the turn over card control\nhalf over break is turned over into the other hand, repeated with second half\nr. m. jamison
1944
hugard's magic monthly - volumes i, ii, iii and iv R. M. Jamison
The Turn Over Card Control
half over break is turned over into the other hand, repeated with second half
marlo's step control\nmultiple cuts to table sequences to control peeked-at cards<br/>a. to control one or more cards to the top<br/>b. to control one or more cards to bottom<br/>c. double peek control - top and bottom<br/>d. double peek to bottom<br/>e. double peek to top<br/>f. triple peek to bottom<br/>g. triple peek to the top\nedward marlo
1952
control systems Edward Marlo
Marlo's Step Control
multiple cuts to table sequences to control peeked-at cards A. To Control One Or More Cards To The Top B. To Control One Or More Cards To Bottom C. Double Peek Control - Top and Bottom D. Double Peek to Bottom E. Double Peek To Top F. Triple Peek to Bottom G. Triple Peek To The Top
cut control\nsequences to control peeked at cards with in the hands cuts
a. cut control to the top
b. bottom or top cut control
c. double peek cut control to top
d. double peek cut control to bottom
e. alternate cut control
f. triple peek cut control
g. triple peek cut control no. 2\nedward marlo
1952
control systems Edward Marlo
Cut Control
sequences to control peeked at cards with in the hands cuts
A. Cut Control to the Top
B. Bottom or Top Cut Control
C. Double Peek Cut Control to Top
D. Double Peek Cut Control to Bottom
E. Alternate Cut Control
F. Triple Peek Cut Control
G. Triple Peek Cut Control No. 2
as a control\nto apparently cut top card into center yet retain it under control, using tabled tenkai palm\nedward marlo
1957
the tabled palm Edward Marlo
As a Control
to apparently cut top card into center yet retain it under control, using tabled Tenkai Palm
placement control\ncrimp, basically tabled version of vernon's placement\nedward marlo\nkey card placement\ndai vernon
1971
kabbala — volume 1 Edward Marlo
Placement Control
crimp, basically tabled version of Vernon's Placement
calculated cut\nto place selection at desired position, see also p. 486\nben christopher\nblock slip cut\nbill simon\ntwo placement cuts\nlarry jennings\nsum spell\nkarl fulves\ncalculated cut\nkarl fulves\nre-calculated cut\npeter duffie\nrobin robertson
1972
the pallbearers review vol. 5-8 Ben Christopher
Calculated Cut
to place selection at desired position, see also p. 486
spot'n'scoop control\nsighting card in face-up ribbon spread and moving it to top by cut afterwards\nphilip t. goldstein
1974
card tricks for people who don't do card tricks Philip T. Goldstein
Spot'n'Scoop Control
sighting card in face-up ribbon spread and moving it to top by cut afterwards
another way to do the same, having yourself indeed never seen the card.\nrichard kaufman's transcription of reginald scot's card section\n unknown\nan other waie to doo the same, having your selfe indeed never seene the card\n unknown
1979
cardmagic
Unknown
Another way to do the same, having yourself indeed never seen the card.
Richard Kaufman's transcription of Reginald Scot's card section
the one handed cut\ncharlier cut to cut to reversed card as control\n charlier\nfather cyprian
1980
the elegant card magic of father cyprian Charlier, Father Cyprian
running card plus control\ncard reversed and controlled during running cut sequence\nken simmons\nrunning reverse\nken simmons
1981
cards — with a different touch Ken Simmons
Running Card Plus Control
card reversed and controlled during running cut sequence
the lorayne control\nto second from bottom\nharry lorayne\nbruce elliott\nthe elliott control\nbruce elliott
1982
best of friends Harry Lorayne, Bruce Elliott
the real, honest-to-god bluff cut\ncards end up on bottom, one-cut double cut\nedward marlo\nthe bluff cut\nedward marlo\nscheinabheben\nroberto giobbi
1983
marlo without tears Edward Marlo
flipflop control\ncut deeper principle to control card during displaying sequence\nfrederick braue\nflip-flop force\nfrederick braue
1985
the fred braue notebooks Frederick Braue
Flipflop Control
cut deeper principle to control card during displaying sequence
the rolling control\nvariation of cut deeper force, "flip-flop force"\nbrother john hamman\nflip-flop force\nbrother john hamman\nthe rolling control variation\nalex gutierrez\nbrother john hamman\nthe rolling control\nbrother john hamman
1989
the secrets of brother john hamman Brother John Hamman
リプレイスメントコントロール\n(replacement control) keep card on top of deck after cutting the deck onto the table\ndai vernon
1993
larry jennings's card technique Dai Vernon
リプレイスメントコントロール
(Replacement Control) Keep card on top of deck after cutting the deck onto the table
the logical control\npatter that explains why apparently no control is possible, to a specific location in the deck\ndaryl martinez
1998
card college — volume 3 Daryl Martinez
The Logical Control
patter that explains why apparently no control is possible, to a specific location in the deck
the koornwinder card control\nkey card with glue dots, reprinted from 1972, how to cut to it and how to control a selection with it\ndick koornwinder\nkoornwinder kard kontrol\ndick koornwinder
1998
the koornwinder kar & the koornwinder card control Dick Koornwinder
The Koornwinder Card Control
key card with glue dots, reprinted from 1972, how to cut to it and how to control a selection with it
the "stanyon" cut pass\nno. 5, doing an open cut after holding the break during riffling with some delay\nellis stanyon\nsupplementary note\nkarl fulves
1999
ellis stanyon's best card tricks Ellis Stanyon
The "Stanyon" Cut Pass
No. 5, doing an open cut after holding the break during riffling with some delay
optically controlled\nillogical cut control, showing that card is not on top and bottom, with convincing control addition and pocket finale\nharry lorayne\nan optical control\nalain choquette\noptically controlled\nharry lorayne
2001
personal collection Harry Lorayne
Optically Controlled
illogical cut control, showing that card is not on top and bottom, with Convincing Control addition and pocket finale
rollovers\n"a theme and twelve variations", on the bold rollover force
- theme
- variation 1: avoiding the flash
- variation 2: doing without the preliminary peek
- variation 3: the multiple rollover
- variation 4: rollback
- variation 5: the slipped rollover
- variation 6: with a face-up marker
- variation 7: with the face-up deck
- variation 8: the two-spectator force
- variation 9: the two-in-one force
- variation 10: the locator
- variation 11: the transverse locator
- variation 12: the rollover control\njack avis\nlewis jones
2002
ahead of the pack Jack Avis, Lewis Jones
Rollovers
"a theme and twelve variations", on the bold rollover force
crouching vernon, hidden hamman\nselection and control are in one sequence, looks fair, with variations "notes on c.v.h.h. control" and "with card f.u.", see also next item\njerry sadowitz
2004
cut controls Jerry Sadowitz
Crouching Vernon, Hidden Hamman
selection and control are in one sequence, looks fair, with variations "Notes on C.V.H.H. Control" and "With Card F.U.", see also next item
positional c.v.h.h. control\nvariation of previous item "crouching vernon, hidden hamman" to control to a specific position\njerry sadowitz
2004
cut controls Jerry Sadowitz
Positional C.V.H.H. Control
variation of previous item "Crouching Vernon, Hidden Hamman" to control to a specific position
re-calculated cut\nchapter 10, to place selection at desired position
- triple cut
- in the hands triple cut
- quad cut
- quad cut #2
- quad cut #3\npeter duffie\nrobin robertson\ncalculated cut\nben christopher
2004
diamonds from coal Peter Duffie, Robin Robertson
Re-Calculated Cut
Chapter 10, to place selection at desired position
packet shuffle pass\npackets cut between the hands, the roll back and forth\nvernon winiecke\nthe "pass" by throwing the pack from the left to the right hand\nh. j. tattersall
2005
latter day secrets Vernon Winiecke
Packet Shuffle Pass
packets cut between the hands, the roll back and forth
double-duty balducci\ncut-deeper-force variation (vertical display), can be used as force and control\nrobin robertson
2007
best of friends — volume iii Robin Robertson
Double-Duty Balducci
cut-deeper-force variation (vertical display), can be used as force and control
hamman flip-flop force and control\nvariation of the cut-deeper force, also "rolling control"\nbrother john hamman
2008
subtle card creations — volume 1 Brother John Hamman
Hamman Flip-Flop Force and Control
variation of the Cut-Deeper Force, also "Rolling Control"
squeeze control\nas yves cabernet, card is squeezed in the deck and break is formed\nyves carbonnier
2010
semi-automatic card tricks — volume 8 Yves Carbonnier
Squeeze Control
as Yves Cabernet, card is squeezed in the deck and break is formed
the hopless hop\ntop card shown and side-jogged, cut into center, secret slip cut, incorporating side-jog idea by jack carpenter, two methods\nharry lorayne\nlorayne's invisible pass routine\nharry lorayne
2011
special effects Harry Lorayne
The Hopless Hop
top card shown and side-jogged, cut into center, secret slip cut, incorporating side-jog idea by Jack Carpenter, two methods
control center\ncontrol to the top of the deck\nsteve beam\na cut below\nsteve pressley\ncontrol center\nsteve beam
2015
semi-automatic card tricks — volume 9 Steve Beam
control a\nsidejogging a card during square up to obtain microbreak, sidejog finesse provided by will houstoun, cut card to the top of the deck\nbill simon\nwill houstoun\nalexander hansford\nthe simon card control\nbill simon
2016
sprezzatura Bill Simon, Will Houstoun, Alexander Hansford
Control A
Sidejogging a card during square up to obtain microbreak, sidejog finesse provided by Will Houstoun, cut card to the top of the deck
a lie detector routine\nfeaturing a fair control sequence where the spectator cuts to a card and buries his pile\njoseph barry
2017
operandi Joseph Barry
A Lie Detector Routine
featuring a fair control sequence where the spectator cuts to a card and buries his pile
pass substitute\nnaming random card and cutting to it while secretly controlling selection\njohnny thompson
2018
the magic of johnny thompson Johnny Thompson
Pass Substitute
naming random card and cutting to it while secretly controlling selection
optically controlled\nllogical cut control, showing that card is not on top and bottom, with convincing control addition and pocket finale\nharry lorayne\noptically controlled\nharry lorayne
2018
and finally! Harry Lorayne
Optically Controlled
llogical cut control, showing that card is not on top and bottom, with Convincing Control addition and pocket finale