durch einen griff die schwarzen karten von den roten zu trennen\nno. 31, deck shown shuffled, colors separated with one cutting action\n unknown
1895
der kartenkünstler
Unknown
Durch einen Griff die schwarzen Karten von den roten zu trennen
No. 31, deck shown shuffled, colors separated with one cutting action
die geheimnisvollen würfel\n- two dice thrown and sum counted to repeatedly until deck is divided in two halves, they're separated in red and black
- red and black separation by performer without dice but crimp or punch instead\n unknown
1896
der moderne kartenkünstler
Unknown
Die geheimnisvollen Würfel
two dice thrown and sum counted to repeatedly until deck is divided in two halves, they're separated in red and black
red and black separation by performer without dice but crimp or punch instead
das präparierte kartenspiel\n"die kartenschule von carl willmann"
making a stripper deck, applications: finding selections, aces or separating reds and blacks\n unknown
1897
die zauberwelt
Unknown
Das präparierte Kartenspiel
"Die Kartenschule von Carl Willmann"
making a stripper deck, applications: finding selections, Aces or separating reds and blacks
das kartensortieren\nperformer sorts the shuffled into number and court cards without looking at the faces, using the principle that picture cards have more ink on them that (in those days) clings to the card underneath, impromptu rough-smooth\n unknown
1897
der zauberspiegel
Unknown
Das Kartensortieren
performer sorts the shuffled into number and court cards without looking at the faces, using the principle that picture cards have more ink on them that (in those days) clings to the card underneath, impromptu rough-smooth
another red and black effect\na red card and a black card are selected, after the shuffle the deck is separated and in one hand are all red cards and the black selection and in the other hand vice versa \njack merlin
1927/28
merlin's master manipulations Jack Merlin
Another Red and Black Effect
a red card and a black card are selected, after the shuffle the deck is separated and in one hand are all red cards and the black selection and in the other hand vice versa
a routine of sleights at the card table\n- cards in spectator's pocket, card fished out very fast
- second and bottom dealing expose\njack merlin
1927/28
merlin at the card table Jack Merlin
A Routine of Sleights at the Card Table
cards in spectator's pocket, card fished out very fast
positions unknown\nnamed cards are produced and deck separated into colors, stacked stripper deck\ncharles t. jordan
1937
encyclopedia of card tricks Charles T. Jordan
Positions Unknown
named cards are produced and deck separated into colors, stacked stripper deck
from the pen of leipzig\ntwo shuffled decks are covered with handkerchiefs, performer removes a card with each hand, they match\nnate leipzig
1940
chap's scrapbook Nate Leipzig
From the Pen of Leipzig
two shuffled decks are covered with handkerchiefs, performer removes a card with each hand, they match
the magic separation\nface-up and face-down cards are shuffled, performer separates cards behind back so one pile consists of same amount of face up cards as the other, see collected secrets for variations\nbob hummer\ndouble separation\nwarren wiersbe\nbob hummer\nhummer of a trick!\nrobert page\nbob hummer\nthe magic separation\nbob hummer
1940
half-a-dozen hummers Bob Hummer
The Magic Separation
face-up and face-down cards are shuffled, performer separates cards behind back so one pile consists of same amount of face up cards as the other, see Collected Secrets for variations
do as i do - u can't unless i want u 2\neight cards for performer and spectator, basically oil&water effect, two methods, hugard's and marlo's\nedward marlo\njean hugard
1941
early marlo Edward Marlo, Jean Hugard
Do As I Do - U Can't Unless I Want U 2
eight cards for performer and spectator, basically oil&water effect, two methods, Hugard's and Marlo's
the "red and black" effect\none red and several black cards are put in envelopes, magician identifies red\neddie clever
1945/27
tarbell course in magic — volume 4 Eddie Clever
The "Red and Black" Effect
one red and several black cards are put in envelopes, magician identifies red
the four bandits\nexpermient no. 43 - jacks are produced, inserted in middle and come to top, deck is separated in reds and blacks\narthur h. buckley
1946
card control Arthur H. Buckley
The Four Bandits
Expermient No. 43 - jacks are produced, inserted in middle and come to top, deck is separated in reds and blacks
double separation\npacket shuffled face-up face-down, then statement over condition made and colors separated\nwarren wiersbe\nbob hummer\nthe magic separation\nbob hummer\nthe magic separation\nbob hummer
1946
mental cases with cards Warren Wiersbe, Bob Hummer
Double Separation
packet shuffled face-up face-down, then statement over condition made and colors separated
follow the leaders\nroutine with red/black effects
- prediction of red / black relationship (phoenix no. 1)
- out of this world (not explained)
- follow the leader (not explained)
- slop shuffle color separation\nroger barkann\nfollow the leader\ndai vernon\npay off\nwalter b. gibson\none plus one equals three\nroger barkann\nout of this world\npaul curry
1946
the phoenix 101-150 Roger Barkann
Follow the Leaders
routine with red/black effects
prediction of red / black relationship (Phoenix No. 1)
hummer's 18 card mystery\nspectator takes eighteen cards and turns over the top two cards and cuts the pile, that step is repeated as often as he likes, then the performer takes the cards behind his back and divines the amount of reversed cards, see collected secrets for links to variations\nbob hummer\nhummer's 18 card mystery\nbob hummer
1946
face up face down mysteries Bob Hummer
Hummer's 18 Card Mystery
spectator takes eighteen cards and turns over the top two cards and cuts the pile, that step is repeated as often as he likes, then the performer takes the cards behind his back and divines the amount of reversed cards, see Collected Secrets for links to variations
hummer's swindle\nspectator takes sixteen cards and turns over the top two cards and cuts the pile behind his back, that step is repeated as often as he likes, then the performer takes the cards behind his back and without looking reverses all cards back in order\nbob hummer\nhummer's swindle\nbob hummer
1946
face up face down mysteries Bob Hummer
Hummer's Swindle
spectator takes sixteen cards and turns over the top two cards and cuts the pile behind his back, that step is repeated as often as he likes, then the performer takes the cards behind his back and without looking reverses all cards back in order
the lonely card\ncato routine, cards turned face up, performer takes packet behind back and reverses all cards except selection\nbob hummer\nthe lonely card\nbob hummer\nreturn of the lonely card\npeter duffie\nrobin robertson
1946
face up face down mysteries Bob Hummer
The Lonely Card
CATO routine, cards turned face up, performer takes packet behind back and reverses all cards except selection
dealing from the bottom\nmentioning the idea to deal bottoms to all players except oneself and performing ootw with bottom deals\narthur h. buckley\nthe bottom deal\nroger crosthwaite\nguess black\njohn scarne\nthe bottom control deal\nroger crosthwaite\nconsecutive bottom deal count-down\n unknown
1946
card control Arthur H. Buckley
Dealing from the Bottom
mentioning the idea to deal bottoms to all players except oneself and performing OOTW with bottom deals
3 jacks every time\nthree jacks are laid alternated with indifferent cards and come to the top, as a prelude to "3 jack & a pat" by weisbecker\njack potter\n3 jacks & a pat\nphil weisbecker\nunstacked jacks\njack potter
1947
the phoenix 101-150 Jack Potter
3 Jacks Every Time
three jacks are laid alternated with indifferent cards and come to the top, as a prelude to "3 Jack & a Pat" by Weisbecker
"out of this world" followup - effect number 2\ndecks with colors separated is mixed, yet the colors stay separated\nj. b. bobo
1947
watch this one! J. B. Bobo
"Out of this World" Followup - Effect Number 2
decks with colors separated is mixed, yet the colors stay separated
grant's follow the leader\nten red and ten black cards mixed together, separate again, a bit unclear with dealing\nu. f. grant
1949
grant's inner circle magazine U. F. Grant
Grant's Follow the Leader
ten red and ten black cards mixed together, separate again, a bit unclear with dealing
marlo's janus\nsome red and ten cards are mixed, spectator deals them on face-up cards on table, all color match, double facers, see also p. 837\nedward marlo\nesp janus\nnick trost
1950
the phoenix 201 — 250 Edward Marlo
Marlo's Janus
some red and ten cards are mixed, spectator deals them on face-up cards on table, all color match, double facers, see also p. 837
separating red and black cards\nno. 18, performer separates face up/down packet into reds and blacks\njohn scarne
1950
scarne on card tricks John Scarne
Separating Red and Black Cards
No. 18, Performer separates face up/down packet into reds and blacks
color scheme\nno. 47, cards mixed face up/down, spectator separates face up/down, as well as red/black\noscar weigle\ncolor scheme\noscar weigle\nstill scheming\npeter duffie
1950
scarne on card tricks Oscar Weigle
Color Scheme
No. 47, Cards mixed face up/down, spectator separates face up/down, as well as red/black
sealed penetration\ndeck is sealed and put in spectator's pocket, performer fishes card out very fast\ngeorge schindler\ni rise\nstephen tucker\nharry in your pocket\ndarwin ortiz
1951
the phoenix 201 — 250 George Schindler
Sealed Penetration
deck is sealed and put in spectator's pocket, performer fishes card out very fast
can't see!\n"a complete act"
performer genuinely blindfolded, performer feels various qualities of cards
- picture sense (all court cards sorted out during deal-through)
- now the suits
- aces high
- reds and blacks
- any card! (any number card named, performer locates it while dealing through packet)
- out of this world (no longer blindfolded)\ntoni koynini
1951
toni koynini's card miracles Toni Koynini
Can't See!
"A Complete Act"
performer genuinely blindfolded, performer feels various qualities of cards
Picture Sense (all court cards sorted out during deal-through)
Now the Suits
Aces High
Reds and Blacks
Any Card! (any number card named, performer locates it while dealing through packet)
call to the colors\n\nbill simon\nthe scarne puzzle\njohn scarne\ncall to the colors (llamar a los colores)\nbill simon\nalternating the colors (presentation)\ndavide costi\nalternating the colors\narturo de ascanio
1952
effective card magic Bill Simon
janus\nsome red and ten cards are mixed, spectator deals them on face-up cards on table, all color match, double facers\nedward marlo
1953
the cardician Edward Marlo
Janus
some red and ten cards are mixed, spectator deals them on face-up cards on table, all color match, double facers
rouge et noir\nfive red cards and five black cards are shuffled, spectator separates the cards by color\ndr. jacob daley\nfootnotes on rouge et noir\nwilliam zavis\nmore footnotes on: rouge et noir\nwilliam zavis\nday for night\nphilip t. goldstein\nruse et noir\nken krenzel\ndouble rouge et noir\npeter duffie\nrobin robertson\nfive red and five black\narturo de ascanio
1953
the phoenix 251 — 300 Dr. Jacob Daley
Rouge et Noir
five red cards and five black cards are shuffled, spectator separates the cards by color
footnotes on rouge et noir\ndifferent card switches\nwilliam zavis\nrouge et noir\ndr. jacob daley\nmore footnotes on: rouge et noir\nwilliam zavis
1953
the phoenix 251 — 300 William Zavis
oil and water\n4&4, two extra cards\nedward marlo\nagua y aceite\nedward marlo\noil and water featuring the ascanio spread\narturo de ascanio
1953
the cardician Edward Marlo
more footnotes on: rouge et noir\nwith two royal flushes\nwilliam zavis\nrouge et noir\ndr. jacob daley\nfootnotes on rouge et noir\nwilliam zavis
1954
the phoenix 251 — 300 William Zavis
matching the colors\ndeck shuffled face up and face down, magician can separate into two piles containing the same number of face up cards. alternative is to shuffle red and black cards.\nbob hummer
1956
mathematics, magic and mystery Bob Hummer
Matching the Colors
Deck shuffled face up and face down, magician can separate into two piles containing the same number of face up cards. Alternative is to shuffle red and black cards.
hummer's reversal mystery\ncato trick, magician can name correctly number of face up cards after cut and turn over procedure. oscar weigle variation: colors are also separated\nbob hummer\noscar weigle\nthe little moonies\nbob hummer\nstitches in time\nstephen tucker
1956
mathematics, magic and mystery Bob Hummer, Oscar Weigle
Hummer's Reversal Mystery
CATO trick, magician can name correctly number of face up cards after cut and turn over procedure. Oscar Weigle variation: colors are also separated
another impromptu out of this world\ndoing miraskill for separating red and black cards\nwilliam p. miesel\nmiraskill\nstewart james\npay off\nwalter b. gibson
1958
the cardiste William P. Miesel
Another Impromptu Out of this World
doing Miraskill for separating red and black cards
oil and water\n4&4, extra cards\ndai vernon\nhand separation displacement\ndai vernon\noil and water featuring the ascanio spread\narturo de ascanio
1960
more inner secrets of card magic Dai Vernon
general delivery - cards to the pockets\nsix cards, red black alternating, vanish and reappear color-separated from two different pockets\ncliff green\ntravel\nrichard kaufman\ngreensleeves\ncurtis kam
1961
professional card magic Cliff Green
General Delivery - Cards to the Pockets
six cards, red black alternating, vanish and reappear color-separated from two different pockets
out of this universe\nsome red and black sorting comes out despite real shuffles, not really ootw effect\nharry lorayne\na bit for "out of this universe"\ndick cavett\ni. general procedures\nronald a. wohl (ravelli)\nbest of all worlds\nmichael powers\nout of this solar system\nmichał kociołek
1962
close-up card magic Harry Lorayne
Out of this Universe
some red and black sorting comes out despite real shuffles, not really OOTW effect
medium\npartial rough-smooth, red and black alternate, then force blocks, three phases:
1. spectator says if top card is red or black, he is always right
2. spectator names position of a given card, the card is at that position
3. performer put unknown card in pocket, spectator divines it\njochen zmeck\npsi color\nedward marlo
1962
enzyklopädie der rauh-glatt-kartentricks — teil ii Jochen Zmeck
Medium
partial rough-smooth, red and black alternate, then force blocks, three phases:
1. spectator says if top card is red or black, he is always right
2. spectator names position of a given card, the card is at that position
3. performer put unknown card in pocket, spectator divines it
color eliminator\ncolor reflects on back of other card or nail polish on fingertip\nedward marlo\ncolor sense\nedward marlo\ncolor, how glimpsed\nkarl fulves\nimpromptu peek deck\njustin higham
1962
estimation Edward Marlo
Color Eliminator
color reflects on back of other card or nail polish on fingertip
out of this world ii\npartial rough-smooth\nbill edwards\nabracadabra no. 698, p. 344, 1959
1962
enzyklopädie der rauh-glatt-kartentricks - teil ii Bill Edwards
the red queen's move\nspectator guesses red or black, red-black pairs formed on table, see also p. 864 for credit information\nkarl fulves\na red queen note\nkarl fulves
1966
the pallbearers review vol. 1-4 Karl Fulves
The Red Queen's Move
spectator guesses red or black, red-black pairs formed on table, see also p. 864 for credit information
color - sense\neight indicator cards distributed on table, deck shuffled in four packets, then distributed on top of those eight cards, the piles match the indicator card in color\nroy walton\ncorrection on p. 86
1967
the pallbearers review vol. 1-4 Roy Walton
Color - Sense
eight indicator cards distributed on table, deck shuffled in four packets, then distributed on top of those eight cards, the piles match the indicator card in color
posi-negative cards\nmagnetic colors variation\nj. w. sarles\np. 116 for comment by fred g. taylor, fulves and backdating to 1958\n"you did it" (t.s. ransom, ibidem #16, p. 11)\nposi-negative cards\nj. w. sarles\nposi-negative cards\nj. w. sarles\nfollow me\nkarl fulves
1967
the pallbearers review vol. 1-4 J. W. Sarles
Posi-Negative Cards
Magnetic Colors variation
Related to
p. 116 for comment by Fred G. Taylor, Fulves and backdating to 1958
the cards that can't be mixed\n4&4 odd-backed, red-backed faces change to black as finale\nkarl fulves\np. 165 for reference\nthe cards that can't be mixed\nkarl fulves\nfollow the leader & oil and water\nkarl fulves
1967
the pallbearers review vol. 1-4 Karl Fulves
The Cards That Can't Be Mixed
4&4 odd-backed, red-backed faces change to black as finale
faro blockbuster\n3&3, as climax the cards are reversed in deck, some faro shuffles, then deck is separated in red and blacks\nharry lorayne
1967
deck-sterity Harry Lorayne
Faro Blockbuster
3&3, as climax the cards are reversed in deck, some faro shuffles, then deck is separated in red and blacks
die roten und die schwarzen\nred and black separation by touch, whole deck corner-shorted\nvictor "astor" jamnitzky
1967 (ca.)
the astor-deck Victor "Astor" Jamnitzky
Die Roten und die Schwarzen
red and black separation by touch, whole deck corner-shorted
influential pairs\ntwo decks dealt in several piles, red black separated\nroy walton\nkarl fulves\ninfluential pairs variation\ngene finnell\ninfluence\nroy walton\ninfluential pairs variation\ngene finnell\ninfluential pairs\nroy walton\nkarl fulves
1968
the pallbearers review vol. 1-4 Roy Walton, Karl Fulves
Influential Pairs
two decks dealt in several piles, red black separated
all but one\ncato red black separation routine, p. 241 for further reference\nrobert page\np. 240 for variation by walter setty\nthe lonely card\nbob hummer
1968
the pallbearers review vol. 1-4 Robert Page
All But One
CATO red black separation routine, p. 241 for further reference
status quo\nreds and blacks separated, they stay separated despite shuffling, then done with small packet (4 & 4)\nben christopher\nices and kings\nkarl fulves\ncrime pays naught\nkarl fulves
1969
the pallbearers review vol. 1-4 Ben Christopher
Status Quo
reds and blacks separated, they stay separated despite shuffling, then done with small packet (4 & 4)
nor eyes to see with\n- performer finds red card in black packet behind back
- circled number on paper is divined behind back
- set time on watch revealed behind back
fiber optic tube, see also p. 320 for idea by harold bester, p. 644 & p. 728 for comments by syd bergson & karl fulves\ndon nielsen\nkarl fulves\n"nor eyes to see with" revisited\njohn cornelius\nread out\njohn cornelius
1969
the pallbearers review vol. 5-8 Don Nielsen, Karl Fulves
Nor Eyes To See With
performer finds red card in black packet behind back
circled number on paper is divined behind back
set time on watch revealed behind back
fiber optic tube, see also p. 320 for idea by Harold Bester, p. 644 & p. 728 for comments by Syd Bergson & Karl Fulves
oil and queens\ntransformation kicker\nroy walton\nwater and oil barrons\nwilliam p. miesel\na load of.....\npaul brignall\nso these must be...\nstephen tucker\nÖl und wasser\nroberto giobbi\noil & water plus\ndave campbell\nan odin sequel\npeter duffie\nmixing with royalty\nsteven hamilton\nder frauenschwarm\n sveroni
1969
the devil's playthings Roy Walton
even money proposition\nspectator is given pairs of red and black cards, he guesses all colors correctly, see p. 289 for reference, p. 292 for comments by george mclean & george blake\nkarl fulves\ndivided we stand\nroy walton\neven money\nlarry jennings\nsuit yourself\nbrother john hamman\nchoosy choice\nroy walton\nlose or win proposition\nedward marlo\nkarl fulves\nthe gaffed proposition\nedward marlo\nfavorite routine and procedure\nedward marlo\nkarl fulves\neven money world\nronald b. edwards\neven-money proposition\nkarl fulves\nout of this world variation (even money proposition)\nkarl fulves\njerry mentzer\neven money extra\nkarl fulves\nred or black - which?\nnick trost\nred or black - which?\nnick trost\nthe noir test\nkarl fulves\nnoir et rouge\nkarl fulves\nsome assembly required\nkarl fulves\nnoir negative\nkarl fulves\nsee also...\nkarl fulves\nreconstruction\nsteve beam\nfeminine side\ntony chaudhuri\nultimate "even money" - improved\nnick trost\nkarl fulves
1969
the pallbearers review vol. 1-4 Karl Fulves
Even Money Proposition
spectator is given pairs of red and black cards, he guesses all colors correctly, see p. 289 for reference, p. 292 for comments by George McLean & George Blake
no mirror\nreading colors of cards, whet thumbnail as shiner, see also p. 411\njack posetary\nan invisible card shiner\ndr. edward g. ervin\ntechnicolor thought\nkarl fulves
1970
the pallbearers review vol. 5-8 Jack Posetary
No Mirror
reading colors of cards, whet thumbnail as shiner, see also p. 411
even money\npairs of cards given to spectator, he finds it impossible to guess color of any card, see also p. 420 for comment by trevor dawson\nlarry jennings\neven money proposition\nkarl fulves
1970
the pallbearers review vol. 5-8 Larry Jennings
Even Money
pairs of cards given to spectator, he finds it impossible to guess color of any card, see also p. 420 for comment by Trevor Dawson
moracle\npacket cut off and reduced to one card via reverse faros, this card predicted and four aces on top of discard piles, see also p. 486 for comment by charles hudson\nlin searles\noracle\nkarl fulves\nimmoracle\nphilip t. goldstein\nearthly powers\nrichard vollmer\nmodern day moracle\nmarty kane\nmoracle\nroberto giobbi\nstarburst\njack avis\nlewis jones\nroyacle\nmel bennett\nbottom feeder\nsteve beam\nsi-decker\nsteve beam\nmoracool\nsteve beam\nroyal roundup\nsteve beam\nthe neutralizer\nsteve beam\nbinary bypass\nsteve beam\nrock bottom\nsteve beam\nbluff oracle aces ii\njohn bannon\nbluff oracle aces i\njohn bannon\nlie-decker\nmax maven
1971
the pallbearers review vol. 5-8 Lin Searles
Moracle
packet cut off and reduced to one card via reverse faros, this card predicted and four Aces on top of discard piles, see also p. 486 for comment by Charles Hudson
someone like you\neight-card packet, spectator tries red-black separation, the score of hits and misses is looked up in an index of possible scores, on the correct score the spectator is described in detail\nkarl fulves\nfrom tom hubbard\ntom hubbard\nsomeone like you\nkarl fulves
1971
the pallbearers review vol. 5-8 Karl Fulves
Someone Like You
eight-card packet, spectator tries red-black separation, the score of hits and misses is looked up in an index of possible scores, on the correct score the spectator is described in detail
m/separation\n4&4, using the <a href="http://archive.denisbehr.de/archive/resultkey.php?search=monge&connect=and&title=title&creator=creator&comment=comment&prop=all&bookonly=all&keyword=1">monge shuffle</a>\nlin searles
1971
epilogue Lin Searles
technicolor thought\ndivided deck location, then set-up for "no mirror"\nkarl fulves\nno mirror\njack posetary\ntechnicolor thought\nkarl fulves
1971
the book of numbers — supplementary notes Karl Fulves
Technicolor Thought
divided deck location, then set-up for "No Mirror"
sleeper\nspectator notes bottom card and pockets it along with next nine cards of same color, then performer finds cards of opposite color\nfred g. taylor
1971
the pallbearers review vol. 5-8 Fred G. Taylor
Sleeper
spectator notes bottom card and pockets it along with next nine cards of same color, then performer finds cards of opposite color
the fantastic deal jog\nred/black separation except named quartet (aka "the great divide")\nharry lorayne\nfour-way sorting\ncharles t. jordan\nthe great divide\nharry lorayne
1972
the great divide Harry Lorayne
The Fantastic Deal Jog
red/black separation except named quartet (aka "The Great Divide")
an illogical conclusion\nfour red cards are changed with four face down cards on the table one by one, cards in the hand remain always red and spectators assume face down cards are red too, they are shown to be black eventually\nroy walton
1972
tale twisters Roy Walton
An Illogical Conclusion
four red cards are changed with four face down cards on the table one by one, cards in the hand remain always red and spectators assume face down cards are red too, they are shown to be black eventually
color thot\nspectator pushes out twenty-six cards from tabled spread\nmartin gardner\nunmatch\nkarl fulves\ncolor thot\nmartin gardner\nyada\nphilip t. goldstein\nkarl fulves\nrack and bled\nlewis jones
1972
the pallbearers review vol. 5-8 Martin Gardner
Color Thot
spectator pushes out twenty-six cards from tabled spread
isolator\ncard selected, cards dealt in two piles by spectator, colors separated except selection, faro\nroy walton\nthis is it\nbob hummer
1973
epilogue Roy Walton
Isolator
card selected, cards dealt in two piles by spectator, colors separated except selection, faro
strictly to enhance your imagination\naces lost and found, then two selections found and deck separated into reds and blacks, faro\ngene finnell\nfrom tom hubbard\ntom hubbard
1973
gene finnell's card magic Gene Finnell
Strictly to Enhance Your Imagination
Aces lost and found, then two selections found and deck separated into reds and blacks, faro
technicolor oddity\nfour reds and four blacks are mixed in various ways (klondike shuffle, under/over shuffle), yet separate\nkarl fulves\nyet another technicolor oddity\nharvey rosenthal\nanother technicolor oddity\nharvey rosenthal
1973
notes from underground Karl Fulves
Technicolor Oddity
four reds and four blacks are mixed in various ways (klondike shuffle, under/over shuffle), yet separate
influential pairs\ntwo decks dealt in several piles, red black separated\nroy walton\nkarl fulves\ninfluential pairs\nroy walton\nkarl fulves
1973
riffle shuffle set-ups Roy Walton, Karl Fulves
Influential Pairs
two decks dealt in several piles, red black separated
"for faro shuffler only"\ndeck is separated in reds and blacks, a faro is shuffled, colors still separated\nedward marlo
1973
marlo's objectives Edward Marlo
"For Faro Shuffler Only"
deck is separated in reds and blacks, a faro is shuffled, colors still separated
deck memorization\nootw with the performer dealing as a memory stunt, gilbreath\nmichael boden\ndeck memorization\nmichael boden\ndeck memorization\nmichael boden
1974
card cavalcade ii Michael Boden
Deck Memorization
OOTW with the performer dealing as a memory stunt, gilbreath
cull-a-separation\na red card and a black card are reversed in the deck and attract the other cards of the same color\nwalt lees
1974
pabular Walt Lees
Cull-A-Separation
a red card and a black card are reversed in the deck and attract the other cards of the same color
trick #7\ncards openly separated into suits, then shuffled together fairly with riffle shuffle, yet red-black colors remain separated\nwilliam larsen\nt. page wright\nin "random conceptions with cards" (ca. 1930)
1974
the pallbearers review vol. 9-10 William Larsen, T. Page Wright
Trick #7
cards openly separated into suits, then shuffled together fairly with riffle shuffle, yet red-black colors remain separated
criss cross\nnines through aces removed and sorted in reds and blacks, dealing procedure on table mixes and then sorts the colors again, spectator cannot duplicate it
credit information, see also p. 812 for marlo claim\ngeorge sands\n"unbeatable" (george sands, sep. 1951, p. 14)\nto teach the company a trick which they learn without difficulty, then to allow them to succeed or to cause them to fail at your pleasure\n unknown\ncolor blind\nkarl fulves\ncriss cross\ngeorge sands\nkarl fulves
1974
the pallbearers review vol. 9-10 George Sands
Criss Cross
Nines through Aces removed and sorted in reds and blacks, dealing procedure on table mixes and then sorts the colors again, spectator cannot duplicate it
credit information, see also p. 812 for Marlo claim
color blind\nno-palm handling of criss cross, nines through aces removed and sorted in reds and blacks, dealing procedure on table mixes and then sorts the colors again, spectator cannot duplicate it, see p. 1053 for comment\nkarl fulves\ncriss cross\ngeorge sands
1974
the pallbearers review vol. 9-10 Karl Fulves
Color Blind
no-palm handling of Criss Cross, Nines through Aces removed and sorted in reds and blacks, dealing procedure on table mixes and then sorts the colors again, spectator cannot duplicate it, see p. 1053 for comment
the problem of card 13\nspectator selects twelve cards from the the deck, which are all the same suit as a card previously removed, see also hofzinser's first problem "choice of color" (magic christian: "non plus ultra - hofzinsers kartenkünste band 2" p. 317)\npaul curry
1974
paul curry presents Paul Curry
The Problem Of Card 13
spectator selects twelve cards from the the deck, which are all the same suit as a card previously removed, see also Hofzinser's first problem "Choice of Color" (Magic Christian: "Non Plus Ultra - Hofzinsers Kartenkünste Band 2" p. 317)
double surprise\nversion of hamman's "mumble jumble", partial rough-smooth\nedward marlo\nbrother john hamman
1974
the unexpected card book Edward Marlo, Brother John Hamman
Double Surprise
version of Hamman's "Mumble Jumble", partial rough-smooth
lose or win proposition\nsixteen cards, pair arrangement\nedward marlo\nkarl fulves\neven money proposition\nkarl fulves
1974
the unexpected card book Edward Marlo, Karl Fulves
favorite routine and procedure\nsixteen cards\nedward marlo\nkarl fulves\neven money proposition\nkarl fulves
1974
the unexpected card book Edward Marlo, Karl Fulves
kings and queens\nkings and queens mixed up behind back, performer can bring out king/queen of same suit, then later separate them into kings and queens\narthur finley
1975
magic with faucett ross Arthur Finley
Kings and Queens
Kings and Queens mixed up behind back, performer can bring out King/Queen of same suit, then later separate them into Kings and Queens
never in a lifetime\ntwo shuffled halves, magician does the same as spectator, both separate cards into red and black\npaul curry\nnever in a lifetime\npaul curry
1975
never in a lifetime Paul Curry
Never in a Lifetime
two shuffled halves, magician does the same as spectator, both separate cards into red and black
red/black mystery\n4&4 alternated, separated in four and four, a fifth card added to each group makes whole group red and black\nkarl fulves
1975
methods with cards — part 1 Karl Fulves
Red/Black Mystery
4&4 alternated, separated in four and four, a fifth card added to each group makes whole group red and black
color sense\nseeing with fingertips, red / black, shuffled deck in case, reflection on card case\nedward marlo\ncolor eliminator\nedward marlo
1975
the compleat magick — volume ii Edward Marlo
Color Sense
seeing with fingertips, red / black, shuffled deck in case, reflection on card case
stripper deck location\ncolor separation with two selections\nal stevenson\nstewart judah\nrot-schwarz-stripper-kartenfinden\nstewart judah
1976
subtle card magic: part one Al Stevenson, Stewart Judah
yet another technicolor oddity\nfive reds and five black cards\nharvey rosenthal\ntechnicolor oddity\nkarl fulves\nanother technicolor oddity\nharvey rosenthal
1976
close-up sampler — part 1 Harvey Rosenthal
oil slick & water wonderful\n4&4, alternation climax\nalex elmsley\nedward marlo\njon racherbaumer\nfixit mixer\njerry k. hartman
1976
kabbala — volume 3 Alex Elmsley, Edward Marlo, Jon Racherbaumer
obiter dictum\ncomments on oil & water and hofzinser connection "the magic separation"\njon racherbaumer
1976
kabbala — volume 3 Jon Racherbaumer
Obiter Dictum
comments on Oil & Water and Hofzinser connection "The Magic Separation"
"further dissertation on oil and water"\nmore on crediting and history, with letters to george sands, bruce elliott\nedward marlo
1976
marlo's magazine volume 1 Edward Marlo
"Further Dissertation on Oil and Water"
more on crediting and history, with letters to George Sands, Bruce Elliott
jazz pieces - body & soul\na red and a black jumbo card are cut into four pieces, the pieces change places, oil and water, missing part of the description is published in "jazz pieces"\nbob farmer\nbert allerton\njerry mentzer\njazz combo\njerry mentzer\noil & water\njon racherbaumer\njazz pieces\nbob farmer
1977
pabular Bob Farmer, Bert Allerton, Jerry Mentzer
Jazz Pieces - Body & Soul
a red and a black jumbo card are cut into four pieces, the pieces change places, oil and water, missing part of the description is published in "Jazz Pieces"
up & down mixtant\n4&4 cards mix face up and face down\nphilip t. goldstein\nup & down mixtant\nphilip t. goldstein
1977
scattershot Philip T. Goldstein
2 shuffles harry\nred black kicker\nbrother john hamman\n"tshocker"\ndavid grenewetzki\nbrother john hamman\ntwo-shuffles harry\nbrother john hamman
1978
apocalypse vol. 1-5 Brother John Hamman
the spectrum effect\ntwo card prediction from half the deck, all other cards red\nfather cyprian\n"colorincidentally" (tony chaudhuri, "bedazzled!", 1977, p. 31)
1978
the chronicles Father Cyprian
The Spectrum Effect
two card prediction from half the deck, all other cards red
Inspired by
"Colorincidentally" (Tony Chaudhuri, "Bedazzled!", 1977, p. 31)
the braue handlings\ntwelve cards, seconds and bottoms
- six and six alternating
- alternating to pairs
- alternating to triplets
- pairs to alternating
- pairs to triplets
- triplets ot alternating
- triplets to pairs
- alternating to six red, six black\nfrederick braue
1978
fred braue on false deals Frederick Braue
trennen von karten\nseparating cards in a stripper deck
a. trennen hinter dem rücken
b. kartentrennen am tisch\nhannes höller
1978
einfach wunderbar - wunderbar einfach Hannes Höller
Trennen von Karten
separating cards in a Stripper Deck
A. Trennen hinter dem Rücken
B. Kartentrennen am Tisch
jazz pieces\nmissing part of text and illustrations\nbob farmer\njazz pieces - body & soul\nbob farmer\nbert allerton\njerry mentzer
1978
pabular Bob Farmer
fixit mixer\noil and water\njerry k. hartman\noil slick & water wonderful\nalex elmsley\nedward marlo\njon racherbaumer
1978
loose ends Jerry K. Hartman
agua y aceite "por culebreos"\n4&4, extra card, later two extra cards, three phases\narturo de ascanio\noil and water\nedward marlo\noil and water\ndai vernon\nagua y aceite "por culebreos"\narturo de ascanio\nagua y aceite "por culebreos"\narturo de ascanio\noil and water featuring the ascanio spread\narturo de ascanio
1978
la magia de ascanio — vol. 2 Arturo de Ascanio
Agua y Aceite "Por Culebreos"
4&4, extra card, later two extra cards, three phases
im unterbewusstsein\nspectator deals two piles and in each separates the black and the red cards\nedward marlo
1978
einfach wunderbar - wunderbar einfach Edward Marlo
Im Unterbewusstsein
spectator deals two piles and in each separates the black and the red cards
earth-ward!\nten cards, seated\nphilip t. goldstein\nearthbound\nroy walton\nearth-ward ii\nsid lorraine\nearth-ward iii\nbarry wiley
1978
the compleat magick — volume iii Philip T. Goldstein
triple triumph\nred black kicker and four king production\njean-jacques sanvert\nsan-sub\nstephen minch\ntrapped triumph\nbill kalush
1979
apocalypse vol. 1-5 Jean-Jacques Sanvert
day for night\ndaley's rouge et noir with esp cards\nphilip t. goldstein\nrouge et noir\ndr. jacob daley
1979
the compleat magick — volume iii Philip T. Goldstein
psi color\ndeck is shuffled and spectator can guess if top card is red or black, he is always right\nedward marlo\nmedium\njochen zmeck\nare you psychic\nedward marlo\na punch deal that isn't\njack avis
1979
the compleat magick — volume iii Edward Marlo
Psi Color
deck is shuffled and spectator can guess if top card is red or black, he is always right
infra red\n4&4
- the premise
- the routine:
1. the shah's gambit
2. second chance
3. unmisers
4. the impossible phase\nkarl fulves\ninfra red\nkarl fulves
1979
four color problems Karl Fulves
Infra Red
4&4
The Premise
The Routine:
1. The Shah's Gambit
2. Second Chance
3. Unmisers
4. The Impossible Phase
oil & water\n"retrospective"
3&3, extra card\nstewart judah\nletters\ngeorge draper\njames frasier\njohn mackay\ned hammond\noil and vinegar\nderek dingle
1979
the chronicles Stewart Judah
quick slick\nseveral phases, 4x4\ndavid britland\nkarl fulves' "oil and water" in "the linking ring" vol. 53, nr. 8. 1973, p. 74.
1979
the talon David Britland
Quick Slick
several phases, 4x4
Inspired by
Karl Fulves' "Oil and Water" in "The Linking Ring" Vol. 53, Nr. 8. 1973, P. 74.
5-4\nspectator turns cards over from a packet of 18 cards, behind back performer splits packet and knows relation of face-down and face-up cards in each half\nkarl fulves\ntype casting\nkarl fulves\nthe magic separation\nbob hummer
1979
the talon Karl Fulves
5-4
spectator turns cards over from a packet of 18 cards, behind back performer splits packet and knows relation of face-down and face-up cards in each half
all blacks\nwhen some reds and blacks are mixed together, the cards will always become black, multiple phases\nkarl fulves\nidenti-kit\nkarl fulves
1979
four color problems Karl Fulves
All Blacks
when some reds and blacks are mixed together, the cards will always become black, multiple phases
black out\n2&2, two reds and two blacks mixed, they all change to black, repeated with another set of red and black cards, see p. 1301 for comment\nkarl fulves\nsnapblack\nkarl fulves\nall red\nsam schwartz\nred limit\nr. k. miller
1979
the chronicles Karl Fulves
Black Out
2&2, two reds and two blacks mixed, they all change to black, repeated with another set of red and black cards, see p. 1301 for comment
even-money proposition\nno. 57, spectator is given pairs of red and black cards, he guesses all colors correctly\nkarl fulves\neven money proposition\nkarl fulves
1979
self-working mental magic Karl Fulves
Even-Money Proposition
No. 57, spectator is given pairs of red and black cards, he guesses all colors correctly
earth-ward iii\nout of this world type, with business cards\nbarry wiley\nearth-ward!\nphilip t. goldstein\nearth-ward ii\nsid lorraine
1979
the compleat magick — volume iii Barry Wiley
red less black\nspectator separates colors from back, number of errors are called, performer then names all cards\nkarl fulves
1980
curioser Karl Fulves
Red Less Black
spectator separates colors from back, number of errors are called, performer then names all cards
six quik\n3&3, reds face-up and blacks face-down, could be odd-backed, separation in stages, then at once\nkarl fulves\na letter from jack avis\nkarl fulves\njack avis
1980
color quik Karl Fulves
Six Quik
3&3, reds face-up and blacks face-down, could be odd-backed, separation in stages, then at once
principle prism\n4&4, reds and blacks are mixed and they still alternate, weird effect, two phases\nkarl fulves\ncalculated colors\nkarl fulves
1980
parallel lines Karl Fulves
Principle Prism
4&4, reds and blacks are mixed and they still alternate, weird effect, two phases
color quik\n2&2, reds and blacks mixed in fan condition, when fan is turned over colors have unmixed, visual, multiple phases, selected card appears as finale and signature on it changes into mirror writing\nkarl fulves
1980
color quik Karl Fulves
Color Quik
2&2, reds and blacks mixed in fan condition, when fan is turned over colors have unmixed, visual, multiple phases, selected card appears as finale and signature on it changes into mirror writing
agua y aceite "por culebreos"\n4&4, extra card, later two extra cards, three phases\narturo de ascanio\nagua y aceite "por culebreos"\narturo de ascanio\nagua y aceite "por culebreos"\narturo de ascanio\noil and water featuring the ascanio spread\narturo de ascanio
1980
el manejo de la carta doble Arturo de Ascanio
Agua y Aceite "Por Culebreos"
4&4, extra card, later two extra cards, three phases
hummer's 18 card mystery\nspectator takes eighteen cards and turns over the top two cards and cuts the pile, that step is repeated as often as he likes, then the performer takes the cards behind his back and divines the amount of reversed cards\nbob hummer\nhummer's 18 card mystery\nbob hummer\nstill scheming\npeter duffie\ninformant\nkarl fulves\n37 threes\nkarl fulves\nthe rule for red\nkarl fulves
1980
bob hummer's collected secrets Bob Hummer
Hummer's 18 Card Mystery
spectator takes eighteen cards and turns over the top two cards and cuts the pile, that step is repeated as often as he likes, then the performer takes the cards behind his back and divines the amount of reversed cards
hummer's swindle\nspectator takes sixteen cards and turns over the top two cards and cuts the pile behind his back, that step is repeated as often as he likes, then the performer takes the cards behind his back and without looking reverses all cards back in order\nbob hummer\nhummer's swindle\nbob hummer
1980
bob hummer's collected secrets Bob Hummer
Hummer's Swindle
spectator takes sixteen cards and turns over the top two cards and cuts the pile behind his back, that step is repeated as often as he likes, then the performer takes the cards behind his back and without looking reverses all cards back in order
the lonely card\ncato routine, cards turned face up, performer takes packet behind back and reverses all cards except selection\nbob hummer\nthe lonely card\nbob hummer\nall but one\nrobert page\nlone impromptu\nkarl fulves
1980
bob hummer's collected secrets Bob Hummer
The Lonely Card
CATO routine, cards turned face up, performer takes packet behind back and reverses all cards except selection
the little moonies\ncato routine, cards with moon faces printed on them, one way they are smiling held the other way the are sad, spectator marks two cards on the pack and cuts them in the deck, performer takes cards behind back, all moons are in smiling orientation except marked two\nbob hummer\nthe little moonies\nbob hummer
1980
bob hummer's collected secrets Bob Hummer
The Little Moonies
CATO routine, cards with moon faces printed on them, one way they are smiling held the other way the are sad, spectator marks two cards on the pack and cuts them in the deck, performer takes cards behind back, all moons are in smiling orientation except marked two