|
verschiedene formen der zauberkunst \n magic genres
- clowneske magie
- theatralische zauberkunst
- virtuelle zauberkunst \n alexander de cova \n verschiedene formen der zauberkunst \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Verschiedene Formen der Zauberkunst
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Also published here
|
2003
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5
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zauberkunst ist eine technologie! \n - worin besteht denn nun die technologie in der zauberkunst? \n alexander de cova \n zauberkunst ist eine technologie! \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Zauberkunst ist eine Technologie!
|
Also published here
|
2003
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6
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die fünf schritte der täuschung \n five steps of deception \n alexander de cova \n die fünf schritte der täuschung \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Die fünf Schritte der Täuschung
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Also published here
|
2003
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7
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falsche annahmen - die grundlage der täuschung \n assumptions
- tips, wie man falsche annahmen in eine routine einbaut \n alexander de cova \n falsche annahmen - die grundlage der täuschung \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Falsche Annahmen - die Grundlage der Täuschung
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Also published here
|
2003
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7
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der aufbau eines programms \n \n alexander de cova \n 1. der aufbau eines programmes \n alexander de cova \n der aufbau eines programms \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
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Der Aufbau eines Programms
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Also published here
|
2003
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8
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der "10-punkte-plan" nach gene anderson \n \n alexander de cova \n gene anderson \n der "10-punkte-plan" nach gene anderson \n alexander de cova \n gene anderson \n der "10-punkte-plan" nach gene anderson \n alexander de cova \n gene anderson
2003
d-e-c-o-v-a formel
Alexander de Cova, Gene Anderson
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Der "10-Punkte-Plan" nach Gene Anderson
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Also published here
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2003
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8
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Über den lernprozeß und automatisierung \n \n alexander de cova \n Über den lernprozess und automatisierung \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Über den Lernprozeß und Automatisierung
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Also published here
|
2003
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10
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die 5 schritte, wie ein neuer griff einstudiert wird \n how to practice sleights \n alexander de cova \n die 5 schritte, wie ein neuer griff einstudiert wird \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Die 5 Schritte, wie ein neuer Griff einstudiert wird
|
Also published here
|
2003
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11
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die 5 schritte zur meisterschaft \n five steps to championship \n alexander de cova \n die 5 schritte zur meisterschaft \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Die 5 Schritte zur Meisterschaft
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Also published here
|
2003
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12
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wie man eine routine zusammenstellt \n \n alexander de cova \n wie man eine routine zusammenstellt \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Wie man eine Routine zusammenstellt
|
Also published here
|
2003
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13
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Über lampenfieber \n about nervousness \n alexander de cova \n Über lampenfieber \n alexander de cova \n Über lampenfieber \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Über Lampenfieber
|
Also published here
|
2003
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13
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kongresse, wettbewerbe \n conventions and competitions \n alexander de cova \n kongresse, wettbewerbe \n alexander de cova \n kongresse, wettbewerbe \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Kongresse, Wettbewerbe
|
Also published here
|
2003
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14
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seminar \n lectures \n alexander de cova \n seminare \n alexander de cova \n seminare \n alexander de cova
2003
d-e-c-o-v-a formel
Alexander de Cova
|
Seminar
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Also published here
|
2003
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15
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what is time misdirection? \n \n ron bauer
2003
cut-up card trick
Ron Bauer
|
What is Time Misdirection?
|
2003
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12
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manifesto mágico de la emm \n manifest from 1971 about the escuela mágica de madrid \n juan tamariz \n arturo de ascanio \n ricard marré \n juan antón \n josé puchol \n ramon varela \n camilo vázquez
2003
la magia española del siglo xx
Juan Tamariz, Arturo de Ascanio, Ricard Marré, Juan Antón, José Puchol, Ramon Varela, Camilo Vázquez
|
Manifesto Mágico de la EMM
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2003
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119
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decálogo de los "voy a ver" \n guideline for constructing a routine \n miguel aparicio
2003
la magia española del siglo xx
Miguel Aparicio
|
Decálogo de los "Voy a Ver"
|
2003
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201
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a proper introduction \n "first impressions" \n eric mead \n a proper introduction \n eric mead
2003
reflexions
Eric Mead
|
A Proper Introduction
|
Also published here
|
2003
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5
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transitions \n \n eric mead \n transitions \n eric mead
2003
reflexions
Eric Mead
|
Transitions
|
Also published here
|
2003
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9
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say anything \n \n eric mead \n say anything \n eric mead
2003
reflexions
Eric Mead
|
Say Anything
|
Also published here
|
2003
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15
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the desired effect \n essay on purpose and intention \n eric mead \n the desired effect \n eric mead
2003
reflexions
Eric Mead
|
The Desired Effect
|
Also published here
|
2003
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21
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a perfect mystery \n essay on the question if magic is childish \n eric mead \n a perfect mystery \n eric mead
2003
connexions
Eric Mead
|
A Perfect Mystery
|
Also published here
|
2003
|
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5
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our precious secrets \n on exposure \n eric mead
2003
connexions
Eric Mead
|
Our precious Secrets
|
2003
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13
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informal approach \n \n eric mead \n approach \n eric mead
2003
collexion
Eric Mead
|
Informal Approach
|
Also published here
|
2003
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5
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the ethics of hustling poker \n \n eric mead
2003
collexion
Eric Mead
|
The Ethics of Hustling Poker
|
2003
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27
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the cloak of fluxus \n on "magic as art" question \n guy hollingworth
2003
opus
Guy Hollingworth
|
The Cloak of Fluxus
|
Sep. 2003
|
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10
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commentary - why and why not \n \n earl nelson \n why and why not \n earl nelson
2003
variations revisited
Earl Nelson
|
Commentary - Why and Why Not
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Also published here
|
2003
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148
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the conclusion of impossibility \n \n simon aronson \n postscript \n simon aronson
2003
lecture notes
Simon Aronson
|
The Conclusion of Impossibility
|
Also published here
|
2003
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2
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on the structure of magic effects \n \n eugene burger \n on the structure of magic effects \n eugene burger
2003
mystery school
Eugene Burger
|
On the Structure of Magic Effects
|
Also published here
|
2003
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43
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violence in theatrical magic \n - 1. background
- 2. theatrical magic and violence
- 3. terminal violence
- 4. violence transcended?
- 5. subtle violence
- 6. final words \n eugene burger
2003
mystery school
Eugene Burger
|
Violence in Theatrical Magic
|
2003
|
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46
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four faces of the magician \n \n jeff mcbride
2003
mystery school
Jeff McBride
|
Four Faces of the Magician
|
2003
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73
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ritual magic \n \n robert e. neale
2003
mystery school
Robert E. Neale
|
Ritual Magic
|
2003
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77
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suspension of disbelief \n \n robert e. neale
2003
mystery school
Robert E. Neale
|
Suspension of Disbelief
|
2003
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78
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oddly magic \n \n robert e. neale
2003
mystery school
Robert E. Neale
|
Oddly Magic
|
2003
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80
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a ritual gesture \n \n robert e. neale
2003
mystery school
Robert E. Neale
|
A Ritual Gesture
|
2003
|
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81
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pragmatic simplicity vs. expert simplicity \n \n max maven
2003
mystery school
Max Maven
|
Pragmatic Simplicity vs. Expert Simplicity
|
2003
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113
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let's pretend magic \n \n ormond mcgill
2003
mystery school
Ormond McGill
|
Let's Pretend Magic
|
2003
|
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123
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on a definition of magic \n \n charles reynolds
2003
mystery school
Charles Reynolds
|
On a Definition of Magic
|
2003
|
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143
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why, what, and who? \n "a theory of questions" \n peter samelson
2003
mystery school
Peter Samelson
|
Why, What, and Who?
|
2003
|
|
149
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the joker is wild \n on believing in real magic, (here spelled "david abram" same guy?) \n david abrams
2003
mystery school
David Abrams
|
The Joker is Wild
|
2003
|
|
159
|
|
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|
the ecology of magic \n with definition of magic \n david abrams
2003
mystery school
David Abrams
|
The Ecology of Magic
|
2003
|
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161
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the magic of mystery \n \n adam fleischer
2003
mystery school
Adam Fleischer
|
The Magic of Mystery
|
2003
|
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243
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magic, science, and language \n \n terence mckenna
2003
mystery school
Terence McKenna
|
Magic, Science, and Language
|
2003
|
|
443
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seeing and believing \n \n peter lamont \n richard wiseman \n seeing and believing \n peter lamont \n richard wiseman \n back to earth \n jerry k. hartman \n back to earth \n jerry k. hartman
2003
magic
Peter Lamont, Richard Wiseman
|
Seeing and Believing
|
VariationsAlso published here
|
Nov. 2003
|
|
86
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the curve \n essay about the process as a magician \n davide costi
2004
close-up elegance by davide costi
Davide Costi
|
The Curve
|
2004
|
|
27
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|
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|
the gesture \n essay about the power of a gesture \n davide costi
2004
close-up elegance by davide costi
Davide Costi
|
The Gesture
|
2004
|
|
37
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|
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a few words about sleights \n \n davide costi
2004
close-up elegance by davide costi
Davide Costi
|
A Few Words about Sleights
|
2004
|
|
63
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|
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oscar wilde aces - presentation \n patter \n davide costi
2004
close-up elegance by davide costi
Davide Costi
|
Oscar Wilde Aces - Presentation
|
2004
|
|
103
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performing close-up magic for money \n - agents
- sole agents
- finding work independently
- advertising
- residencies
- gaining experience
- regular work = regular income
- develop and work in new material
- new business opportunity
- a case study
- on the subject of tips \n nicholas einhorn
2004
world tour lecture notes — set 1
Nicholas Einhorn
|
Performing Close-up Magic for Money
|
2004
|
|
22
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|
generally speaking \n - personal grooming
- time keeping
- pocket management
- the magic first aid kit
- be a professional \n nicholas einhorn
2004
world tour lecture notes — set 2
Nicholas Einhorn
|
Generally Speaking
|
2004
|
|
22
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|
confessions of a road warrior #5: the "witness approach" \n from genii \n david acer
2004
random acts of magic
David Acer
|
Confessions of a Road Warrior #5: The "Witness Approach"
|
2004
|
|
320
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|
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|
confessions of a road warrior #6: prop-aganda \n \n david acer \n prop-aganda \n david acer
2004
random acts of magic
David Acer
|
Confessions of a Road Warrior #6: Prop-aganda
|
Also published here
|
2004
|
|
322
|
|
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|
naturalness - the double lift and - more \n \n wesley james
2004
enchantments
Wesley James
|
Naturalness - The Double Lift and - more
|
2004
|
|
153
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routining \n \n wesley james
2004
enchantments
Wesley James
|
Routining
|
2004
|
|
478
|
|
|
|
the streets \n about being a street performer \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
The Streets
|
2004
|
|
7
|
|
|
|
to copy or not to copy \n about whether to copy or create your own routine \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
To Copy or Not to Copy
|
2004
|
|
14
|
|
|
|
environment \n about performing environments for cups and balls and how to control it \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Environment
|
2004
|
|
17
|
|
|
|
timing \n \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Timing
|
2004
|
|
21
|
|
|
|
appearance \n how to dress for street performances \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Appearance
|
2004
|
|
22
|
|
|
|
length of show \n how long should your show be? \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Length of Show
|
2004
|
|
23
|
|
|
|
hecklers \n \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Hecklers
|
2004
|
|
25
|
|
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|
when it goes wrong... \n \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
When it Goes Wrong...
|
2004
|
|
27
|
|
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|
hats - a fair exchange \n getting tips \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Hats - A Fair Exchange
|
2004
|
|
29
|
|
|
|
simplicity \n \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Simplicity
|
2004
|
|
31
|
|
|
|
lines \n patter for cups and balls \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Lines
|
2004
|
|
31
|
|
|
|
props \n what props gazzo uses for his routine (cups, balls, pouch, table, wand, fruit, hat) \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
Props
|
2004
|
|
39
|
|
|
|
the moves \n talking about the sleights in cups and balls \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
The Moves
|
2004
|
|
43
|
|
|
|
the false transfer \n how should a false transfer look? \n gazzo macee
2004
street cups and balls
Gazzo Macee
|
The False Transfer
|
2004
|
|
44
|
|
|
|
the foundation of proactive control \n mostly about handling mistakes and confidence
- the cause of fear & loathing
- step one: introspection \n grace ann morgan
2004
weapons of mass destruction
Grace Ann Morgan
|
The Foundation of ProActive Control
|
2004
|
|
47
|
|
|
|
proactive strategies \n mostly about handling mistakes and confidence
- emotional
- mental
- mental floss \n grace ann morgan
2004
weapons of mass destruction
Grace Ann Morgan
|
ProActive Strategies
|
2004
|
|
51
|
|
|
|
the implications of the "fight or flight" syndrome \n on getting great reactions \n grace ann morgan
2004
weapons of mass destruction
Grace Ann Morgan
|
The Implications of the "Fight or Flight" Syndrome
|
2004
|
|
61
|
|
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|
strong tricks \n \n william duncan
2004
tribute
William Duncan
|
Strong Tricks
|
2004
|
|
33
|
|
|
|
theoretische betrachtungen \n thoughts on magic \n axel hecklau
2004
"effektiv"
Axel Hecklau
|
Theoretische Betrachtungen
|
2004
|
|
5
|
|
|
|
checkliste \n questions to ask when creating magic \n axel hecklau
2004
"effektiv"
Axel Hecklau
|
Checkliste
|
2004
|
|
16
|
|
|
|
a trick question \n "what's a good trick?" \n jay sankey
2004
sankey unleashed
Jay Sankey
|
A Trick Question
|
2004
|
|
ix
|
|
|
|
risky business \n \n yaniv deautsch
2004
the wizard is dead
Yaniv Deautsch
|
Risky Business
|
2004
|
|
26
|
|
|
|
on creativity and originality \n \n robert cassidy
2004
the artful mentalism of bob cassidy
Robert Cassidy
|
On Creativity and Originality
|
2004
|
|
161
|
|
|
|
the thirty second rule \n on opening an act, performance tips \n robert cassidy
2004
the artful mentalism of bob cassidy
Robert Cassidy
|
The Thirty Second Rule
|
2004
|
|
211
|
|
|
|
circles, nothing but circles \n \n reinhold "gaston" florian
2004
magic
Reinhold "Gaston" Florian
|
Circles, Nothing but Circles
|
Sep. 2004
|
|
91
|
|
|
|
inducing challenges \n \n pit hartling \n inducing challenges \n pit hartling \n challenges \n curtis alan hed
2004
magic
Pit Hartling
|
Inducing Challenges
|
Related toAlso published here
|
Oct. 2004
|
|
92
|
|
|
|
der zuschauer entscheidet \n on the choice of material, the audience as selecting authority \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Der Zuschauer entscheidet
|
2004
|
|
75
|
|
|
|
der untersuchungsaustausch tagt \n on the inspection of props by the spectators \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Der Untersuchungsaustausch tagt
|
2004
|
|
107
|
|
|
|
von profis und amateuren \n on full-time and semi-professional performers \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Von Profis und Amateuren
|
2004
|
|
123
|
|
|
|
mit den augen der zuschauer sehen \n on how the audience experience the trick and what they will think afterwards
- 1. wie werden die zuschauer den effekt erleben?
- 2. was werden die zuschauer als tricktechnik für möglich halten? \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Mit den Augen der Zuschauer sehen
|
2004
|
|
148
|
|
|
|
zu sehr perfekt \n on the too perfect theory \n wonder man fred \n the "too perfect" theory \n rick johnsson
2004
semi-mental journey
Wonder Man Fred
|
Zu Sehr Perfekt
|
Related to
|
2004
|
|
184
|
|
|
|
mir muss es spass machen \n on having fun \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Mir muss es Spass machen
|
2004
|
|
217
|
|
|
|
pariser schuh' unn bernemer fiess \n on "be yourself" \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Pariser Schuh' unn Bernemer Fiess
|
2004
|
|
247
|
|
|
|
no way out \n on having outs \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
No Way Out
|
2004
|
|
274
|
|
|
|
respekt \n on being respectful towards the spectators \n wonder man fred
2004
semi-mental journey
Wonder Man Fred
|
Respekt
|
2004
|
|
303
|
|
|
|
boxes of irrational experience \n \n aaron shields \n p.h. on astonishment \n paul harris
2004
deviant practices
Aaron Shields
|
Boxes Of Irrational Experience
|
Related to
|
2004
|
|
43
|
|
|
|
crossing over without john edward \n \n aaron shields
2004
deviant practices
Aaron Shields
|
Crossing Over Without John Edward
|
2004
|
|
45
|
|
|
|
group experience \n \n aaron shields
2004
deviant practices
Aaron Shields
|
Group Experience
|
2004
|
|
47
|
|
|
|
straddling the chasm \n surprise vs suspense \n aaron shields
2004
deviant practices
Aaron Shields
|
Straddling The Chasm
|
2004
|
|
49
|
|
|
|
unsuspended belief \n \n aaron shields \n you want me to suspend what? \n aaron shields
2004
deviant practices
Aaron Shields
|
Unsuspended Belief
|
Also published here
|
2004
|
|
51
|
|
|
|
method acting \n "to create false methods or false impressions by acting" \n karl fulves
2005
combo ii
Karl Fulves
|
Method Acting
|
2005
|
|
10
|
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proud to be a kid show magician \n - children are different than adults
- children are like drunks!
- have no fear \n david kaye
2005
seriously silly
David Kaye
|
Proud To Be A Kid Show Magician
|
2005
|
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15
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what is magic to a child? \n \n david kaye
2005
seriously silly
David Kaye
|
What Is Magic To A Child?
|
2005
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28
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your first steps: 10 steps to understanding children's magic \n 1. you must like children or at least fake it well.
2. speak to children as you would an adult.
3. emphasize the entertainment over the effect.
4. eliminate distractions.
5. "i know that one" doesn't always mean that.
6. go with the flow and be willing to go off script.
7. children love participating.
8. explain the plot and keep plots simple.
9. make pop culture references.
10. have fun. \n david kaye
2005
seriously silly
David Kaye
|
Your First Steps: 10 Steps to Understanding Children's Magic
|
2005
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31
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different shows for different ages \n \n david kaye
2005
seriously silly
David Kaye
|
Different Shows For Different Ages
|
2005
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36
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how to maximize a child volunteer \n 1. asking for a volunteer.
2. choosing the right volunteer.
3. make the child feel welcomed.
4. dress up your volunteer.
5. empower the child.
6. reward your assistant. \n david kaye
2005
seriously silly
David Kaye
|
How To Maximize a Child Volunteer
|
2005
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46
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it's not the destination, it's the ride \n \n david kaye
2005
seriously silly
David Kaye
|
It's Not The Destination, It's The Ride
|
2005
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53
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you're so silly! - adding comedy elements to your routines \n - incongruity
- magician in trouble
- silly words
- funny props
- exaggeration
- repetition \n david kaye
2005
seriously silly
David Kaye
|
You're So Silly! - Adding Comedy Elements To Your Routines
|
2005
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57
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it's behind you! - adding interaction and involvement elements to your routines \n - laughing
- saying the magic word
- physical actions with the magic words
- physical actions with the specific routine
- pointing/"look"
- correcting verbal mistakes \n david kaye
2005
seriously silly
David Kaye
|
It's Behind You! - Adding Interaction and Involvement Elements To Your Routines
|
2005
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67
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mommy, i did magic! - adding empowerment elements to your routines \n - empowering children with knowledge
- empowering children with skill \n david kaye
2005
seriously silly
David Kaye
|
Mommy, I Did Magic! - Adding Empowerment Elements To Your Routines
|
2005
|
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74
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once upon a time - adding storytelling elements to your routines \n - set-up
- creating a plot
- boy meets girl
- the need for a strong ending
- the complete resolution ending
- the "waa, waa, waa, waa" ending
- tricks that have no ending \n david kaye
2005
seriously silly
David Kaye
|
Once Upon a Time - Adding Storytelling Elements To Your Routines
|
2005
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81
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honey, how did he do that? - extra credit - entertaining the adults in your audiences \n \n david kaye
2005
seriously silly
David Kaye
|
Honey, How Did He Do That? - Extra Credit - Entertaining the Adults In Your Audiences
|
2005
|
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90
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|
whatever you do, don't read this - adding ad-libs to your routines \n \n david kaye
2005
seriously silly
David Kaye
|
Whatever You Do, Don't Read This - Adding Ad-libs to Your Routines
|
2005
|
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97
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teach them first, then they know \n \n david kaye
2005
seriously silly
David Kaye
|
Teach Them First, Then They Know
|
2005
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110
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incorporating these principles into your routines \n \n david kaye
2005
seriously silly
David Kaye
|
Incorporating These Principles Into Your Routines
|
2005
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112
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the silly billy distraction progression theory \n \n david kaye
2005
seriously silly
David Kaye
|
The Silly Billy Distraction Progression Theory
|
2005
|
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121
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"i know that one" doesn't always mean that \n \n david kaye
2005
seriously silly
David Kaye
|
"I Know That One" Doesn't Always Mean That
|
2005
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123
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five steps to solving any performing problem \n 1. prevention
2. use humor
3. ask nicely
4. ask more forcefully
5. stop the show and call for help \n david kaye
2005
seriously silly
David Kaye
|
Five Steps To Solving Any Performing Problem
|
2005
|
|
125
|
|
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solving the top 10 problems of performing for children \n \n david kaye
2005
seriously silly
David Kaye
|
Solving The Top 10 Problems of Performing For Children
|
2005
|
|
129
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putting it all together \n - the warm-up
- the opening
- the body of the show
- the climax
- extra credit \n david kaye
2005
seriously silly
David Kaye
|
Putting it All Together
|
2005
|
|
151
|
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|
where the heck is that darn line? \n \n david kaye
2005
seriously silly
David Kaye
|
Where The Heck Is That Darn Line?
|
2005
|
|
154
|
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chasing pigeons - the importance of power in a child's life \n \n david kaye
2005
seriously silly
David Kaye
|
Chasing Pigeons - The Importance of Power in a Child's Life
|
2005
|
|
156
|
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bideford, we have a problem \n \n david kaye
2005
seriously silly
David Kaye
|
Bideford, We Have a Problem
|
2005
|
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158
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appendix i - the cognitive development of a child \n tabulates what a kid knows at what age \n david kaye
2005
seriously silly
David Kaye
|
Appendix I - The Cognitive Development of a Child
|
2005
|
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161
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appendix ii - magician/child dictionary \n translating typical magician terms into words children understand \n david kaye
2005
seriously silly
David Kaye
|
Appendix II - Magician/Child Dictionary
|
2005
|
|
162
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appendix iii - tricks for your kid show that you already own \n \n david kaye
2005
seriously silly
David Kaye
|
Appendix III - Tricks For Your Kid Show That You Already Own
|
2005
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|
163
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thoughts on magic \n - some history
- my approach to magic
- the concept of perfection
- the search for originality
- presentation
- the cover
- theoretical conceptions of magic
- the mechanism of perception
- technique
- perform, study and search
- epilogue \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Thoughts on Magic
|
2005
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|
33
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conception of magical atmosphere \n - technique
- naturalness
- disarming looseness and nonchalance
- misdirection
- facial expressions
- gestures
- speech
- timing
- patter
- psychology
- conclusion \n arturo de ascanio \n "ilusionismo" n° 158, 1958. \n atmósfera magica \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Conception of Magical Atmosphere
|
Also published here
|
2005
|
|
49
|
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|
analysis of an effect \n first held as a lecture in 1968
- the mechanism of perception
- routining and performance
- routining principles
- stress the initial situation
- conditioned naturalness
- anti-contrasting parenthesis
- parenthesis of forgetfulness
- slow execution
- performance principles
- timing. in-transit actions
- misdirection
- technique \n arturo de ascanio \n conferencia \n arturo de ascanio \n selective perception \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Analysis of an Effect
|
Related to
|
2005
|
|
56
|
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|
on misdirection \n - misdirection in the first degree
- misdirection in the second degree
- misdirection in the third degree \n arturo de ascanio \n in "misdirection" n° 1, 1964. \n misdirection \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
On Misdirection
|
Also published here
|
2005
|
|
63
|
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the fundamentals of timing \n - in-transit actions
- elements of in-transit actions
- the importance of in-transit actions \n arturo de ascanio \n "ilusionismo" n° 246, 1969. \n timing \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
The Fundamentals of Timing
|
Also published here
|
2005
|
|
66
|
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|
the value of technique in magic \n \n arturo de ascanio \n in "misdirection" n°8, 1965.
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
The Value of Technique in Magic
|
Also published here- in "Misdirection" N°8, 1965.
|
2005
|
|
71
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know yourself \n \n arturo de ascanio \n in "ama" december, 1959. \n conocete a ti mismo \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Know Yourself
|
Also published here
|
2005
|
|
75
|
|
|
|
presentation \n - outline of this series of lectures
- presentation
- presentation as a quality of the magician
- virtues a magician should exercise
- presentation as an aspect of a trick
- presentational resources to create emotions \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Presentation
|
2005
|
|
195
|
|
|
|
cover \n - means and resources of cover
- direct features of cover \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Cover
|
2005
|
|
209
|
|
|
|
construction \n - concept and goals
- the general scheme of a trick
- 1. the sudden revelation
- 2. the gradual revelation
- principles of construction
- the theory of parenthesis
- the parenthesis of forgetfulness
- the anti-contrasting parenthesis
- innocent use
- dual purpose
- slow execution
- economical execution
- loose execution
- clear execution
- regarding presentation
- false ending \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Construction
|
2005
|
|
221
|
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|
technique \n - the features of technique
- the value of technique
- the importance of technique \n arturo de ascanio \n valor de la técnica en la magia \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Technique
|
Also published here
|
2005
|
|
233
|
|
|
|
how to study magic \n - to whom is this lecture addressed?
- magic as a subject of study
- efficiency in the study of magic
- allocating your time
- deciding on subjects
- source of knowledge
- books
- oral tradition
- practice on your own and rehearsal
- mental practice
- performances in front of an audience
- the process of learning a trick
- summing up and ultimate goal \n arturo de ascanio \n como estudiar magia \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
How to Study Magic
|
Also published here
|
2005
|
|
244
|
|
|
|
creativity \n - types of creativity
- favorable circumstances for creativity \n arturo de ascanio
2005
the magic of ascanio — the structural conception of magic
Arturo de Ascanio
|
Creativity
|
2005
|
|
281
|
|
|
|
conjuring with classics \n essay on theory about storytelling in magic, compares to conan doyle and lewis carroll \n cushing strout
2005
on the other side of the mirror
Cushing Strout
|
Conjuring with Classics
|
2005
|
|
30
|
|
|
|
einige impulsgedanken zum close-up bereich vor allem zum "table-hopping" und zur party-zauberei \n thoughts on close-up magic and performing \n piet forton
2005
das 2005 — close-up seminar
Piet Forton
|
Einige Impulsgedanken zum Close-Up Bereich vor allem zum "Table-Hopping" und zur Party-Zauberei
|
2005
|
|
1
|
|
|
|
chapter vi: magic and metaphor \n chapter intro \n barrie richardson
2005
act two
Barrie Richardson
|
Chapter VI: Magic and Metaphor
|
2005
|
|
165
|
|
|
|
gaffs versus skill \n the honest liar
"and the clear winner is ..." \n jamy ian swiss \n gaffs versus skill \n jamy ian swiss
2005
antinomy
Jamy Ian Swiss
|
Gaffs Versus Skill
|
Also published here
|
Feb. 2005
|
|
42
|
|
|
|
the method is not the trick \n the honest liar \n jamy ian swiss \n the method is not the trick \n jamy ian swiss
2005
antinomy
Jamy Ian Swiss
|
The Method is Not the Trick
|
Also published here
|
May 2005
|
|
46
|
|
|
|
discovering importance \n the honest liar \n jamy ian swiss \n discovering importance \n jamy ian swiss
2005
antinomy
Jamy Ian Swiss
|
Discovering Importance
|
Also published here
|
Aug. 2005
|
|
42
|
|
|
|
the last layman \n the honest liar \n jamy ian swiss \n the last layman \n jamy ian swiss
2005
antinomy
Jamy Ian Swiss
|
The Last Layman
|
Also published here
|
Nov. 2005
|
|
46
|
|
|
|
on movies and magic \n \n thomas fraps \n on movies and magic \n thomas fraps
2005
magic
Thomas Fraps
|
On Movies and Magic
|
Also published here
|
Feb. 2005
|
|
90
|
|
|
|
mis-direction \n \n manuel muerte
2005
magic
Manuel Muerte
|
Mis-Direction
|
Nov. 2005
|
|
107
|
|
|
|
the conjurer of the words or how to tell a magical story \n \n reinhold "gaston" florian
2005
magic
Reinhold "Gaston" Florian
|
The Conjurer of the Words or How to Tell a Magical Story
|
Dec. 2005
|
|
106
|
|
|
|
approach \n essay \n eric mead \n informal approach \n eric mead
2006
tangled web
Eric Mead
|
Approach
|
Also published here
|
2006
|
|
3
|
|
|
|
post performance coloring \n theory, credited to juan tamariz \n eric mead \n juan tamariz
2006
tangled web
Eric Mead, Juan Tamariz
|
Post Performance Coloring
|
2006
|
|
21
|
|
|
|
a perfect mystery \n essay on the question if magic is childish \n eric mead \n a perfect mystery \n eric mead
2006
tangled web
Eric Mead
|
A Perfect Mystery
|
Also published here
|
2006
|
|
33
|
|
|
|
the desired effect \n essay on purpose and intention \n eric mead \n the desired effect \n eric mead
2006
tangled web
Eric Mead
|
The Desired Effect
|
Also published here
|
2006
|
|
43
|
|
|
|
transitions \n \n eric mead \n transitions \n eric mead
2006
tangled web
Eric Mead
|
Transitions
|
Also published here
|
2006
|
|
173
|
|
|
|
say anything \n \n eric mead \n say anything \n eric mead
2006
tangled web
Eric Mead
|
Say Anything
|
Also published here
|
2006
|
|
183
|
|
|
|
a proper introduction \n \n eric mead \n banquet mentalism - the ready-made audience \n barrie richardson \n a proper introduction \n eric mead
2006
tangled web
Eric Mead
|
A Proper Introduction
|
Related toAlso published here
|
2006
|
|
191
|
|
|
|
causal effect \n \n arthur trace
2006
it's all relative
Arthur Trace
|
Causal Effect
|
2006
|
|
14
|
|
|
|
grundlagen \n misdirection basics
- quellen dieses werkes \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Grundlagen
|
2006
|
|
9
|
|
|
|
was ist misdirection? \n - wozu misdirection?
- das zwiebelmodell
- das folienmodell \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Was ist Misdirection?
|
2006
|
|
12
|
|
|
|
das misdirection kit in der praxis \n - schritt 1: die analyse des kunststückes
- schritt 2: schwachstellen suchen
- schritt 3: techniken auswählen
- schritt 4: umsetzung in der praxis \n alexander de cova \n teil iii: die arbeit mit dem misdirection kit \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Das Misdirection Kit in der Praxis
|
Related to
|
2006
|
|
16
|
|
|
|
der 5-punkte-plan \n - 1. der zustand
- 2. die aktion
- 3. das resultat
- 4. der recall
- 5. magie!
- das drehbuch schreiben \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Der 5-Punkte-Plan
|
2006
|
|
21
|
|
|
|
aktive misdirection \n - 1. aktive techniken zum tarnen und verschleiern
- 2. aktive techniken zum ablenken \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Aktive Misdirection
|
2006
|
|
26
|
|
|
|
passive misdirection \n - 3. passive techniken zum tarnen und verschleiern
- 4. passive techniken zum ablenken \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Passive Misdirection
|
2006
|
|
58
|
|
|
|
tipps zum schluss \n - keep it simple
- zauberpartner suchen
- zaubertagebuch führen
- zentralisieren sie ihre arbeit \n alexander de cova
2006
misdirection kit
Alexander de Cova
|
Tipps zum Schluss
|
2006
|
|
69
|
|
|
|
wer alles weiss, versteht nichts \n on theory and the importance of getting a distance from it and not knowing things \n christoph borer \n wer alles weiss, versteht nichts in "magsiche welt" 3/2003
2006
compilation
Christoph Borer
|
Wer alles weiss, versteht nichts
|
Also published here- Wer alles weiss, versteht nichts in "Magsiche Welt" 3/2003
|
2006
|
|
45
|
|
|
|
pause \n on breaks / intervals in magic shows \n christoph borer \n pause in "magische welt" 1/2003
2006
compilation
Christoph Borer
|
Pause
|
Also published here- Pause in "Magische Welt" 1/2003
|
2006
|
|
98
|
|
|
|
pseudo-wahrheiten \n on several magic guiding principles \n christoph borer \n pseudo-wahrheiten in "magische welt" 6/2003
2006
compilation
Christoph Borer
|
Pseudo-Wahrheiten
|
Also published here- Pseudo-Wahrheiten in "Magische Welt" 6/2003
|
2006
|
|
100
|
|
|
|
programmgestaltung für eine zauber-theatervosrtellung \n on how to structure a full evening show
- der zeitliche ablauf
- 1. phase: das grundthema
- 2. phase: das konkretisieren
- 3. phase: der letzte schliff
- 4. phase: die nachbearbeitung
- die gestaltung eines programms \n christoph borer \n programmgestaltung für eine zauber-theatervorstellung in "magische welt" 6/2003
2006
compilation
Christoph Borer
|
Programmgestaltung für eine Zauber-Theatervosrtellung
|
Also published here- Programmgestaltung für eine Zauber-Theatervorstellung in "Magische Welt" 6/2003
|
2006
|
|
127
|
|
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|
was ist wo? \n on pocket management \n christoph borer
2006
compilation
Christoph Borer
|
Was ist Wo?
|
2006
|
|
162
|
|
|
|
kommerziell \n on being commercial, and performing situations
- auftrittsmöglichkeiten für zauberkünstler
- Öffentliche auftritte \n christoph borer \n kommerziell in "magische welt" 6/2003
2006
compilation
Christoph Borer
|
Kommerziell
|
Also published here- Kommerziell in "Magische Welt" 6/2003
|
2006
|
|
174
|
|
|
|
die einzige regel im showbusiness \n on the only rule in showbusiness \n christoph borer \n die einzige regel im showbusiness in "magische welt" 6/2003
2006
compilation
Christoph Borer
|
Die einzige Regel im Showbusiness
|
Also published here- Die einzige Regel im Showbusiness in "Magische Welt" 6/2003
|
2006
|
|
177
|
|
|
|
die qualität eines zauberkunststückes: was stellt ein kunststück für die zuschauer dar? \n quality of a trick, puzzle / trick / extraordinary moments \n christian scherer
2006
magische momente
Christian Scherer
|
Die Qualität eines Zauberkunststückes: Was stellt ein Kunststück für die Zuschauer dar?
|
2006
|
|
4
|
|
|
|
"es kommt nicht darauf an, was man vorführt, sondern wie man es vorführt" \n on the maxim it's not about what you perform but how you perform it \n christian scherer
2006
magische momente
Christian Scherer
|
"Es kommt nicht darauf an, was man vorführt, sondern wie man es vorführt"
|
2006
|
|
5
|
|
|
|
casting shadows \n on shadow zones, misdirection \n curtis kam
2006
earning interest
Curtis Kam
|
Casting Shadows
|
2006
|
|
16
|
|
|
|
introduction \n - magic as craft
- designing the effect \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Introduction
|
2006
|
|
13
|
|
|
|
chapter one: picking the best method \n - cleverness
- creativity
- difficulty
- efficiency
- whether it fooled you
- novelty
- the trick with no method
- "it doesn't matter"
- design \n darwin ortiz \n picking the best method \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter One: Picking the Best Method
|
Also published here
|
2006
|
|
17
|
|
|
|
chapter two: the magical experience \n - the magical experience
- deception vs. illusion
- puzzle vs. miracle \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Two: The Magical Experience
|
2006
|
|
29
|
|
|
|
chapter three: causality \n - no way
- making casual connections
- the design bonus
- analytical tools
-- inner reality vs. outer reality \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Three: Causality
|
2006
|
|
35
|
|
|
|
chapter four: temporal distance \n - the critical interval
- case studies
- the magician mentality (on larry jennings's "aces for experts") \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Four: Temporal Distance
|
2006
|
|
45
|
|
|
|
forward time displacement \n - time misdirection
- time displacement and acting
- time displacement and magic gestures
- time displacement convincers
- the time displacement device
- case study: carlyle's homing card
- forward time displacement methodology
- double time displacement
- time displacement and presentation \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Forward Time Displacement
|
2006
|
|
50
|
|
|
|
backward time displacement \n - psychological surrender
- case study: carlyle's homing card
- case study: oral hygiene
- backward time displacement methodology
- backward time displacement and intensity misdirection \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Backward Time Displacement
|
2006
|
|
68
|
|
|
|
time displacement and sleights \n - where the dirty work happens
- where the move happens \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Time Displacement and Sleights
|
2006
|
|
77
|
|
|
|
chapter five: spatial distance \n - positioning effect and method in space
- time and space
- removing the evidence
- secret transfer
- shifting location of revelation
- isolation
- producing a distant duplicate
-- the two-out-of-three rule
-- the vanish and the production
-- subverting the timeline
- creating false proximity \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Five: Spatial Distance
|
2006
|
|
81
|
|
|
|
chapter six: conceptual distance \n - physical barriers
-- the hole container
- information barriers
-- case study: the trick that can't be explained
-- information barriers and conservation
-- creating information barriers
-- case study: note under cup
- the veils principle
- barriers of false explanations
- eliminate suspicion before it forms \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Six: Conceptual Distance
|
2006
|
|
103
|
|
|
|
chapter seven: the false frame of reference \n - the straight and narrow path
- the "too obvious" theory
- method as effect
- the method/effect shift
- the final false solution
- frame of reference and kickers
- the crooked path \n darwin ortiz \n the "too perfect" theory \n rick johnsson \n prior commitment \n simon aronson
2006
designing miracles
Darwin Ortiz
|
Chapter Seven: The False Frame of Reference
|
Related to
|
2006
|
|
127
|
|
|
|
chapter eight: visual magic \n - defining visual magic
- visual vs. mental components
- laying the groundwork
- strengthening visual magic
-- momentary delay
-- time displacement in visual magic
-- conceptual barriers in visual magic
- limitations of visual magic
- exploiting visual magic
-- as a time displacement device
-- as a validating phase
-- as part of a visual/covered deisgn
-- as incidental magic \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Eight: Visual Magic
|
2006
|
|
143
|
|
|
|
chapter nine: correlation: making and breaking patterns \n - conviction
- repetition
- elimination pattern clues
-- method vs. technique
-- complete time displacement
-- combining different methods
- the composite perfect method
-- case study: carlyle's homing card
- the rule of three
- thematic misdirection
- creating false correlations \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Nine: Correlation: Making and Breaking Patterns
|
2006
|
|
163
|
|
|
|
chapter ten: manipulating memory \n - the fallacy of deep motivation
- telegraphing motivation
- ruses
-- incidental actions
-- accidental actions
-- extraneous actions
- altering the final picture
- final points \n darwin ortiz
2006
designing miracles
Darwin Ortiz
|
Chapter Ten: Manipulating Memory
|
2006
|
|
179
|
|
|
|
speak up! - finding your creative voice \n \n arthur trace
2006
genii
Arthur Trace
|
Speak Up! - Finding Your Creative Voice
|
Apr. 2006
|
|
56
|
|
|
|
creative hits and misses \n the honest liar
"when good scripts go bad"
- talent versus taste
- the act of metaphor \n jamy ian swiss
2006
antinomy
Jamy Ian Swiss
|
Creative Hits and Misses
|
Feb. 2006
|
|
43
|
|
|
|
how do we insult thee? let me count the ways. \n the honest liar \n jamy ian swiss \n how do we insult thee? let me count the ways \n jamy ian swiss
2006
antinomy
Jamy Ian Swiss
|
How Do We Insult Thee? Let Me Count The Ways.
|
Also published here
|
Aug. 2006
|
|
42
|
|
|
|
what works \n the honest liar \n jamy ian swiss \n what works \n jamy ian swiss
2006
antinomy
Jamy Ian Swiss
|
What Works
|
Also published here
|
Nov. 2006
|
|
43
|
|
|
|
building an act \n - die richtige einstellung
- notwendige fähigkeiten
- eine idee für die darbietung entwickeln
- die chancen des erfolgs beurteilen
- realisieren sie ihre darbietung
- verbessern sie ihr darbietung
- anreize für das publikum
- bühnentechniken
- sehr grundlegende techniken des theaters
- empfohlene bücher \n tommy wonder \n building an act \n tommy wonder
2006
building an act
Tommy Wonder
|
Building an Act
|
Also published here
|
2006
|
|
2
|
|
|
|
never say never again! \n on repeating a trick \n nicolai friedrich
2006
magic
Nicolai Friedrich
|
Never say Never again!
|
Jan. 2006
|
|
94
|
|
|
|
the blind spot \n \n thomas fraps \n flicking letters \n augustin coppey
2006
magic
Thomas Fraps
|
The Blind Spot
|
Related to
|
Feb. 2006
|
|
94
|
|
|
|
next-book syndrome \n - viewpoint \n darwin ortiz
2006
magic
Darwin Ortiz
|
Next-Book Syndrome
|
Mar. 2006
|
|
28
|
|
|
|
balance \n \n jörg alexander weber
2006
magic
Jörg Alexander Weber
|
Balance
|
Mar. 2006
|
|
91
|
|
|
|
revelations \n thoughts on implied effects via choice of revelation used \n benjamin earl
2007
seeing with photo-electric eyes
Benjamin Earl
|
Revelations
|
2007
|
|
17
|
|
|
|
thoughts on misdirection \n \n benjamin earl
2007
seeing with photo-electric eyes
Benjamin Earl
|
Thoughts on Misdirection
|
2007
|
|
18
|
|
|
|
inspiration, perspiration and astonishment \n \n jack parker
2007
52 memories
Jack Parker
|
Inspiration, Perspiration And Astonishment
|
2007
|
|
207
|
|
|
|
magic evolution \n \n asi wind
2007
chapter one
Asi Wind
|
Magic Evolution
|
2007
|
|
1
|
|
|
|
the oxygen of suspense \n on suspense in presentation \n asi wind \n el suspenso del oxigeno \n asi wind
2007
chapter one
Asi Wind
|
The Oxygen of Suspense
|
Also published here
|
2007
|
|
21
|
|
|
|
subliminal \n on negative suggestions \n asi wind
2007
chapter one
Asi Wind
|
Subliminal
|
2007
|
|
29
|
|
|
|
the other place \n stewart's ideas on the creative process \n stewart james \n allan slaight
2007
the essential stewart james
Stewart James, Allan Slaight
|
The Other Place
|
2007
|
|
74
|
|
|
|
essay by sj \n essay on creativity \n stewart james
2007
the essential stewart james
Stewart James
|
Essay by SJ
|
2007
|
|
108
|
|
|
|
sobre el control de la atención - primera parte \n on the control of attention, first part \n manuel montes
2007
el manuscrito
Manuel Montes
|
Sobre el control de la atención - Primera parte
|
2007
|
|
6
|
|
|
|
¿me haces un truco? \n thoughts about the question of "can you show me a trick?" \n kike gonzalez
2007
el manuscrito
Kike Gonzalez
|
¿Me haces un truco?
|
2007
|
|
10
|
|
|
|
las 3 reglas de oro del mago \n the three golden rules for a magician, about the saying of billy wilder "thou shall not bore" and its applicability to magic \n antonio del pozo
2007
el manuscrito
Antonio del Pozo
|
Las 3 Reglas de Oro del mago
|
2007
|
|
23
|
|
|
|
la verticalización en la magia \n the verticalization in magic, to be more visible, using camera and projector (notes by juan tamariz) and other
- campo ficticio de verticalización
- facilitando la verticalización
- la copa de cristal: una solución
- preyector y cámara \n dani daortiz \n juan tamariz \n añadido a la verticalización \n manuel montes
2007
el manuscrito
Dani DaOrtiz, Juan Tamariz
|
La Verticalización en la magia
|
Variations
|
2007
|
|
8
|
|
|
|
el arte de la magia \n thoughts on magic as an art \n manuel montes
2007
el manuscrito
Manuel Montes
|
El arte de la magia
|
2007
|
|
11
|
|
|
|
in search of street magic \n the honest liar \n jamy ian swiss \n the antinomy perspective \n gene taylor \n in search of humility \n joshua jay
2007
antinomy
Jamy Ian Swiss
|
In Search of Street Magic
|
Related to
|
Mar. 2007
|
|
36
|
|
|
|
lasting lessons \n the honest liar \n jamy ian swiss
2007
antinomy
Jamy Ian Swiss
|
Lasting Lessons
|
June 2007
|
|
41
|
|
|
|
empathy \n the honest liar \n jamy ian swiss \n empathy \n jamy ian swiss
2007
antinomy
Jamy Ian Swiss
|
Empathy
|
Also published here
|
Oct. 2007
|
|
41
|
|
|
|
potenciadores del impacto mágico \n on the magical impact
- 1.) la actitud del mago ante su magia como potenciadora del impacto mágico
- 2.) los objectos empleados como potenciadores del impacto mágico
- 3.) las cualidades sensoriales del momento del efecto
- 4.) las cualidades temporales del momento del efecto como potenciadores del impacto mágico
- 5.) la intervencion de un espectador colaborador como potenciadora del impacto mágico
- 6.) la limpieza del prodecimiento como potenciadora del impacto mágico
- 7.) lineas argumentales falsas como potenciadoras del impacto mágico \n miguel gómez \n donald lehn
2007
el placer de la magia
Miguel Gómez, Donald Lehn
|
Potenciadores del impacto mágico
|
2007
|
|
48
|
|
|
|
¿por qué hacemos la magia que hacemos? \n essay from 2001, with addition from 2007
- apostilla, seis años después \n miguel gómez \n "¿por qué hacemos la magia que hacemos?" in "la circular de la escuela mágica de madrid" n° 274, 2001. p. 312.
2007
el placer de la magia
Miguel Gómez
|
¿Por qué hacemos la magia que hacemos?
|
Also published here- "¿Por qué hacemos la magia que hacemos?" in "La Circular de la Escuela Mágica de Madrid" N° 274, 2001. P. 312.
|
2007
|
|
86
|
|
|
|
la técnica \n on technique \n miguel gómez
2007
el placer de la magia
Miguel Gómez
|
La Técnica
|
2007
|
|
130
|
|
|
|
la práctica \n on practicing magic
- 1. analizar la técnica: distinguir entre movimiento falso y oculto
- 2. ensayar por encimo del objetivo
- 3. cambiar la posición de la baraja
- 4. tener la baraja en las manos. (¡qué gran ensayo!)
- 5. dosificar las técnicas difíciles. practicarlas y dejarlas descansar por un tiempo. \n miguel gómez
2007
el placer de la magia
Miguel Gómez
|
La práctica
|
2007
|
|
134
|
|
|
|
peaks and valleys \n \n tom stone \n peaks and valleys \n tom stone
2007
the eye of the last dragon
Tom Stone
|
Peaks and valleys
|
Also published here
|
2007
|
|
12
|
|
|
|
customer care for conjurors \n \n drew mcadam
2007
miraculous minds
Drew McAdam
|
Customer Care for Conjurors
|
2007
|
|
59
|
|
|
|
the gentle art of audience handling \n \n drew mcadam
2007
miraculous minds
Drew McAdam
|
The Gentle Art of Audience Handling
|
2007
|
|
60
|
|
|
|
do you have an act? \n \n ron bauer
2008
the ron bauer 2008 lecture
Ron Bauer
|
Do You Have an Act?
|
2008
|
|
4
|
|
|
|
engineering miracles \n - magic vs. miracle
- premeditated
- improv
- final thoughts \n dan buck \n dave buck
2008
organic
Dan Buck, Dave Buck
|
Engineering Miracles
|
2008
|
|
6
|
|
|
|
introduction \n about magic and wonder \n robert e. neale
2008
this is not a book
Robert E. Neale
|
Introduction
|
2008
|
|
ix
|
|
|
|
ascanio on daley \n on being an artist, transcript from a talk at the jornadas cartomagicas del escorial \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
Ascanio on Daley
|
2008
|
|
102
|
|
|
|
baiting actions \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
Baiting Actions
|
2008
|
|
161
|
|
|
|
on stressing the initial situation \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
On Stressing the Initial Situation
|
2008
|
|
254
|
|
|
|
on the apparent continuity of the initial situation \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
On the Apparent Continuity of the Initial Situation
|
2008
|
|
258
|
|
|
|
on the baiting actions \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
On the Baiting Actions
|
2008
|
|
258
|
|
|
|
the principle of working for the future applied \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
The Principle of Working for the Future Applied
|
2008
|
|
267
|
|
|
|
the theory of parenthesis of forgetfulness applied \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
The Theory of Parenthesis of Forgetfulness Applied
|
2008
|
|
268
|
|
|
|
deception through timing \n \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
Deception Through Timing
|
2008
|
|
318
|
|
|
|
the psychological aspects of black days \n thorough analysis and lots of psychological finesses \n arturo de ascanio \n my version of black days \n arturo de ascanio
2008
the magic of ascanio — more studies of card magic
Arturo de Ascanio
|
The Psychological Aspects of Black Days
|
Related to
|
2008
|
|
375
|
|
|
|
communicating in magic: sender, receiver and message \n - what kind of magic?
- the secret move
- how to finally reveal the card
- difficult move - great effect?
- male - female. is there any difference in the appreciation of magic?
- icebreaker
- jack of diamonds (an example of simplicity)
- effect
- performance
- conclusion \n lennart green
2008
the green northern lights magic
Lennart Green
|
Communicating in Magic: Sender, Receiver and Message
|
2008
|
|
5
|
|
|
|
añadido a la verticalización \n thoughts on the verticalization in magic \n manuel montes \n la verticalización en la magia \n dani daortiz \n juan tamariz
2008
el manuscrito
Manuel Montes
|
Añadido a la verticalización
|
Inspired by
|
2008
|
|
4
|
|
|
|
encaminando la magia \n tips for people starting in magic \n sergio seremi
2008
el manuscrito
Sergio Seremi
|
Encaminando la magia
|
2008
|
|
9
|
|
|
|
estructurar-construir unda rutina \n on how to structure a performance / act \n manuel montes
2008
el manuscrito
Manuel Montes
|
Estructurar-Construir unda Rutina
|
2008
|
|
20
|
|
|
|
persona, personalidad y personaje \n on magic as an art, personality \n Ángel azar
2008
el manuscrito
Ángel Azar
|
Persona, personalidad y personaje
|
2008
|
|
56
|
|
|
|
el arte de la simplificación y fred kaps \n on simplyfication \n roberto giobbi \n el arte de la simplificación y fred kaps - segunda parte \n roberto giobbi
2008
el manuscrito
Roberto Giobbi
|
El Arte de la simplificación y Fred Kaps
|
Related to
|
2008
|
|
91
|
|
|
|
palabras mágicas \n on using spells and words in magic
1. como recurso técnico: conjurors
2. como recurso ficcional: hechizos
3. como recurso dramático expresivo: encantamientos \n juan esteban varela
2008
el manuscrito
Juan Esteban Varela
|
Palabras Mágicas
|
2008
|
|
122
|
|
|
|
conferencia de kaps en magic circle \n translation by antonio iturra of theory parts of fred kaps "it's so simple" lecture at the magic circle 1965
- presentación
- numismagia y naturalidad
- técnica y los principios en los juegos de magia
- topit y misdirection
- empalme italiano
- teatralidad y profesionalismo \n fred kaps \n it's so simple \n fred kaps
2008
el manuscrito
Fred Kaps
|
Conferencia de Kaps en Magic Circle
|
Also published here
|
2008
|
|
129
|
|
|
|
preserving mystery \n the honest liar \n jamy ian swiss \n preserving mystery \n jamy ian swiss
2008
antinomy
Jamy Ian Swiss
|
Preserving Mystery
|
Also published here
|
Jan. 2008
|
|
36
|
|
|
|
the js rules of magic \n the honest liar
- something extra... the truth about the js rules (page 48) \n jamy ian swiss \n the js rules of magic \n jamy ian swiss
2008
antinomy
Jamy Ian Swiss
|
The JS Rules of Magic
|
Also published here
|
Oct. 2008
|
|
36
|
|
|
|
additional forgotten subtleties \n \n patrick g. redford
2008
glemme
Patrick G. Redford
|
Additional Forgotten Subtleties
|
2008
|
|
44
|
|
|
|
wieso - welhalb - warum und schließlich: was? \n "weshalb" typo, on why and what questions in performance \n carl montada
2008
gedanken zum lesen
Carl Montada
|
Wieso - welhalb - warum und schließlich: was?
|
2008
|
|
26
|
|
|
|
mögliche fünf ebenen eines abendprogramms \n on putting together a full evening show \n carl montada
2008
gedanken zum lesen
Carl Montada
|
Mögliche fünf Ebenen eines Abendprogramms
|
2008
|
|
37
|
|
|
|
the resonance theory \n \n tom stone \n resonance theory \n tom stone
2008
snapshots
Tom Stone
|
The Resonance Theory
|
Also published here
|
2008
|
|
8
|
|
|
|
people like you \n being likable, having good stage presence \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
People Like You
|
2008
|
|
37
|
|
|
|
the durham hand flasher \n a large burst of sparks suddenly appears surrounding you, how to construct gimmick, general thoughts about show opener \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
The Durham Hand Flasher
|
2008
|
|
45
|
|
|
|
rhythm in magic \n \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
Rhythm in Magic
|
2008
|
|
55
|
|
|
|
sweet talk \n writing scripts \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
Sweet Talk
|
2008
|
|
71
|
|
|
|
practice and rehearsal \n \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
Practice and Rehearsal
|
2008
|
|
89
|
|
|
|
where the magic happens \n framing magic for standup situations \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
Where the Magic Happens
|
2008
|
|
113
|
|
|
|
a volunteer from the audience \n \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
A Volunteer from the Audience
|
2008
|
|
135
|
|
|
|
the right stuff \n thoughts on making magic relatable, memorable, magic that suits you, etc. \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
The Right Stuff
|
2008
|
|
175
|
|
|
|
in praise of white \n advocates using white-colored props \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
In Praise of White
|
2008
|
|
191
|
|
|
|
fear, bravado and lies \n \n geoffrey durham
2008
professional secrets
Geoffrey Durham
|
Fear, Bravado and Lies
|
2008
|
|
209
|
|
|
|
defining our subject \n on performing verbal magic, how to manipulate the memory \n juan tamariz
2008
verbal magic
Juan Tamariz
|
Defining Our Subject
|
2008
|
|
3
|
|
|