die volte \n "die kartenschule von carl willmann"
continuation of pass description with variation and application as control, time misdirection \n unknown
1895
die zauberwelt
Unknown
Die Volte
"Die Kartenschule von Carl Willmann"
continuation of pass description with variation and application as control, time misdirection
abziehen einer karte \n the slip, from top to bottom or from center to bottom \n unknown \n das abziehen einer karte \n unknown
1896
der moderne kartenkünstler
Unknown
Abziehen einer Karte
The Slip, from top to bottom or from center to bottom
das abziehen einer karte \n the slip, from top to bottom or from center to bottom \n unknown \n abziehen einer karte \n unknown
1896
der zauberspiegel
Unknown
Das Abziehen einer Karte
The Slip, from top to bottom or from center to bottom
die absichtlich verzögerte volte \n "by dr. k. in l.", delaying the pass by marking the position with a wide or long card first and tabling the deck \n unknown
1897
die zauberwelt
Unknown
Die absichtlich verzögerte Volte
"by Dr. K. in L.", delaying the pass by marking the position with a wide or long card first and tabling the deck
die umsteck-volte \n "die kartenschule von carl willmann"
bottom half pivoted to top over right edge as top half is replaced, alexander herrmann used it according to willmann, but he is not credited with its invention \n unknown
1898
die zauberwelt
Unknown
Die Umsteck-Volte
"Die Kartenschule von Carl Willmann"
bottom half pivoted to top over right edge as top half is replaced, Alexander Herrmann used it according to Willmann, but he is not credited with its invention
umsteck-volte variant \n bottom half moved to top over right edge as top half is replaced, no finger under bottom packet, or only first finger \n unknown
1898
die zauberwelt
Unknown
Umsteck-Volte Variant
bottom half moved to top over right edge as top half is replaced, no finger under bottom packet, or only first finger
das rauschen mit den karten ii. \n "die kartenschule von carl willmann"
riffle sound with left thumb, more details, using it as a cover for the pass \n unknown \n das rauschen mit den karten \n unknown
1898
die zauberwelt
Unknown
Das Rauschen mit den Karten II.
"Die Kartenschule von Carl Willmann"
riffle sound with left thumb, more details, using it as a cover for the pass
eine neue volte mit einer hand \n "die kartenschule von carl willmann"
part three of description, on delaying the pass, comparing practicing with piano playing \n c. vogel \n carl willmann \n eine neue volte mit einer hand \n c. vogel
1899
die zauberwelt C. Vogel, Carl Willmann
Eine neue Volte mit einer Hand
"Die Kartenschule von Carl Willmann"
part three of description, on delaying the pass, comparing practicing with piano playing
das unter-schlagen einer karte \n "die kartenschule von carl willmann"
slipping the top or center card to the bottom with the left fingers, the slip \n eduard w. lufa
1900
die zauberwelt Eduard W. Lufa
Das Unter-Schlagen einer Karte
"Die Kartenschule von Carl Willmann"
slipping the top or center card to the bottom with the left fingers, the slip
the two handed pass \n charles bertram's method, "...it is the basis of, or used in, almost every card trick which requires any sleight of hand" \n charles bertram \n arthur finley shift \n arthur finley
1902
the modern conjurer Charles Bertram
The Two Handed Pass
Charles Bertram's Method, "...it is the basis of, or used in, almost every card trick which requires any sleight of hand"
shifting the cut \n tips for the card table \n s. w. erdnase \n the player without an ally \n steve forte
1902
the expert at the card table S. W. Erdnase
the longitudinal shift \n \n s. w. erdnase \n the longitudinal "pass" \n s. w. erdnase \n longways shift \n steve forte \n the tudinal-longi shift \n kyohei tatsukawa
1902
the expert at the card table S. W. Erdnase
the open shift \n color change mention on page 134 \n s. w. erdnase \n open production \n jerry sadowitz \n the open shift \n shane cobalt
1902
the expert at the card table S. W. Erdnase
the s.w.e. shift \n color change mention on page 136 \n s. w. erdnase \n ribbon spread double cut \n tom gagnon \n s.w.e. shift applications \n roberto giobbi \n the s. w. e. shift \n shane cobalt \n fast s. w. e. \n steve forte
1902
the expert at the card table S. W. Erdnase
ordinary methods of stocking, locating and securing \n different methods while toying with the deck \n s. w. erdnase \n method five: multiple cull \n roger crosthwaite \n method six: multiple cull \n roger crosthwaite \n gagnon stocks erdnase \n tom gagnon \n ordinary methods of stocking, locating and securing \n steve forte
1902
the expert at the card table S. W. Erdnase
Ordinary Methods of Stocking, Locating and Securing
the impossible journey \n no. 20, selection comes to top in rubber banded deck, executing classic pass with rubber banded deck \n charles t. jordan \n submarine ace \n karl fulves \n submarine patter \n karl fulves \n the banded pass \n karl fulves
1919/1920
thirty card mysteries Charles T. Jordan
The Impossible Journey
No. 20, selection comes to top in rubber banded deck, executing classic pass with rubber banded deck
the downs' hinge shift \n actually apparently just a cut, also as slip cut with left thumb and with rubber banded deck \n t. nelson downs
1920
ten new sleight of hand card tricks T. Nelson Downs
The Downs' Hinge Shift
actually apparently just a cut, also as slip cut with left thumb and with rubber banded deck
the "move" that mystified downs \n blocking for the pass \n dr. james william elliott
1933
farelli's card magic — part one Dr. James William Elliott
the rubber band version \n classic pass with banded deck \n dr. james william elliott
1933
farelli's card magic — part one Dr. James William Elliott
turning the pack to hide the pass \n \n jack merlin \n jean-nicholas ponsin \n dr. c. gautier \n sprong's pass \n johnny c. sprong \n olram's ponsin pass \n edward marlo
1933
farelli's card magic — part one Jack Merlin, Jean-Nicholas Ponsin, Dr. C. Gautier
a link with the past<br>(the j.h. anderson slip) \n side steal to bottom \n john henry anderson
1933
farelli's card magic — part two John Henry Anderson
the turn over card control \n half over break is turned over into the other hand, repeated with second half \n r. m. jamison
1944
hugard's magic monthly — volumes i, ii, iii and iv R. M. Jamison
The Turn Over Card Control
half over break is turned over into the other hand, repeated with second half
turnover pass \n strange handling, both hands turn over their packet on its own \n george h. pittman \n hidden in plain sight - divide and turn \n helder guimarães
1945
hugard's magic monthly — volumes i, ii, iii and iv George H. Pittman
Turnover Pass
strange handling, both hands turn over their packet on its own
restoring the cut (my pet method) \n includes setting bridge during riffle shuffle, reads like a classic pass \n arthur h. buckley
1946
card control Arthur H. Buckley
Restoring the Cut (My Pet Method)
includes setting bridge during riffle shuffle, reads like a classic pass
the invisible pass \n \n jean hugard \n frederick braue \n paradigms \n jean hugard \n frederick braue \n gary ouellet \n the invisible pass \n jean hugard \n roberto giobbi \n frederick braue
1946
the invisible pass Jean Hugard, Frederick Braue
"the slap shift" \n with packet, bottom card to top \n arthur h. buckley \n buckley's slap shift \n arthur h. buckley
1948
principles and deceptions Arthur H. Buckley
a flourish and a pass \n deck spreads itself between hands \n paul lepaul \n the curley-cue-move \n randy holt \n the spread half pass \n roy walton \n the lepaul spread \n paul lepaul \n spread variations \n karl fulves \n passing gear \n tony biscardi \n the spread pass \n paul lepaul \n roberto giobbi \n riding the lepaul \n john born \n mark-a-place force \n harapan ong
1949
the card magic of le paul Paul LePaul
screened leipzig pass \n from the middle to second position, brief \n nate leipzig \n bert allerton \n concealed allerton control \n peter duffie \n robin robertson
1958
the close-up magician Nate Leipzig, Bert Allerton
the immovable multiple shifts: to the bottom - delayed type \n two handlings \n edward marlo \n m&h multiple shift \n allan ackerman \n edward marlo \n paul harris
1961
the multiple shift Edward Marlo
The Immovable Multiple Shifts: To the Bottom - Delayed Type
the invisible shift \n perhaps allusion to cascade control?! \n charlie miller \n judson s. brown
1961
the magic of charles earle miller Charlie Miller, Judson S. Brown
mexican joe's table pass \n bringing only bottom slug back to bottom \n mexican joe \n mexican joe \n steve forte
1967
ultimate secrets of card magic Mexican Joe
sprong's pass \n \n johnny c. sprong \n turning the pack to hide the pass \n jack merlin \n jean-nicholas ponsin \n dr. c. gautier \n olram's ponsin pass \n edward marlo
1967
ultimate secrets of card magic Johnny C. Sprong
the "passless" pass \n applying jiggle pass to display bluff pass type, modern magic referenced \n fred g. taylor \n neal elias \n the 'passless' pass \n bob taylor \n neal elias
1973
epilogue Fred G. Taylor, Neal Elias
The "Passless" Pass
applying Jiggle Pass to Display Bluff Pass type, Modern Magic referenced
the jiggle pass \n \n fred g. taylor \n neal elias \n the jiggle pass \n bob taylor \n neal elias \n the longitudinal shift \n milton brooks \n the pivot side-jiggle pass \n wesley james
1973
epilogue Fred G. Taylor, Neal Elias
the riffle pass \n jiggle pass with riffle cover \n fred g. taylor \n neal elias \n the riffle pass \n bob taylor \n neal elias
1973
epilogue Fred G. Taylor, Neal Elias
peek pass \n jiggle pass combined with a glimpse of selection \n fred g. taylor \n neal elias \n peek pass \n bob taylor \n neal elias
1973
epilogue Fred G. Taylor, Neal Elias
the tap pass \n tapping one half on the other as a cover, also as packet switch (see p. 99) \n paul curry \n the dummy pass \n james swain
1974
paul curry presents Paul Curry
The Tap Pass
tapping one half on the other as a cover, also as packet switch (see p. 99)
trigger \n apparently deck is turned over but it is cut in the process, similar to a turnover pass \n roy walton \n bold over \n jerry k. hartman \n triggered hofzinser \n peter duffie
1976
trigger Roy Walton
Trigger
apparently deck is turned over but it is cut in the process, similar to a turnover pass
the sideswipe shift \n backwards and improved handling \n russell t. barnhart \n the finger palm pass improved \n unknown
1979
cardmagic Russell T. Barnhart
one fantastic move \n reverse card in center during turnover pass, gombert pass \n edward marlo \n another fantastic move \n ken simmons \n a further fantastic move \n ken simmons \n the truly fantastic move \n steve draun \n one fantastic move \n edward marlo \n final permutation marlo \n yves carbonnier
1980
hierophant Edward Marlo
One Fantastic Move
reverse card in center during turnover pass, Gombert Pass
the riffle pass \n based on the jiggle pass \n bob taylor \n neal elias \n the riffle pass \n fred g. taylor \n neal elias
1981
milennium aces Bob Taylor, Neal Elias
the 'passless' pass \n applying jiggle pass to display bluff pass type, modern magic referenced \n bob taylor \n neal elias \n the "passless" pass \n fred g. taylor \n neal elias
1981
milennium aces Bob Taylor, Neal Elias
The 'Passless' Pass
applying Jiggle Pass to Display Bluff Pass type, Modern Magic referenced
the thompson tilt pass \n described in context of a control
- the preliminary moves
- the interchange of packet
- concluding observations \n frank thompson
1981
the thompson pass Frank Thompson
another fantastic move \n turnover pass & future reverse combo \n ken simmons \n one fantastic move \n edward marlo \n reverse variant \n ken simmons
1981
cards — with a different touch Ken Simmons
ultra pop-up cover pass \n cover pass handling \n harry lorayne \n the cover pass \n clinton burgess \n harry lorayne
1982
best of friends Harry Lorayne
the tan hock chaun pass \n \n edward marlo \n tan hock chuan \n "chuan's invisible pass" (the sphinx, vol. 38 no. 3, may 1939) \n top-cover passes \n gary ouellet \n ellis stanyon \n tan hock chuan \n tan hock chuan cover pass \n tan hock chuan
1982
card finesse Edward Marlo, Tan Hock Chuan
The Tan Hock Chaun Pass
Related to
"Chuan's Invisible Pass" (The Sphinx, Vol. 38 No. 3, May 1939)
the graveyard shift \n midnight shift \n steve draun \n the midnight shift \n steve draun \n the "graveyard shift" with top-card cover \n jack carpenter \n steve draun
1983
the collected almanac Steve Draun
unconventional passes \n - first method (table or in-the-hands)
- second method \n edward marlo \n the cervon free-turn pass \n bruce cervon \n regarding the shift. one \n guy hollingworth \n the anomalous pass \n wesley james
1984
marlo's magazine volume 5 Edward Marlo
the fan square-up pass \n top card cover pass from one-handed fan \n tom gagnon \n eddie fechter's fan glimpse (magic of eddie fechter, p. 185) \n fan square-up pass \n tom gagnon
1984
epoptica Tom Gagnon
The Fan Square-Up Pass
top card cover pass from one-handed fan
Inspired by
Eddie Fechter's Fan Glimpse (Magic of Eddie Fechter, p. 185)
the spread pass technique \n normal and with the procontrol card \n paul lepaul \n gary ouellet \n spread pass \n paul lepaul \n gary ouellet
1986
procontrol Paul LePaul, Gary Ouellet
the double-lift pass \n card is controlled to near-top via herrmann style pass while top and bottom cards are displayed \n richard kaufman
1987
magical arts journal Richard Kaufman
The Double-Lift Pass
card is controlled to near-top via herrmann style pass while top and bottom cards are displayed
the midnight shift \n \n steve draun \n the graveyard shift \n steve draun \n the midnight shift \n steve draun
1987
the magic of steve draun Steve Draun
taking a pass \n two covers for spread pass:<br/>- the end tap cover<br/>- the finger square cover \n randy wakeman \n all-around square-up spread pass \n randy wakeman
1987
special effects Randy Wakeman
Taking a Pass
two covers for spread pass: - The End Tap Cover - The Finger Square Cover
a table pass \n "(from notes on the pass)"
herrmann pass, optionally at table edge, with variation \n edward marlo \n the new tops, oct. 1963 \n wrist turn passes \n edward marlo
1988
m.i.n.t. — volume i Edward Marlo
A Table Pass
"(From Notes On The Pass)"
Herrmann Pass, optionally at table edge, with variation
the longitudinal shift \n reprinted from reference, somewhat jiggle related \n milton brooks \n "longitudinal shift" (the word's best book of magic, walter gibson, 1927, p. 178) \n the jiggle pass \n fred g. taylor \n neal elias
1989
the multiple shift Milton Brooks
primal final \n finesse \n harry lorayne \n the screened leipzig pass \n nate leipzig \n ron bauer \n primal screen \n harry lorayne \n nate leipzig \n ron bauer
1990
trend setters Harry Lorayne
the cervon free-turn pass \n \n bruce cervon \n unconventional passes \n edward marlo \n swivel color change \n jim patton \n the clip pass \n edward marlo
1990
ultra cervon Bruce Cervon
the double-lift pass \n card is controlled to near-top via herrmann style pass while top and bottom cards are displayed \n richard kaufman \n watergate \n steven hamilton
1990
spectacle Richard Kaufman
The Double-Lift Pass
card is controlled to near-top via herrmann style pass while top and bottom cards are displayed
olram's ponsin pass \n \n edward marlo \n turning the pack to hide the pass \n jack merlin \n jean-nicholas ponsin \n dr. c. gautier \n sprong's pass \n johnny c. sprong
1991
the olram file Edward Marlo
the "graveyard shift" with top-card cover \n cover version \n jack carpenter \n steve draun \n the graveyard shift \n steve draun
1992
modus operandi Jack Carpenter, Steve Draun
s.w.e. shift \n detailed description, also as top blockcover pass (see p. 155f) \n s. w. erdnase \n chris kenner
1992
totally out of control S. W. Erdnase, Chris Kenner
S.W.E. Shift
detailed description, also as top blockcover pass (see p. 155f)
bottom card cover turnover pass \n peeked card controlled second from the bottom, turnover pass \n harry levine
1992
the trapdoor — volume two Harry Levine
Bottom Card Cover Turnover Pass
peeked card controlled second from the bottom, turnover pass
the midnight shift \n \n steve draun \n the midnight shift \n steve draun \n the "graveyard shift" with top-card cover \n jack carpenter \n steve draun \n graveyard fan \n bill malone \n the pinch pass \n mark elsdon
1993
secrets draun from underground Steve Draun
top-cover passes \n chaun's the tan hock chaun pass and classic pass handling \n gary ouellet \n ellis stanyon \n tan hock chuan \n the tan hock chaun pass \n edward marlo \n tan hock chuan
1994
the pass Gary Ouellet, Ellis Stanyon, Tan Hock Chuan
Top-Cover Passes
Chaun's The Tan Hock Chaun Pass and classic pass handling
paradigms \n hugard and braue's invisible pass \n jean hugard \n frederick braue \n gary ouellet \n the invisible pass \n jean hugard \n frederick braue \n the paradigm shift \n gary ouellet
1994
the pass Jean Hugard, Frederick Braue, Gary Ouellet
flash pass \n modified herrmann pass, without turnover, see also p. 13 for touch by jerry sadowitz \n jackie mcclements
1994
shock treatment Jackie McClements
Flash Pass
modified Herrmann pass, without turnover, see also p. 13 for touch by Jerry Sadowitz
variation three: centerpoint subtlety \n deck spread on table in two stages, former reversed bottom card is seen in the center at the end, cut/pass substitute \n justin higham \n "illusive aces" (justin higham, west end card session, 1989, p. 18)
1994
roger's thesaurus Justin Higham
Variation Three: Centerpoint Subtlety
deck spread on table in two stages, former reversed bottom card is seen in the center at the end, cut/pass substitute
Also published here
"Illusive Aces" (Justin Higham, West End Card Session, 1989, p. 18)
method one: single cull \n deck face-up in dealing position, left thumb riffles, desired card controlled, one card pass action \n roger crosthwaite
1994
roger's thesaurus Roger Crosthwaite
Method One: Single Cull
deck face-up in dealing position, left thumb riffles, desired card controlled, one card pass action
method two: single cull \n deck face-up in dealing position, left thumb riffles, desired card controlled, one card pass action \n roger crosthwaite
1994
roger's thesaurus Roger Crosthwaite
Method Two: Single Cull
deck face-up in dealing position, left thumb riffles, desired card controlled, one card pass action