pile, shuffles, remembers a card and loses it, hopefully step is retained
the s-b whoops control \n card control to certain position \n steve beam \n reversed key card \n u. f. grant \n s-d location \n david solomon \n steve draun
2020
semi-automatic card tricks — volume 12 Steve Beam